Jim Hodges Art
2
2
1
1
Overall Height
to
Overall Width
to
2
1
1
1
1
1
1
1
1
2
2
6,958
3,340
2,513
1,213
1
1
1
1
1
Artist: Jim Hodges
Arena I (white white)
By Jim Hodges
Located in New York, NY
Screenprint on paper with 24 karat gold leaf, collage and tape on board (Edition of 24)
Signed, titled, dated, and numbered, verso
This artwork is offered by ClampArt, located in Ne...
Category
Early 2000s Contemporary Jim Hodges Art
Materials
Gold Leaf
Really (In Honor of Felix Gonzales-Torres)
By Jim Hodges
Located in New York, NY
Double-sided archival pigment print (Edition of 75)
Signed, titled, dated, and numbered in pencil, recto
This print is offered by ClampArt, located in New York City, and is from "198...
Category
Early 2000s Contemporary Jim Hodges Art
Materials
Archival Pigment
Related Items
David Bowie, as Ziggy, 1973
By Geoff MacCormack
Located in New York, NY
16x20”
Limited Edition Print
Hand Signed by the Photographer
Other sizes available. Please allow extra production time.
Category
20th Century Contemporary Jim Hodges Art
Materials
Archival Pigment
David Bowie, as Ziggy, 1973
By Geoff MacCormack
Located in New York, NY
16x20”
Limited Edition Print
Hand Signed by the Photographer
Other sizes available. Please allow extra production time.
Category
20th Century Contemporary Jim Hodges Art
Materials
Archival Pigment
La Conférence à la Sorbonne, 3 Juin, 1959, Lt Ed Silkscreen cover record albums
By Yves Klein
Located in New York, NY
Yves Klein
La Conférence à la Sorbonne, 3 Juin, 1959, 1959-1963
Two 12-inch vinyl records held in gatefold sleeve with silkscreen cover jacket in IKB International Klein Blue...
Category
1960s Modern Jim Hodges Art
Materials
Plastic, Mixed Media, Screen, Offset, Pencil, Board, Lithograph
No Reserve
H 12.7 in W 12.7 in D 2 in
"I Love You" Limited Edition towel/wall hanging (LARGE: 60 inches x 70 inches)
By Tracey Emin
Located in New York, NY
Tracey Emin
I Love You/I Love Your Soul/I Love Your Smile, ca. 2010
100% Cotton Beach Towel
60 × 70 inches (folded it's 25 x 30 inches)
Signed in plate, authorized printed...
Category
2010s Contemporary Jim Hodges Art
Materials
Cotton, Screen, Mixed Media, Laid Paper
"Insignia #2" Abstract Mixed Media on Handmade Paper
Located in Soquel, CA
"Insignia #2" Abstract Mixed Media on Handmade Paper
Tactile Abstract on handmade paper by David Dodsworth (English, b. 1952) - David’s work is typifi...
Category
1980s Abstract Expressionist Jim Hodges Art
Materials
Gold Leaf
H 43.5 in W 29.25 in D 0.07 in
Three Strikes You're Out (Limited Edition Triptych)
By Robert Longo
Located in New York, NY
Robert Longo
Three Strikes, You're Out (Triptych), 1990
Silkscreen and Color Photograph (C-Print) on Aluminum and Lead Plates
9 4/5 × 23 3/5 inches
Edition 120/200
Boldly signed and numbered in black marker from the edition of 200 on the verso; bears the artist's and publishers printed name & copyright
Unframed
Three Strikes You're Out was created in 1990 by Robert Longo exclusively for the mixed-media box-edition Contemporary Archeology, Pandora Part Three. The works were executed by jennifer Cox for Publishing House Bebert in an edition of 200, numbered and signed copies. This work is assembled as triptych and consists of two aluminium plates. Both aluminium plates show a color photograph of a cloud with silkscreened red X, the lead plate only showing the red X
Total size is: 9.8 inches by 23.6 inches
Individual Metal Plate Sizes: 9.8 x 9.1 in (2) / 9.8 x 5.1 (1)
Unframed
Boldly signed and numbered in black marker from the edition of 200 on the verso; bears the artist's printed name and copyright mark, along with the publisher - Publishing House Bebert, Rotterdam.
Robert Longo Biography:
Robert Longo was born in 1953 in Brooklyn and grew up in Long Island, New York. He graduated high school in 1970, weeks after the Ohio National Guard massacred several students at Kent State University who were protesting the U.S. invasion of Cambodia.
One of those killed was a former classmate of Longo’s, and his body was shown in a Pulitzer Prize-winning photograph that was seen across the world. The event shocked Longo, triggering his interest in political activism and media imagery.
In 1972, Longo received a grant to study restoration and art history in Florence. While touring the museums of Europe, he realized he wanted to make, rather than restore art. In 1973, Longo enrolled at Buffalo State College, where he worked for artists Paul Sharits and Hollis Frampton, who introduced him to structuralist filmmaking. Along with Charles Clough, Longo also co-founded Hallwalls (1974–ongoing), an alternative non-profit art exhibition space where he organized shows and talks with artists such as John Baldessari, Lynda Benglis, Robert Irwin, Joan Jonas, Bruce Nauman, and Richard Serra.
At Buffalo State, Longo started a friendship–that still exists to this day–with Cindy Sherman, and in 1977 the two moved to New York together, where Longo began working as a studio assistant to Vito Acconci and Dennis Oppenheim. That year he was included in the exhibition Pictures at Artist’s Space, curated by Douglas Crimp, which showcased work by a group of five young artists who were engaged with the politics of image-making, drawing from advertisements, newspapers, film, and television. The “Pictures Generation,” as they became known, included artists such as Cindy Sherman, Richard Prince, Louise Lawler, David Salle, and drew from semiotics and poststructuralist theory to investigate the way meaning is made and circulated in modern society. Their work often critiqued the anaesthetizing power of consumer capitalism and the indoctrinating effects of mass media. At his first solo show at Metro Pictures in 1981, Longo presented his charcoal and graphite Men in the Cities drawings, which instantly became icons of the “Pictures Generation,” and some of the most recognizable artworks of the 1980s.
Longo performed in New York rock clubs with the band Menthol Wars with Richard Prince, throughout the 1980s. During that period, he also designed numerous album covers, including Glenn Branca’s The Ascension (1981) and The Replacements’ Tim (1985). In 1986, he directed his first music video for New Order’s chart-topping song Bizarre Love Triangle, and the following year directed The One I Love, a video for R.E.M.’s first hit single.
Longo began working with diverse materials at increasingly ambitious scales. His Combines series, first exhibited in 1983, incorporated materials such as paint, graphite, wood, plaster, cast bronze, and steel in works that were part-painting, part-sculptural reliefs. Using Sergei Eisenstein...
Category
1990s Contemporary Jim Hodges Art
Materials
Metal
David Hockney's Pool, by Benjamin Thomas Taylor
By Benjamin Thomas Taylor
Located in London, GB
Benjamin Thomas Taylor
I Want To Jump In David Hockney’s Swimming Pool With You, 2023
Hand finished screen print on 300gsm Somerset Satin Paper
39 2/5 × 27 3/5 in 100 × 70 cm
Editio...
Category
21st Century and Contemporary Contemporary Jim Hodges Art
Materials
Screen
Plutusia, from Imaginary Places II (Axsom 246). hand signed/N, Framed
By Frank Stella
Located in New York, NY
Frank Stella
Plutusia, from Imaginary Places II (Axsom & Schnitzer, 246), 1996
52 color lithograph, screenprint, etching, aquatint, relief, mezzotint, engraving on white TGL handmade...
Category
1990s Pop Art Jim Hodges Art
Materials
Foil
H 30.5 in W 30 in D 2 in
Red Room (Parents) detail (double sided pillowcase)
By Louise Bourgeois
Located in New York, NY
Louise Bourgeois
Red Room (Parents) detail (double sided work), 2009
Screenprint and embroidery on two sided pillowcase with plate signature, artist's copyright and printed name
21 ×...
Category
Early 2000s Contemporary Jim Hodges Art
Materials
Textile, Screen
"Redness of Red" Lithograph Screenprint Collage Contemporary Abstract Abex 1/100
By Robert Motherwell
Located in New York, NY
"Redness of Red" Lithograph Screenprint Collage Contemporary Abstract Abex 1/100
Redness of Red by Robert Burns Motherwell (1915-1991) Lithograph Scree...
Category
1980s Abstract Jim Hodges Art
Materials
Paper, Lithograph, Screen
Two Screenprinted pillow cases (one hand signed by Baldessari) in bespoke box
By John Baldessari
Located in New York, NY
John Baldessari Pillow Cases in Bespoke Presentation Box (one pillowcase hand signed by John Baldessari) for The Thing Quarterly Issue 22, 2014
Silkscreen on 100% cotton 320 thread count sateen pillowcases (Hand signed by John Baldessari)
Boldly signed in ink by John Baldessari on one of the pillowcases (see photo)
Unframed
One of the pillowcases is hand signed in ink by John Baldessari:
John Baldessari was one of the artists who were invited to contribute an object (or "thing") with text for a special project for "The Thing" publication (read on for more on "The Thing") ; the conceptual object therefore had to incorporate text. Baldessari's contribution in 2014 was a silkscreened pillowcase with text. A limited (unknown) number of these pillowcases were marketed and sold as a set of two in a bespoke box. However, exceptionally, Baldessari hand signed a very few of pillowcases in ink. This is one of the very special sets bearing one hand signed pillow case - purchased directly from "The Thing". (a copy of the 2014 receipt is shown here.) The rest of these boxed sets were not hand signed.
The pillowcase is brand new, and will look gorgeous once pressed and framed by a professional framer.
More about this boxed set:
Issue 22 of THE THING Quarterly is by LA-based conceptual artist John Baldessari. It consists of two 100% cotton sateen pillowcases featuring an image of a woman clutching a pillow. The black and white image is taken from a Hollywood film still in Baldessari's collection and has been silkscreened on each pillowcase with environmentally-friendly, water-based ink. The pillowcases are standard-sized and envelope-style. For those who like their thread count high, the issue clocks in at a solid 320 thread count.
Measurements:
Box
10.5 inches by 13 inches by 2 inches
Pillow
20 inches vertical by 26 inches
What was The Thing Quarterly?
THE THING was an experimental publication created in collaboration with Will Rogan as part of an artist residency. We saw it as a quarterly periodical in the form of an object. Each year, four artists, writers, musicians or filmmakers were invited to create an everyday object that somehow incorporates text. The object is reproduced and hand wrapped at wrapping parties and then mailed to the homes of the subscribers with the help of the United States Postal Service.
It began as part of an artist residency in San Francisco’s Southern Exposure. Will and I had met in grad school at UC Berkeley and discovered our mutual affinity for quarterlies. He was a librarian at SFAI for five years and I had been a high school teacher for five years. WE were both interested pushing the boundaries of publication. Our plan was to create a 1 year publication with four artists, but from the very start the project generated so much interest and international excitement that we found ourselves running a publication complete with a brick and mortar storefront and a staff of four individuals. After 10 years, 34 issues, 59 projects and countless live events, we decided to end the publication in order to pursue our individual projects. We are still working together on a less ambitious new project, and hope to launch it at some point in 2021.
CONTRIBUTORS: have included John Baldessari, Dave Eggers, Miranda July...
Category
2010s Conceptual Jim Hodges Art
Materials
Fabric, Cotton, Screen, Ink, Mixed Media, Cardboard
Everybody Needs a Place to Think (Limited Edition textile in original BBC4 box)
By Tracey Emin
Located in New York, NY
Tracey Emin
Everybody Needs a Place to Think, 2002
Limited Edition Screenprint on Linen Handkerchief with VIP Invite in Original Box
21 × 20 1/4 inches
Limited Edition of 1500
Plate ...
Category
2010s Contemporary Jim Hodges Art
Materials
Textile, Cotton, Paper, Mixed Media, Screen
Jim Hodges art for sale on 1stDibs.
Find a wide variety of authentic Jim Hodges art available for sale on 1stDibs. You can also browse by medium to find art by Jim Hodges in archival pigment print, board, gold leaf and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Jim Hodges art, so small editions measuring 20 inches across are available. Customers who are interested in this artist might also find the work of Frank Yamrus, Rachel Papo, and Joshua Lutz.