Judith Ernst

Contemporary, Geometric, Ceramic, Vessel, Sculpture, Stoneware, Glaze, Design

2016

Originally from the Northwest with a B.A. from Stanford University, I have painted, published illuminated books, and lived and traveled extensively in Asia. Now working primarily in ceramics, I draw images from the deep well of past experience, always starting from a strong “mind’s eye” vision. My ceramic pieces are as much about their inside as they are about their sculpted outside. Implied are the dichotomies between the inner and outer, between that which is hidden and that which is seen, between the esoteric and the exoteric, between the soul and the body. I continue to create “Metaphysical Pots” that feature water both inside and outside, becoming metaphorically both the Water of Life and the Infinite Ocean, symbolizing the continuous process between creation and transcendence. Other pieces include shapes that repeat in a pattern that follows the form of the vessel. It is a “bio-geometry” that leads the eye back to the inside of the vessel, a “Jacob’s Ladder” that leads not just up but in. Using sculptural techniques, I cut through the wall of the pot to get more depth and dynamic movement. I continue to push the limits of my medium, taking apart thrown vessels and reconfiguring them in new ways. Outcroppings 02, Repeating Geometric Ceramic Vessel...

Originally from the Northwest with a B.A. from Stanford University, I have painted, published illuminated books, and lived and traveled extensively in Asia. Now working primarily in ceramics, I draw images from the deep well of past experience, always starting from a strong “mind’s eye” vision...

Originally from the Northwest with a B.A. from Stanford University, I have painted, published illuminated books, and lived and traveled extensively in Asia. Now working primarily in ceramics, I draw images from the deep well of past experience, always starting from a strong “mind’s eye” vision. My ceramic pieces are as much about their inside as they are about their sculpted outside. Implied are the dichotomies between the inner and outer, between that which is hidden and that which is seen, between the esoteric and the exoteric, between the soul and the body. I continue to create “Metaphysical Pots” that feature water both inside and outside, becoming metaphorically both the Water of Life and the Infinite Ocean, symbolizing the continuous process between creation and transcendence. Other pieces include shapes that repeat in a pattern that follows the form of the vessel. It is a “bio-geometry” that leads the eye back to the inside...

The ceramic sculptures of SunKoo Yuh are composed of tight groupings of various forms including plants, animals, fish, and human figures. While Korean art, Buddhism, and Confucian be...

The ceramic sculptures of SunKoo Yuh are composed of tight groupings of various forms including plants, animals, fish, and human figures. While Korean art, Buddhism, and Confucian be...

Aya Mori was born in Aichi Prefecture in Japan in 1989, and lives and work in Aichi. She studied at Aichi University of Education and completed her M.F.A. in 2014 under her mentor, Harumi Nakashima. Currently she works as a part‐time lecturer at Nagoya Zokei University of Art & Design, Aichi, Japan. Her large works were exhibited and became permanent in the collection at Minneapolis Institute of Art, Minneapolis, MN, U.S.A. Recent exhibitions include New Taipei City Yingge Ceramics Museum, New Taipei-city, Taiwan; Duane Reed Gallery...

Sara Fine-Wilson's "Bend" is a gestural 16 x 9 x 6 inch ceramic sculpture in white and cream constructed in white stoneware with porcelain sli...

Sara Fine-Wilson's "Fold" is a gestural 20 x 9 x 8 inch ceramic sculpture in white and cream with accents of grey and blue. It is constructed out of white stoneware with porcelain...

Sara Fine-Wilsons ”Milky Jumble” is a gestural 12.5 x 10 x 8 inch ceramic sculpture in shades of brown, white and cream. In this powerful and evocative sculpture individual slab and ...

Sara Fine-Wilson's "Tousle" is a gestural 13 x 10 x 8.5 inch ceramic sculpture in white and cream with accents of grey and blue. It is constructed out of white stoneware with porcelain...

Sam Chung Moon Jar 3, 2023 stoneware, white slip, glaze 20" h x 22" w x 22" d The moon jar is one of the most iconic ceramic forms in Korea – revered for its simple, austere beaut...

Sam Chung Moon Jar 4, 2023 stoneware, white slip, glaze 21" x 21" x 21" The moon jar is one of the most iconic ceramic forms in Korea – revered for its simple, austere beauty. It ro...