Gilt Bronze Sculpture by Emmanuel Villanis, Early 20th Century.

Bronze sculpture by Emmanuel Villanis, 19th century. Bronze sculpture by Emmanuel Villanis, Napoleon III period, 19th century.   Photos:(c)inu.studio_art  H: 47cm, W: 18cm, D: 13cm

Patinated bronze sculpture of a toreador, early 20th century. Sculpture by the sculptor Descay in patinated bronze representing a toreador in costume, early 20th century. H: 67cm, W...

Bronze sculpture of Heracles, marble base, early 20th century. Sculpture of Heracles, son of Zeus in patinated bronze, marble base, early 20th century. H: 54cm, W: 71cm, D: 17cm

Terracotta sculpture by Paul Adolphe Lebègue, Early 20th Century. Terracotta sculpture by Adolphe Lebègue (1833-1928), signed and dated 1924 with the title "Too late for soup". H: ...

Bronze sculpture of a walking horse, 20th century. Bronze sculpture of a merchant horse, brown patina, 20th century, signed J.Migniez.     h: 35cm , w: 35cm, d: 14cm

Regule sculpture by Auguste Moreau, marble base, early 20th century. Sculpture by Auguste Moreau in regule representing a child carrying a jar (1834-1917), marble base, early 20th c...

EMMANUEL VILLANIS [after] French, fl. 1880-1920 "Cendrillon" (Cinderella) Lost-wax patinated bronze signed in cast on left of socle "E. Villanis", titled to integral socle in raised relief "Cendrillon" cast circa 1930-50 Item # 212PVG15A A charming bust of a young maiden entitled Cendrillon (Cinderella), it is executed in the lost-wax method in a single piece with an integral socle that is titled in raised relief. The young woman is serious in her composure with a quiet strength, her eyes slightly downcast in the clothing of a common girl, her diaphonous garment sliding off one shoulder while the overall sculpture remains chaste and elusive. The surface is finished in a two-toned patina, the reddish-oxide surface being utilized for the flesh tones and a darker brown for the base and garments. Casting from the second quarter of the 20th century. ARTIST Born in Lille, France, little is known about the life of Emmanuel Villanis, despite the fact that he has a simply incredible level of output during the years of 1880-1920. First exhibiting at Salon in 1886, he went on to exhibit nearly five-hundred models, almost exclusively featuring the female form with strong influence of the Art Nouveau movement evident in every aspect of his work. He received honorable mention at the 1889 Exposition Universelle, Paris. Artist Listings...

'Bohemienne' An Art Nouveau bronze sculpture by Emmanuel Villanis (1858-1914), depicting an elegant young woman holding a lyre with her other arm raised behind her head with robes fl...

EMMANUEL VILLANIS French, fl. 1880-1920 "Bust of Diana the Huntress" Signed in cast along shoulder "E. Villanis" and cold stamped "3 S" verso Item # 212KRG15A An exquisite and expertly cast example of Emmanuel Villanis' Diana the Huntress, it features a delightful light...

EMMANUEL VILLANIS French, fl. 1880-1920 "Bust of Thais" Cast signature to shoulder "E. Villanis" cold-stamped "3264" & "CB" with foundry cachet of "Societe des Bronzes de Paris" o...

Sapho A large Art Nouveau sculpture by Emmanuel Villanis of Sapho playing her lyre, with her loose fitted garment falling at her feet. Labelled 'Sapho' and signed 'E'Villanis' to bro...

Captivating late 19th century French bronze bust of a beautiful woman, enhanced by the variegated rich brown patination and excellent tactile surface detail, raised on an integral bronze base with raised title to the fore. Signed ?E Villanis and further raised on a breche griotte stepped and shaped marble plinth ADDITIONAL INFORMATION Height: 33 cm Width: 16 cm Depth: 11 cm Condition: Excellent Original Condition circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 17 SKU: 8616 ABOUT Puccini's Opera - La Bohème SYNOPSIS - A group of friends are living a Bohemian life in Paris and trying to make their livings creating art. Rodolfo, the writer, falls in love with the seamstress, Mimi, while Marcello, the painter, and Musetta, the singer, are the on-and-off-again couple by their sides. When the four are happy, they spend their time celebrating life and love. However, Mimi is revealed to be very ill, and Rodolfo struggles to come to terms with the fact that she will inevitably die. Rodolfo and Mimi break up, and months later, Musetta discovers Mimi extremely sick and close to death. She brings Mimi to Rodolfo and Marcello's apartment. Rodolfo immediately takes her in and tries to nurse her back to health, but he is too late. Almost as soon as the two are reunited and have professed their love for one another, Mimi succumbs to her illness and dies. Emmanuel Villanis Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues. Most of these were manufactured in bronze, but there are also models in white metal and terra cotta. Different patinas were used. The bronzes were mainly cast by the Societé de Bronzes de Paris and can be recognised by the round stamp...