Carlo Ballabio Furniture

A rectangular block in walnut, hosts in its holes wooden rods with multiple functions. As a clothes hanger or table top, as a towel rail or mirror, the obje...

A pair brass coat hanger designed and produced in Italy, 1940s

Stunning Italian Coat Hanger of the 1950s, model 'At4 Fisarmonica', well designed by Arch. Luigi Caccia Dominioni for Azucena. Its structure is adjustable in length and is made of br...

Mirror coat stand produced by the well-known Italian company Decovetro, production in the 70s. Composed of four thick glass hangers, classic mirror...

Appendiabiti su gambe nato dallo studio dei designers Jonathan De Pas, Donato D'Urbino e Paolo Lomazzi per l'azienda Zanotta. Prodotto dagli anni '90, trova ispirazione dall'anatomi...

Multifunctional hanger, storage and shelf in solid wood and exotic rope pattern, packs may functions in one solution to organize the outdoor and indoor space, this object is part of ...

Luigi Caccia Dominioni, AT4 "Fisarmonica" coat hanger for Azucena, Italy, 1950s (Original Vintage version). Technique: Brass and Bakelite. Literature: Domus, n. 319, June 1956, p. ...

Magis Wiking (Viking) coat stand by Toshiyuki Kita in black. Produced by Tecnotubi in Italy; black anodized steel base and tapered column; brushed cast aluminum propeller shaped top ...

A brass coat hanger, designed and produced in Italy, 1940s

Calvet Hanger designed by Antoni Gaudí for BD Barcelona is part of the 2019 collection. Gaudí's work was inspired by his desires in life: architecture, na...

Postmodern tubular chromed steel valet with black steel base by Porada Arredi, Itay 1990s.

A Space Age design with the coat hanger by Studio BBPR. Graduates of the Milan Polytechnic, the four designers in their early work followed the themes of Italian Rationalism of the 1930s, although they were not an integral part of the main 'Group 7' Movement and MIAR, they collaborated on some projects with Figini and Pollini; these compositional canons can be clearly read in an exemplary building such as the colonia elioterapica in Legnano (1938), where they also realised popular housing units, the so-called Le Grazie working-class neighbourhood (1940-1942). They distinguished themselves for various town-planning schemes, the Pavia Master Plan (1932), the Tourism Plan for the Island of Elba (1939), and above all for the most important and far-reaching, the Valle d'Aosta Master Plan (1936-1937). During this period they took an active part in the controversy that arose between rationalists and traditionalists and at first, like others, felt they could support the clash for freedom of expression and the triumph of modern architecture within fascism, but after the introduction of the racial laws of 1938 that also affected one of their collaborators, the BBPR architects...