Lila Katzen

"Golden Wave" Minimalist Vertical Fluid Sculpture by Lila Katzen

1970s

The artwork is a patinated bronze on a marble base. It features a dancing couple. The bronze itself is 10"25 H. It is signed in the cast: S. Carl Overall excellent condition with minor scuffs and oxidation to bronze commensurate with age. Joan Strauss Carl...

Craig French is a contemporary pop-Constructivist sculptor, whose brilliant, lyrical wall pieces have gained an international audience. Cast resins, acryl...

This Brutalist wall sculpture was made in 1970 by assembling and folding patinated and hammered copper and brass sheets mounted on plywood. Stephen Chun...

This oil painting made in 1958 expresses perfectly the 1950s period, very minimalist with a vigorous and colorful layering of paint. Edgar O. Kiechle was born in 1911. He was a movie illustrator and a painter. Edgar studied landscape painting with Jean Mannheim, and architecture, and became an excellent watercolorist. After studying at the Otis Art Institute in Los Angeles, he interned with leading architects and designers in the area. He worked at most major studios but his career as an illustrator saw him primarily at the Universal Studio Art department. In 1933, Edgar joined Lwerks as a background artist and worked on many films produced by Animated Picture Corporation through 1935. In the summer of 1941, Ed Kiechle joined the Universal Studio Art Department as an illustrator for motion pictures. His career as an illustrator saw him primarily at Universal. He also produced hundreds of oil paintings. His first public showing was in an exhibition of motion picture artists in 1945, His work came to the attention of the motion picture colony and many purchases were made by such notables of his day as Ida Lupino, Hedy Lamar...

This minimalist drawing features an interesting combination of red, black, and grey lines and blocks. The main grey block on the right part shows a fabric-like area topped...

This drawing by Radoczy features a delicate and minimalist portrayal of a nude figure rendered in a profile stance. The figure emerges effortlessly from the subdued lines as if each ...

Painted bronze 12 (d) x 23.7 (w) x 18.1 (h) in. (30.5 x 60.2 x 46 cm) Edition of 20 Signed, dated and numbered on base

Spar, 2021 Bronze 18 x 11 x 18 1/2 inches Signed and dated, lower right

"Swing" is a minimalist abstract sculpture in fabricated bronze that was conceived in 1969 and can be considered a Mid-Century Modern artwork. It is finished with Clement Meadmore's ...

"Offshoot" is a horizontal pedestal sculpture by renowned Australian artist Clement Meadmore. It is an elegantly simple form with a beautiful dark brown patina. "Offshoot" balances o...

"Upright" is a minimalist, vertical pedestal sculpture by celebrated Australian artist Clement Meadmore. The sculpture does balance on its own but should be secured to a table or bas...

In this abstract sculpture by Ruth Vollmer, the fusion between contrasting concepts: mathematical precision and natural "organicism", materials in both raw and manipulated states are evident. Signed by the artist. Ruth Vollmer (1903 - 1982 New York City), was a German artist born in Munich. She was born in 1903 and named Ruth Landshoff. Her father, Ludwig Landshoff, was a musicologist and conductor and her mother, Phillipine Landshoff, was an opera singer. Their family was Jewish. At age 19 she began to work as an artist and took the advice of her father to draw every day. She also had many connections to the teachers and students at the Bauhaus. In 1930 she married a pediatrician named Hermann Vollmer, whom she met in Berlin. Ruth and Hermann move from Germany to New York in 1935. Ruth begins work designing window displays for Bonwit Teller, Tiffany's, Lord & Taylor, and other department stores. Her displays experimented with wire, steel, and copper mesh to create figural forms. In 1943, Vollmer becomes a U.S. citizen. In 1944 she receives a commission from the Museum of Modern Art for its fifteenth anniversary exhibition, "Art in Progress." Vollumer continues to work with wire mesh and shows her work Composition in Space at the Museum of Modern Art's 1948 exhibition "Elements of Stage Design." In 1950, she was commissioned to create a mural for the lobby of 575 Madison, where Vollmer created a large wall relief that used wire rods and wire mesh to play with light, texture, and transparency. Vollumer visits Giacometti for a second time during the summer of 1951. During the 1950s she begins to works with clay as well. Additionally, in 1954 she begins to teach at the Children's Art Center at the Fieldston School in Riverdale and continued to teach until the mid-sixties. In 1960, Vollmer participates in the NYU discussion series "Artists on Art" with her friend Robert Motherwell. 1960 is an important year because she also has her first one-person exhibition at Betty Parson's Section Eleven gallery space. Throughout the 1960s Vollmer works with bronze and as well as showing at Betty Parson's gallery several times. In 1963, she joins the group American Abstract Artists (AAA) and includes her work in their exhibitions from 1963 on. By 1970 Vollmer's art is working with complex geometrical forms and mathematical concepts, particularly spirals and platonic solids. Sol LeWitt wrote a short essay on Vollmer's work for Studio International titled "Ruth Vollmer: Mathematical Forms." Vollmer protests the cancellation of the Hans Haacke at The Solomon R. Guggenheim exhibition by writing a letter to the director, Thomas Messer, in 1971. In 1976, she had a large one-person exhibition at the Neuberger Museum of Art. In 1982, Ruth Vollmer dies after a long battle with Alzheimer's. A majority of her large personal art collection of over one hundred sculptures, paintings, and drawings is donated to MoMA. Her art collection included works by Carl Andre, Mel Bochner, Eva Hesse, Sol LeWitt, Ad Reinhardt, Frank Stella, Agnes Martin, and Vardea Chryssa. Exhibitions 1977, Group Exhibition, Betty Parsons Gallery. Mino Argento...