Linda Stein

Brushes at Ease 119 - Mixed Media Assemblage Contemporary Art Wall Sculpture

1987

Linda Stein, Phone Conversation 136 - Mixed Media Assemblage Contemporary Art Wall Sculpture Phone Conversation 136 is from artist Linda Stein's Brush Assemblage series, where she c...

Linda Stein, Pacer 142 - Mixed Media Assemblage Contemporary Art Wall Sculpture Pacer 142 is from artist Linda Stein's Brush Assemblage series, where she combines found objects, inc...

Linda Stein, One Dollar Ring 139 - Mixed Media Assemblage Contemporary Art Wall Sculpture One Dollar Ring 139 is from artist Linda Stein's Brush Assemblage series, where she combine...

Linda Stein, Measured Expansion 69 - Mixed Media Assemblage Contemporary Art Wall Sculpture Measured Expansion 69 is from artist Linda Stein's Brush Assemblage series, where she com...

Linda Stein, First Down 141 - Mixed Media Assemblage Contemporary Art Wall Sculpture First Down 141 is from artist Linda Stein's Brush Assemblage series, where she combines found ob...

Linda Stein, Vertical Stripes 87 - Mixed Media Assemblage Contemporary Art Wall Sculpture Vertical Stripes 87 is from artist Linda Stein's Brush Assemblage series, where she combine...

Inner Most Thoughts 3D Wall Sculpture 2023 Mixed Media Construction, artist signed. This piece of music art represents an abstract symphony composed of 3D wood, bone elements plus collage. It is ready to be hung on the wall for viewing. Made from various found objects plus...

Ken Butler’s hybrid musical instrument sculptures explore the interaction and transformation of common and uncommon objects, sounds, and altered images. Fun...

“Salon (13)“ is a collection of 13 small-scale works by artist Heather Nicol. The installation of 13 assemblages is variable. The artist will personally consult with the buyer and can be on site for the installation. The 13 mixed media pieces include delicate lighting elements that shift and change via arduino electronic devices, or utilize picture lights throwing a soft roll of light across the artwork. These works are linked through their wiring, which is enveloped in a white umbilical cord-like fabric casing, creating an organic, unifying code of display. Heather Nicol is a multidisciplinary artist whose practice includes immersive sound installation, small-scale discrete object making, and independent curating. Her large site-specific interventions explore the architectural, sonic, historic and operational conditions across a wide range of locations. These include concourse atriums, rail terminus, lobbies, a theatre, a public school building, a theme park...

Angelo Canevari's "Mirabile Composto" is a 106.3 x 106.3-inch leather and stone abstract sculpture composed of 12 elements. This piece is part of a limited number of works where Canevari engaged in a different medium than bronze. The title "Mirabile Composto" comes from a 17th-century quote describing the work of the famous Baroque Italian artist Gian Lorenzo Bernini. It refers to Bernini's fusion of architecture, sculpture, and painting. In this work, Canevari skillfully plays with different shades of leather and a river pebble to blur the distinction between painting, sculpture, or architectural pieces. The piece projects a magnetic presence. It reminds the immensity and peacefulness of the golden sand mounds in the Sahara desert when viewed from an aerial view. Angelo Canevari is an Italian sculptor from a long lineage of artists active in Rome since the 17th century. He has been commissioned several works by the Vatican, including the Bronze Doors of the Cathedral of Belluno and the Vatican Coins.

Included: one original KS Icon Drawing. Cabinet 01. 3 styles of Tondo Mugs and 4 Hedz Mugs all sold out. NewTondo stickers first edition of 14, 10 on inner Kabinet doors as plaques and 4 on white lacquer tray. Assorted KS books and early white pages book.1990 KS for Kambly Tin. With reproduction personal photographs inside. Cateyeguy 2004 edition of 2500. Dogeyeguy with original packaging 2004 edition of 2500. Vintage KS deck of cards. New in Box KS zippo 1993 # 75 of 999. KS Lido Paris...

"Construction 1982" Abstract Wall Sculpture Contemporary Mid 20th Century Modern Painted wood assemblage, 36 x 45 x 4 inches overall. Note the label states 3 foot diameter referring to circular portion. Exhibited, Seymour Fogel Constructions Paintings and Drawing, 1984, typed on Graham Modern label verso Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting. Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning. In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958. Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...