Artis Lane"Nubian Mask" Male, Head, Sculpture, Bronze1970 -1990s
1970 -1990s
About the Item
- Creator:Artis Lane (1927, Canadian)
- Creation Year:1970 -1990s
- Dimensions:Height: 12 in (30.48 cm)Width: 6 in (15.24 cm)Depth: 7 in (17.78 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Detroit, MI
- Reference Number:1stDibs: LU128616651352
Artis Lane
For work that spans portraiture, oil painting and bronze sculpture, the Canadian artist Artis Lane draws from the spiritual and emotional aspects of human existence. Lane is a trailblazer: She was the first Black woman to be admitted to Cranbrook Academy of Art — a legendary institution within art, design and architecture — and her bronze bust of Sojourner Truth was the first statue of an African-American woman in the United States Capitol.
Lane was born in North Buxton, Ontario, in a town predominantly inhabited by the descendants of slaves who arrived in Canada by way of the Underground Railroad. As her artistic career developed, so did her interest in people of African descent as well as her ideas about the physical world and our bodies being vessels, capable of eventually taking on godly characteristics.
“Lane promotes the primacy of corporeal experience with sculptures that speak to Africa as the beginning of human life,” noted the University of Oklahoma’s Journal of Museum Studies in 2008. Her unique approach to depicting the journey between the physical and spiritual worlds has been to work outside the constraints of the traditional bronze finishing process, leaving the ceramic casing, wire and tubing used to cast it intact as part of the finished piece, whereby the wire is symbolic of bondage to the physical form.
Lane attended what was then called the Ontario College of Art (today, it’s the Ontario College of Art and Design University) on the Edith Chapman scholarship before studying painting at Cranbrook. She took an active role in the artistic communities in the various cities she lived in over the years. In New York and Los Angeles, she befriended actors Cary Grant and Diahann Carroll, and in Detroit, she painted commissioned portraits of auto industry executives to pay the bills. She would go on to paint portraits of many esteemed figures such as President John F. Kennedy, Frank Sinatra, Michael Jordan and Aretha Franklin. Today, a sculpture Lane created of Rosa Parks is on display at the National Portrait Gallery.
Lane received a Lifetime Achievement Award from the California African American Museum and an honorary degree from her alma mater, Cranbrook Academy of Art.
Find a collection of Artis Lane art on 1stDibs.
- ShippingRetrieving quote...Ships From: Detroit, MI
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- "New Woman" Bronze, Frontal Nude Female, Figurative SculptureBy Artis LaneLocated in Detroit, MI"New Woman" is an iconic portrait of a female woman. Her work has been described as follows: "Lane captures the body in various poses, depicting the movement and fluidity of living i...Category
1980s Contemporary Figurative Sculptures
MaterialsBronze, Metal, Steel
- "Rebirth" Bronze Sculpture with Patina, Figures, Naked, MaleBy Artis LaneLocated in Detroit, MIAll my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find ...Category
1990s Contemporary Figurative Sculptures
MaterialsBronze
- "Rosa Parks" Bronze Sculpture, Figurative, Female, PortraitBy Artis LaneLocated in Detroit, MIAll my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find perfection in their own being. - Artis Lane "Rosa Parks...Category
1990s Contemporary Figurative Sculptures
MaterialsBronze
- "Wise Virgin I (Celebration)" Bronze Sculpture, Figurative, Nude Pregnant FemaleBy Artis LaneLocated in Detroit, MIAll my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics In my work. I strive to heal, uplift and inspire viewers and collectors to find ...Category
Late 20th Century Contemporary Figurative Sculptures
MaterialsBronze
- "Woman" Bronze Sculpture with Patina, Female NudeBy Artis LaneLocated in Detroit, MIAll my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics In my work I strive to heal, uplift and inspire viewers and collectors to find p...Category
Late 20th Century Contemporary Figurative Sculptures
MaterialsBronze
- "Rosa Parks Ascending Steps" Bronze, Portrait, Iconic Figure, Historical SceneBy Artis LaneLocated in Detroit, MI"Rosa Parks Ascending Steps" is the portrait of an iconic heroine at a moment of historical significance, chance and change as she is ascending the courthouse steps...Category
Late 20th Century Contemporary Figurative Sculptures
MaterialsBronze
- Caregivers 8x10x7" bronze sculptureBy Clay EnochLocated in Loveland, COCaregivers by Clay Enoch Narrative Multi-Figurative Sculpture Bronze 8x10x7" ed/25 Shipping price includes the custom packing necessary for safe transport of fine art. ABOUT THE AR...Category
2010s Contemporary Figurative Sculptures
MaterialsBronze
- Walking the TightropeBy Jim RennertLocated in Greenwich, CTSculpture of a man in a suit walking carefully across a precarious edge. Edition of 45 Jim Rennert Biography American, b. 1958 National Sculpture Society Fellow Jim Rennert was b...Category
Early 2000s Contemporary Figurative Sculptures
MaterialsSteel, Bronze
- Mother and Daughter, ed. 1/8By Jim RitchieLocated in New York, NYMedium: Patinated bronze mounted on a marble base. Edition: 1/8 Jim Ritchie (1929-2017) born in Montreal, Canada, is known for his pastel drawings and bronze sculptures. He is styli...Category
1980s Contemporary Figurative Sculptures
MaterialsBronze
- MediterraneanBy Jim RitchieLocated in New York, NYMedium: Patinated bronze mounted on a marble base. Edition: 2/8 (Signed verso on base "Ritche 2/8") Jim Ritchie (1929-2017) born in Montreal, Canada, is known for his pastel drawing...Category
1990s Contemporary Figurative Sculptures
MaterialsBronze
- Plains Indian Medallion, bronze, Nambe, Allan Houser, small life-time castingBy Allan HouserLocated in Santa Fe, NMPlains Indian Medallion, bronze, Nambe, Allan Houser, small life-time casting Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist in that he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the war path. This bronze edition is a life-time casting. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is many international collections including the Georges Pomidou Centre, The Smithsonian National Portrait Gallery, The Dahlem Museum among others. Allan’s first bronze sculptures were started in the late 1960’s and were cast at Nambe Foundry. At the time the foundry was producing both Nambeware and was doing some sculptural foundry work. There was a fire at Nambe and they lost many of the molds for sculpture as well as their records. We acquired these works directly from Allan Houser. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...Category
1970s Contemporary Figurative Sculptures
MaterialsBronze
- Jorge Seguí, Ilusion silla, 2000, Bronze, Edition of 7, 78 x 90 x 33 cmBy Jorge SeguíLocated in Miami, FLJorge Seguí Ilusion silla, 2000 Bronze, Edition of 7 78 x 90 x 33 cm 30.7 x 35.4 x 12.9 in. Signed and Numbered. Jorge Seguí b. 1945, Argentina. He atte...Category
Early 2000s Contemporary Figurative Sculptures
MaterialsBronze