Valentins Ozolins

Trees. 2016. Paper, etching, 2/5, 29x40 cm

2016

In a tavern. engraver Jan De Visscher (1933-1692) Paper, engraving, 21x25 cm

The road from the mill. 1975 Paper, etching, 10x14.5 cm was a Soviet, Russian painter, graphic artist, art teacher, professor of the Leningrad Institute of Painting, Sculpture and A...

Old Town, paper, etching, 32x24.5 cm Piotr Petrovich Belousov (1912-1989) was a Soviet, Russian painter, graphic artist, art teacher, professor of the Leningrad Institute of Paintin...

Forest Road, paper, etching, 21.5x28.5 cm Piotr Petrovich Belousov (1912-1989) was a Soviet, Russian painter, graphic artist, art teacher, professor of the Leningrad Institute of Pa...

The Road From the Mill, paper, etching, 10x14.5 cm Piotr Petrovich Belousov (1912-1989) was a Soviet, Russian painter, graphic artist, art teacher, professor of the Leningrad Instit...

From the Pasture Paper, etching, 13x19 cm Piotr Petrovich Belousov (1912-1989) was a Soviet, Russian painter, graphic artist, art teacher, professor of the Leningrad Institute of Pa...

Print on canvas with lotuses “STRENGTH. REBIRTH. PURIFY” in realism, which was painted by the artist Maria Matveyeva. The print size is 50x50cm plus ...

This architectural drawing of a Suburban Villa in the countryside near Paris, France is from a 1872 book titled Private Architecture In the XIX Century Under Napoleon III. Second Series. New Houses Of Paris And Surroundings. This book was dedicated to Baron Haussmann, the name who is credited with transforming Paris' slums into the thriving metropolitan center we know today. The architect listed for this floor plan...

Evening Train – Marylebone Station and Coastal Trains Diptych by John Duffin [2020] limited_edition Etching on Paper Edition number 10 and 30 Image size: H:38 cm x W:21 cm Complete ...

Sarah Duncan Auahituroa Limited Edition Etching Print Edition of 20 Sheet Size: H 70cm x W 70cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indication of ho...

John Sloan's Westminster Abbey portfolio is among the most rare of his printmaking output, and a complete set like this is even more unusual. Printed in dark brown ink in on a sturdy...

Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish. [Milton 98]. Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...