Loredano Rosin Art

This piece weaves climbing rope in with glass knots. Each piece is unique and slightly different. The cord is retired climbing rope, given another use by shining in this piece. Rob...

Ira Lujan, Violet and White on Black Quail Hand-Blown Glass 3.5” x 2.5” x 3” 2024

An original work by Noche Crist (1909- 2004). Titled "Femme Fatale" and signed on reverse. Wonderful work made with cut wood, paint and plaster. Catalogue of an exhibition in 2008 ...

Pairs in 2.5” length $75 Additional pieces in 1” length $55, or 2” length $65 Fused glass with sterling silver hooks

Pairs in 2.5” length $75 Additional pieces in 1” length $55, or 2” length $65 Fused glass with sterling silver hooks

Ira Lujan, Yellow on Brown Quail Hand-Blown Glass 5.5” x 3.5” x 4” 2024

Daniel Arsham Future Relic 05: Telephone, 2016 Sold in mint condition - in original box with custom foam support and gloves. Plaster and crushed glass sculpture 4.7 x 8.5 x 9 in Edit...

Pairs in 2.5” length $75 Additional pieces in 1” length $55, or 2” length $65 Fused glass with sterling silver hooks

Text by Terence Sharpe There is a moment in Andrei Tarkovsky’s Solaris (1972) when the character Hari commits suicide by drinking liquid oxygen. As she is not actually a human, but an artificial hybrid product of the mysterious planet and the protagonists’ memories, she heals rapidly and is alive again minutes later. Her choice to take her own life is poignant, seemingly the action of a being becoming aware of its hopeless infinitude. Her realization that while the men will die on the space station or elsewhere, her existence is that of immortality, a deeply alienating notion that causes her to seek her own destruction. The Montreal artist Guillaume Lachapelle has one work that prompts a sense of eternal alienation that echoes Hari’s tragedy. The work greets the viewer with a empty doorway flanked by clinically white bookshelves...

Pairs in 2.5” length $75 Additional pieces in 1” length $55, or 2” length $65 Fused glass with sterling silver hooks

FOCUS is a public art sculpture about photographic vision and how it shapes the way we see the world. It is concerned with the viewer’s growing visual perception and bodily experienc...

Pohlman and Knowles began their collaboration in 1992. They use a variety of materials in their rich assemblages, including hot-sculpted glass, various metal works, found objects and beads, achieving a fine sense of formal balance. Three notable research field trips...