Sara Fine-Wilson

"Twist", abstract, ceramic, stoneware, white, brown, sculpture

2014

Sara Fine-Wilsons ”Turn” is a gestural 10.5 x 8 x 6.5 inch ceramic sculpture in cream and white. In this graceful and evocative sculpture individual twisted elements are assembled an...

Sara Fine-Wilsons ”Carry” is a gestural 11 x 7 x 6 inch ceramic sculpture in pale celadon green with accents of warm yellow, brown and white. In this graceful and evocative sculpture...

Sara Fine Wilson's "Rumble" is a small scale abstract mixed media ceramic and plaster sculpture in a neutral palette measuring 6 x 3 x 3 inches. M...

Sara Fine-Wilsons ”Jagged” is a gestural 16 x 9.5 x 6 inch ceramic sculpture in shades of brown, white and cream. In this powerful and evocative sculpture individual slab and pinched...

Sara Fine-Wilson's "Cram" is a 7 x 2 x 3 inch small scale abstract mixed media sculpture, primarily in shades of white with touches of brown. Multiple ceramic elements were previousl...

Sara Fine-Wilson's "Crimp" is a gestural 16.5 x 14 x 8 inch ceramic sculpture in white and cream constructed in white stoneware with porcelain...

Torbjørn Kvasbo (Norwegian, b. 1953) is a ceramic artist of international acclaim, with a career spanning several decades. He lives and works in Venaby...

Torbjørn Kvasbo (Norwegian, b. 1953) is a ceramic artist of international acclaim, with a career spanning several decades. He lives and works in Venaby...

Torbjørn Kvasbo (Norwegian, b. 1953) is a ceramic artist of international acclaim, with a career spanning several decades. He lives and works in Venaby...

April 13, 2016 Stoneware, slip and gold leaf

"My process begins with a thought, a vision, a look, a trigger that draws me to the clay. Gone are the days of exhaustive preliminary sketches and maquettes, I simply visualize how I...

Originally from the Northwest with a B.A. from Stanford University, I have painted, published illuminated books, and lived and traveled extensively in Asia. Now working primarily in ceramics, I draw images from the deep well of past experience, always starting from a strong “mind’s eye” vision. My ceramic pieces are as much about their inside as they are about their sculpted outside. Implied are the dichotomies between the inner and outer, between that which is hidden and that which is seen, between the esoteric and the exoteric, between the soul and the body. I continue to create “Metaphysical Pots” that feature water both inside and outside, becoming metaphorically both the Water of Life and the Infinite Ocean, symbolizing the continuous process between creation and transcendence. Other pieces include shapes that repeat in a pattern that follows the form of the vessel. It is a “bio-geometry” that leads the eye back to the inside...