Oliver Ashworth-Martin

Achondrite – Eucalyptus & Bronze by Oliver Ashworth-Martin - Sculpture, nature

2019

Vibration n°2 is a bronze sculpture by contemporary artist Martine Demal, dimensions including base (wood plinth, steel base) are 61 × 24 × 12 cm (24 × 9.4 × 4.7 in). The sculpture i...

Variation on a theme II : Hegemony is a unique bronze, steel and ash wood sculpture by contemporary artist Peter Brooke-Ball, dimensions are 19 x 31 x 26 cm (7.5 × 12.2 × 10.2 in). ...

Variation on a Theme II: Avoidance is a unique bronze, steel and oak wood sculpture by contemporary artist Peter Brooke-Ball, dimensions are 23 cm × 24 cm × 24 cm (9.1 × 9.4 × 9.4 in...

Large Vibration is a bronze sculpture by contemporary artist Martine Demal, dimensions including base are 206 × 103 × 45 cm (81.1 × 40.6 × 17.7 in). The sculpture is signed and numb...

The Dolmen is a bronze sculpture with a white stone plinth by French contemporary artist Martine Demal, dimensions are 43 × 17 × 10 cm (16.9 × 6.7 × 3.9 in). The sculpture is signed...

Large Arch is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 40 × 25 × 15 cm (15.7 × 9.8 × 5.9 in). The sculpture is signed and numbered, it is part of a limi...

**ATTENTION** This piece can not be shipped. It need to be sold in California where the showroom is located in Los Angeles. California residents will receive free w...

Series of individual variations Bronze freely rotating on a spalted beech base Stamped with monogram signature and uniquely numbered 579A Rotation allows...

Bronze freely rotating on an oak base Stamped with monogram signature and uniquely numbered 580B Recessed lines are leafed in 24 carat gold and differ on each face. Weight: 5.8 kg

Inspired by the Shoulder Stand in Yoga, aka Sarvangasan, Curiá brings an abstraction to the pose as the figure's legs morph into a wooden boat. The figure has a beautiful green pati...

Archaic stool in solid wood burnt with shou sugi ban technique with bronze details

Sherry Owens Grandfather's Land, 2021 Bronze, patina, crepe myrtle, paint, wax 30 x 46 x 18 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...