Sarreid Wall Shelf, Carved Wood, Gargoyle, Lion, Made in Spain

Great shelf with glass inserts.

Original Bauhaus Shelf from A. Quittner. Steel nickel plated, wood shelves. From the estate of Max Fellerer. Max Fellerer (1889–1957) trained in Vienna at the Technische Hochschule ...

Carved and painted wood.

Beautiful carved wood wall mirror.

Modern simple wood rocking chair. Ready for a new home.

Polished chrome wall relief sculpture wall art. Please ignore the reflections. The piece is about 30 pounds heavy.

Hand carved to perfection from dense, old-growth white oak in the manner of the Renaissance Revival, this Antique Wall Shelf features elaborate foli...

Antique veneered wooden wall hanging shelf with three tiers and pierced, scalloped sides. Measure: 22".

The designers’ initial idea was to make a shelf, but when it was done it seemed a shame to put anything on it. Maybe it’s a sculptural piece. They leave this dilemma, and the challen...

Black iron & gilt folding Italian wall shelf.

Large Vintage Galvanized Wall Shelf. Shelf can be powder-coated in any color per buyer request.

Early 20th century French Art Nouveau carved wood "Les Blés" (The Wheat) pattern wall shelf by, Louis Majorelle decorated with two shallow display shelves further carved with "Les Blés" (Wheat) decoration on each bend. The shelf is ready to hang. circa 1905. Measurements: height: 20 in. x width: 28.75 in. x depth: 6.25 in. Notes: Objects Diplayed Are Not Included Biography: Louis Majorelle, (Toul, 26 September 1859 – Nancy, 15 January 1926) born as Louis-Jean-Sylvestre Majorelle was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger (1860 – 1929) and located at 6, rue du Vieil-Aître in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles, which he exhibited in 1894 at the Exposition d'Art Décoratif et Industriel [Exposition of Decorative and Industrial Art] in Nancy, but the influence of the glass- and furniture-maker Emile Gallé (1846 – 1904) inspired him to take his production in new directions. Beginning in the 1890s, Majorelle's furniture, embellished with inlays, took their inspiration from nature: stems of plants, waterlily leaves, tendrils, dragonflies. Before 1900 he added a metalworking atelier to the workshops, to produce drawerpulls and mounts in keeping with the fluid lines of his woodwork. His studio also was responsible for the ironwork of balconies, staircase railings...