Heiner Hans Körting German Bauhaus Black & Brown Glazed Pottery Vase

Early Rye Pottery individual brown glazed studio pottery vase by John Cole (British, 1908-88) and made around 1947. The heavily made stoneware vase is of w...

A stylish The Friars Aylesford Pottery studio pottery vase decorated in red glazes dating from the 20th century. The Aylesford pottery was founded in 1954 by David Leach who taught...

A very interesting German attributed jugendstil art pottery vase applied in relief with stylized trees and dating from around 1900. The vase stands on a narrow rounded unglazed foot ...

A very fine quality salt glazed studio pottery bottle flagon shaped vase by Dorset based potter Warwick Parker (b.1940) dating from the 20th century. Th...

A stylish Belgian Art Nouveau twin handled art pottery vase decorated in streaked glazes dating from around 1900. The earthenware vase is of tall cylindrical shape with a rounded bow...

A tall and striking studio pottery porcelain vase decorated in abstract colored glazes on a celadon ground attributed to Derek Clarkson and dating from ...

Vintage 1960s ceramic West German Studio pottery vase, Germany Bauhaus. Midcentury ceramic fat lava glaze volcanic pottery vase in the style...

Glazed in an almost metallic-looking paint, this petite round vase will be fabulous on a nightstand, bookshelf, or side table. Studio Pottery is a...

A wonderful gem of a piece by famed American/California ceramicist Beatrice Wood featuring her highly coveted, gorgeously radiant turquoise luster glaze. A beautiful design with a delicate long neck rising from a circular base. Classic and timeless. Signed by Beatrice in her customary "Beato" on the underside of the base (with noted inventory number). Would be an amazing addition to any Mid-Century Modern pottery collection or personal collectors of her work or a fabulous stand-alone accent piece in about any setting. One of the best Beatrice Wood's luster glaze vases we have come across in quite a while. Know famously in the art world as "The Mama of Dada", Wood lived a long (1893-1998) and very fruitful, creative life and is considered by many experts and collectors alike to have been a centerpiece in the modern ceramic art movement of the 1950s, 1960s, and 1970s. At one point in her career, Wood studied with master potters Otto and Gertrud Natzler and later become famed in her own right for her distinct luster-glazing techniques. In 1994, the Smithsonian Institution named Wood an "Esteemed American Artist". Her other awards include: 1994 Governor’s Awards for the Arts (California) 1993 Recognition as A Role Model by Women in Film 1992 Gold Medal for Highest Achievement in Craftsmanship, American Craft Council 1988 Distinguished Service Award, Arizona State University 1987 Fellow of American Craft Council Women’s Art Caucus, National Award (NCECA Award) 1986 Women’s Building Award 1984 Living Treasure of California 1983 Symposium Award of the Institute for Ceramic History 1961 Goodwill Ambassador from USA...

A wonderfully designed and beautifully glazed vase by renowned American / Mississippian master potter George E. Ohr. ( or as he famously referred to himself as the "Mad Potter of Biloxi") The work features a gorgeous mottled green spinach high glaze with a myriad of colors and tones including browns, tans, and yellows. Very striking. George Ohr (July 12, 1857 – April 7, 1918) is widely considered to be America's first art potter. Many art historians believe Ohr was a precursor to the American Abstract-Expressionism movement due to his innovative experimentation with modern clay forms. Ohr's works are featured in many prominent collections and museums both domestically and abroad. From 2007 to 2010 Ohr Rising: The Emergence of an American Master, a major national exhibition of Ohr pottery...

A wonderful gem of a piece by famed American/California ceramicist Beatrice Wood featuring her highly coveted iridescent luster glaze and highly desi...

A very rare early work featuring a dark chocolate brown glaze by master Mid-Century Modern ceramist/potter Glen Lukens whose work has become quite collectible and relatively scarce and difficult to find. The work is signed and dated (1924) by Lukens on the underside (we have only seen one other piece dated this early and that piece is in the Forrest Merrill Collection). Lukens was the founder of the University of Southern California (USC) Architectural School’s Ceramics Department where he helped establish and promote clay pottery as a universally acceptable art form. The current popularity of Studio Pottery and ceramics is widely accepted to have started with Lukens who is oft credited with being one of the first artists to raise the stature of Mid-Century Modern Studio Pottery within the art world. Lukens is famed for his experiments with various glazes and glazing techniques. His influence and glazes can be clearly seen in the works of Otto and Gertrud Natzler, Beatrice Wood, James Lovera, etc. He was also known for combining bright, colorful textile glazes (using natural, organic materials and elements he found in the Mojave Desert, Palm Springs, and Death Valley to make what he referred to as "California Colors") with the rough and raw clay surfaces of his often rudimentary forms and vessels. Lukens currently has an award in his name (Glen Lukens Award) at the University of Southern California's School of fine Arts. A very rare, unique, and truly special work This piece would be a tremendous stand-out addition to any collectors of Lukens' work or Mid-Century Modern ceramics collection or eye-catching accent piece in about any setting, modern or otherwise. A must-have. Lukens work can be found in various museum collections including: Arizona State University Art Museum, Tempe, Arizona Huntington Library...