Dale Barnhart Art

Academic life drawing of male nude with charcoal and graphite by Mark Beard, "MB 018" graphite, Conte crayon and charcoal on Arches paper 30 x 19 inches unframed Signed, lower right ...

Figurative, academic style life drawing of male nude with charcoal and graphite by Mark Beard, "MB 824" graphite, Conte crayon and charcoal on Arches paper 30.5 x 21 inches unframed ...

Shiro Ikegawa was born on July 15, 1933 in Tokyo. He studied art in Japan and moved to Los Angeles in 1956 to study Abstract Expressionism. He attended O...

Signed lower left, 'Marguerite Bordet' (French, 1909-2014) and painted circa 1965. From an early age, Marguerite Bordet avidly pursued both drawing and painting. In the late 1930's and early '40s, she attended the Académie de la Grande Chaumière in Paris where she studied with the sculptor, Antoniucci Volti (Italian, 1915-1989). After several years, and feeling increasingly disconnected with the academic atmosphere of the Salon, she left to develop her independent artistic style. Bordet's first public exhibition took place at the Galerie Claude (1947) and, for the next forty years, she continued to exhibit widely with success, both throughout France and internationally, including in Cairo (1955), Geneva (1960) and the United States (1966). A 1962 exhibition of her work showed a thematic rejection of the Academy's influence and the artist's shift to a more personal and spiritually driven style. Bordet continued to take frequent study trips to Italy, especially to Florence, where she was inspired by the Renaissance Masters. She also visited England (1975-76) where the works of J.M.W.Turner and John Martin at the Tate Museum had a pronounced impact on her development. In an interview with Hervé Serane, Marguerite Bordet described her artistic process in these words: "I start my painting with spots. Sometimes I cover it completely and everything is dark. But then it's stronger than me, I can't bear that there isn't an opening. Immediately, I place a Light. I need the shadow to bring out the Light. So I start with the shadow to create this Light. I cannot define why I need this Light so much. It's stronger than me. It's something that dominates me without my being able to explain it intellectually. It is for me an absolute necessity to seek the Light in the darkness.. You have to open like you open a window. You have to reveal. I remove the stains that obscure my painting to find the luminous background of the canvas.... I only paint with transparent colors and I apply several layers of glaze to preserve this light." Partial Exhibition Record: 1947 Paris, Galerie Claude 1951 Paris, Galerie Breteau - Cairo, Galerie Adam - Alexandria, l'Atelier 1954 Paris, Galerie Simone Bdinier 1955 Cairo, l'Atelier 1959 Paris, Galerie A. Weil 1960 Geneva, Galerie Motte 1962 Paris, Marignan Gallery 1964 Paris, Ror Volmar Gallery 1966 San Rafael (U.SA) International Museum 1966 Cagnes-sur-Mer, Castle Gallery...

Graphite and coloured pencil on paper, signed and dated (lower right), 36cm x 44cm, (45cm x 53cm framed). The picture is behind museum quality non-reflective UV glass. Throughout h...

The Nude  is a drawing, realized in  Mid 20th Century,  by the French post-impressionist painter and illustrator Louis André Berthommé Saint-André (1905-1977).  Black and white penc...

For the Love and the Minotaur. Figurative Pencil Drawing on archival paper. Cuban Artist Jesus Nodarse 11 x 8 inches unframed THE MAN: Jesús Nodarse Valdés was born in Sagua la ...

This is the Original 1969 drawing of the two nude figures that appear on the Jimi Hendrix Spring 1969 concert poster. It is as much of a collectors item as it is a fine work of art. This was given to Hendrix to approve the art for the final poster. You can see images of the full 1969 poster in this listing. David Byrd referred to these women as "Moon Maidens" The art is Pencil on iridescent tracing paper, Matted with it's original "Electric Purple" matt, as done by David Byrd. The original drawing of this full image was used for the 1969 Spring U.S concert tour and it was also used as the image for Hendrix's press kit in 1969 which was given to concert promotors to advertise the concert. David met with Jimi to approve his original drawing. The art measures 7 x 8", and the matted and framed art measures approx. 15x16". David created ALL of the Art for Bill Graham’s Fillmore East, including their Program covers and Rock posters...

Graphite pencil on paper, signed and dated (middle right), 22cm x 20cm, (51cm x 46cm framed). (This work was kept by the artist for his personal collection. This was the only tonal d...

Fun and playful figurative line drawing with three stylized female faces by SusanBrooks (American, b. 1951), 1985. Signed and dated in the lowe...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

A new coffee table book has just been released titled "Poster Child" The Psychedelic Art & Technicolor Life of David Edward Byrd. This original drawing is featured on page 57 of the book. This rare original 1973 drawing was used to create the poster for the Art Deco masterpiece in New York City, Radio City Music Hall. In 1973 The New York City Art Deco Exposition was held at Radio City Music Hall in New York to celebrate the extravagant re-opening and renovation of The New York City art Deco landmark Radio City Music Hall after an extensive renovation. I have also included a photo of the poster to show what the printed poster looked like, the color poster is not included in this sale. David Byrd created some of the most memorable Classic Theatre and Rock and Roll images from the 1960s and 70s. This is the first time that this rare original one of a kind drawing has been available for sale since it was first created over 40 years ago. This is the actual drawing that was presented to approve the poster art. David created ALL of the Art for Bill Graham’s Fillmore East, including their Program covers and Rock posters...