Items Similar to Forum of Minerva, Assisi, Italy
Want more images or videos?
Request additional images or videos from the seller
1 of 2
William Walcot R. E. Hon. R. I. B. A.Forum of Minerva, Assisi, Italy1919
1919
About the Item
Etching with aquatint on watermarked F J Head & Co. cream laid paper, 9 3/4 x 11 1/2 inches (245 x 290 mm), full margins. Signed in pencil, lower margin. Scattered age tone and mat tone around perimteter of image, image itself has some light age tone. Scattered areas of light discoloration from adhesive residue at top right and left sheet corners, well outside of image area. Image area is bright and in generally good condition.
Literature includes Sir Reginald Blomfield, Architectural Water-Colours and Etchings of W Walcot, London: H C Dickins & Technical Journals, 1919, Page 15; Elizabeth Harvey-Lee 5.
- Creator:William Walcot R. E. Hon. R. I. B. A. (1874 - 1943, British)
- Creation Year:1919
- Dimensions:Height: 9.75 in (24.77 cm)Width: 11.5 in (29.21 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Middletown, NY
- Reference Number:
William Walcot R. E. Hon. R. I. B. A.
When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole in 1898. In 1907, Walcot settled in London where he was employed as a draughtsman by the South-African-born architect, Eustace Frere. In 1933, Walcot designed one London building, 61 St. James Street, but his main architectural activity was that of a freelance draughtsman. He produced drawings and etchings for architects to show their clients and to exhibit at the Royal Academy summer exhibitions. Throughout the 1920s and 1930s, Walcot was the most celebrated architectural draughtsman in England, enhancing the scale and drama of the buildings he depicted with his mastery of techniques including watercolor and gouache.
About the Seller
5.0
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 2004
1stDibs seller since 2022
30 sales on 1stDibs
Typical response time: 9 hours
- ShippingRetrieving quote...Ships From: Middletown, NY
- Return PolicyA return for this item may be initiated within 30 days of delivery.
More From This SellerView All
- Shadows of VeniceBy John Taylor ArmsLocated in Middletown, NYEtching and aquatint on antique laid paper, wide margins. Signed, dated and inscribed "Edition of 100" in pencil, lower margin. Second state (of 2)....Category
Mid-20th Century American Modern Landscape Prints
MaterialsAquatint, Laid Paper, Etching
- From the Ponte Vecchio, FlorenceBy John Taylor ArmsLocated in Middletown, NYEtching and aquatint on hand made F.J. Head & Co watermarked cream laid paper, full margins. Signed and dated in pencil, lower right margin. From the edition of 160 (from a total of ...Category
1920s American Modern Landscape Prints
MaterialsHandmade Paper, Laid Paper, Etching, Aquatint
- Les Quartier des GobelinsBy Auguste LepèreLocated in Middletown, NYParis: Gazette des Beaux Arts, 1896. Etching with aquatint on cream laid paper, 7 7/8 x 4 7/8 (200 x 125 mm), full margins. Edition of roughly 750. In good condition with uniform ton...Category
Late 19th Century French School Landscape Prints
MaterialsEtching, Aquatint, Laid Paper
- Communipaw, NY; January ThawBy Thomas MoranLocated in Middletown, NYA delicate composition of an industrial Hudson River town, seen from lower Manhattan; a view of what is now Liberty State Park. New York: 1884. Etching with aquatint on cream laid p...Category
Late 19th Century Realist Landscape Prints
MaterialsLaid Paper, Aquatint, Etching
- Durham Cathedral - English SchoolLocated in Middletown, NYEtching with aquatint on cream laid paper with a partial Arches watermark, 5 3/8 x 4 inches (135 x 100 mm), full margins. Signed illegibly in pencil in the lower right margin.Category
Early 20th Century Landscape Prints
MaterialsEtching, Laid Paper, Aquatint
- The Church of St. Francis and the Natizone; CividaleBy John Taylor ArmsLocated in Middletown, NY1931. Etching on antique laid Japon paper, 10 x 14 13/16 inches (254 x 377 mm), full margins. Signed in pencil and inscribed "Ed. 100" (from a total edition of 128). Third state (of ...Category
Mid-20th Century American Modern Landscape Prints
MaterialsLaid Paper, Handmade Paper, Etching
You May Also Like
- 'Beach at Menton', Paris, Ecole des Beaux-Arts, New York, Woman Artist, MadridBy Cuca RomleyLocated in Santa Cruz, CASigned, lower right, in pencil, 'Cuca Romley' (Spanish, born 1933), titled 'Plage de Menton' lower center and inscribed, lower left, with number and limitation, '77/175'. An elegant view of this famous resort town in the South of France with bathers and holiday makers seen on the beach and a view beyond to the famous 17th century, baroque Basilica of St. Michael. Born in Madrid, Cuca Romley studied at the Ecole des Beaux-Arts in Paris. Over the course of a long career, she has exhibited internationally with success including at the Salon Nacional de Dibujos de Alta Costura...Category
Late 20th Century Modern Landscape Prints
MaterialsLaid Paper, Etching
- American Modernist Sacsahuaman Landscape Aquatint Etching Philip PearlsteinBy Philip PearlsteinLocated in Surfside, FLPhilip Pearlstein (American, 1924-) Large Sacsahuaman Landscape Etching Aquatint, 1979 From the series Ruins and Landscapes. Sugar-lift, aquatint and roulette on ivory wove paper. Sacsayhuamán, often spelled Sacsahuaman or Saqsaywaman (from Quechua Saqsaywaman (pukara) '(fortress) of the royal falcon or hawk') is a citadel on the northern outskirts of the city of Cusco, Peru, the historic capital of the Inca Empire. The site is at an altitude of 3,701 m (12,142 ft). The complex was built by the Incas in the 15th century, particularly under Sapa Incan Pachacuti and his successors. Dry stone walls constructed of huge stones were built on the site, with the workers carefully cutting the boulders to fit them together tightly without mortar. In 1983, Cusco and Sacsayhuamán together were designated as sites on the UNESCO World Heritage List, for international recognition and protection. Philip Pearlstein is an influential American painter best known for Modernist Realism nudes. Cited by critics as the preeminent figure painter of the 1960s to 2000s, he led a revival in realist art. He is a Distinguished Professor Emeritus with paintings in the collections of over 70 public art museums. Philip M. Pearlstein was born on May 24, 1924 in Pittsburgh, PA. He attended Saturday morning classes at Pittsburgh's Carnegie Museum of Art. In 1942, at the age of 18, two of his paintings won a national competition sponsored by Scholastic Magazine, and were reproduced in color in Life magazine. In 1942, he enrolled at Carnegie Institute of Technology's art school, in Pittsburgh, where he painted two portraits of his parents now held by the Carnegie Museum of Art, but after one year he was drafted by the US Army to serve during World War II. He was initially assigned to the Training Aids Unit at Camp Blanding, Florida, where he produced charts, weapon assembly diagrams and signs. In this role, he learned printmaking and the screenprinting process, and subsequently was stationed in Italy making road signs. While in Italy, he took in as much renaissance art as was accessible in Rome, Florence, Venice and Milan, and also produced numerous drawings depicting life in the Army. In 1946, sponsored by the GI Bill, he returned to Carnegie Institute, and first met Andy Warhol, who was attracted to Pearlstein because of his notoriety in the school, having been featured in Life magazine. During the summer of 1947, the three rented a barn as a summer studio. Immediately after graduating in June 1949 with a BFA, Pearlstein and Warhol moved to New York City, at first sharing an eighth-floor walkup tenement apartment on St. Mark's Place at Avenue A. He was eventually hired by Czech designer Ladislav Sutnar, mainly doing industrial catalog...Category
1970s American Modern Landscape Prints
MaterialsPaper, Aquatint
- Crab Boats, Southampton Water /// Impressionist British Seascape Ship MaritimeBy Aileen Mary ElliotLocated in Saint Augustine, FLArtist: Aileen Mary Elliot (English, 1896-1966) Title: "Crab Boats, Southampton Water" *Signed by Elliot in pencil lower right Circa: 1925 Medium: Original Drypoint Etching on laid p...Category
1920s Impressionist Landscape Prints
MaterialsDrypoint, Etching, Laid Paper, Intaglio
- The Wedding Procession - Le Cortege nuptial - 17thC Etching from Les PastoralesBy Claudine Bouzonnet-StellaLocated in Meinisberg, CHEngraved by Claudine Bouzonnet-Stella (French, 1636-1697) After Jacques Stella (French 1596-1657) The Wedding Procession - Le Cortege nuptial • Copper engraving on laid paper • Sh...Category
17th Century Naturalistic Figurative Prints
MaterialsInk, Laid Paper, Etching
- “Returning Home”By Hermanus Jan Hendrik RijkelijkhuysenLocated in Southampton, NYOriginal etching on Ingres laid paper (watermarked, see last photograph) attributed to the hand of the well known Dutch artist, Hermanus Jan Hendrik Rijkelijkhuysen. No visible signature. Sheet size 9.25 by 12 inches. Sight size 7 by 9 inches. Under glass. Circa 1875. Condition is excellent. Professionally matted and framed in a walnut colored frame with gold leaf edge. Overall framed measurements are 12.75 by 14.5 inches. Gallery label verso. Provenance: A Sarasota, Florida collector. Biography: Hermanus Jan Hendrik Rijkelijkhuysen (1813-1883) was a landscape painter and etcher. Rijkelijkhuysen spent most of his life working in the vicinity of his birthplace Utrecht. Inspired by the polders on the one hand and the Utrechtse Heuvelrug on the other, he mainly painted and etched water...Category
1870s Academic Landscape Prints
MaterialsLaid Paper, Etching
- "Under the Street Lamp" Imp. EtchingBy Martin LewisLocated in Houston, TXCopperplate etching by Martin Lewis titled "Under the Street Lamp." Edition of 100. Printed on laid paper with watermark and 83 recorded impressions. McCarron catalogue raisonne #70. Signed in pencil with "imp" next to the signature. In the bottom right corner is a penciled 75 and in the top right corner is a 50. The etching is framed and was taken out of the frame for condition report and photographs. The gallery label is on the back of the matte inside the frame. Dimensions without Frame: H 15 in x W 9.5 in. Artist Biography: Martin Lewis (1881-1962) was born in Castlemaine, Victoria, Australia on 7 June 1881. He was the second of eight children and had a passion for drawing. At the age of 15, he left home and traveled in New South Wales, Australia, and in New Zealand, working as a pothole digger and a merchant seaman. He returned to Sydney and settled into a Bohemian community outside Sydney. Two of his drawings were published in the radical Sydney newspaper, The Bulletin. He studied with Julian Ashton at the Art Society's School in Sydney. Ashton, an English-born Australian artist and teacher, known for his support of the Heidelberg School and for his influential art school in Sydney. In 1900, Lewis left Australia for the United States. His first job was in San Francisco, painting stage decorations...Category
1920s Naturalistic Figurative Prints
MaterialsLaid Paper, Etching