Figura Imposible, 1971 by Yturralde

Figura imposible 1973. Serigraph on paper. Year 1973. Edition: 184 / 300. Signed: José María Yturralde.

Figura imposible 1973 Serigraph on paper Year 1973 Edition: 141 / 150 Signed: José María Yturralde. Every item LA Studio offers is checked by...

Alex Voinea, 2017 Acrylic Fading backgrounds create depth and perspective in an abstract work, but with an almost hyper-realist definition, in which Voinea transmits a vibrancy of motion through drippings and large sweeping brushstrokes that include various saturated and fluorescent colors and that bring movement and fluidity to his painting. Inspired by experiments with paint poured over...

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Jose Maria Yturralde, Figure Imposible, 1969 Color serigraphy This work is signed by the artist. It has a title and date Sheet dimensions 35/25 Unframed Jose Maria Yturralde was born in 1942 in Valencia. He was a doctor of fine arts at the Polytechnic University of Valencia and professor of painting at the Academy of Fine Arts in Valencia. He is an ordinary member of the Royal Academy of Fine Arts of San Carlos in Valencia. In 1968 he was a scholarship holder at the Calculus Center of the University of Madrid. It was then that he started his first computer work. The first Computable Forms exhibition was held in 1969. He has received numerous awards: B.G. Salvi and Premio Europa Ancona, Italy in 1972 and the Juan March Foundation scholarship in 1974 to stay at MIT in the USA, Research Fellow at the Center for Advanced Visual Studies, Massachusetts Institute of Technology. In 1990 he was invited to participate in the Toyama Now International Triennial in Japan. At the invitation of the Union of Russian Artists, he went to Moscow, where he conducted courses and lectures about his works. He received an award in the Valencia Underground wall painting and sculpture competition in 1995. In 1996, he spent a month at the U.N.A.M. Mexico F.D and conducted various activities related to Flying Structures. In 1998 he returned to Mexico to exhibit his work in several museums. Also in that year he was invited to participate in the First European Triennial of Nature in Dragsholm Slot Odsherred, Denmark. He showed the works of Frame the Forest, Hyperweb and Flying Structure. The exhibition of his latest work took place in Buenos Aires, Montevideo, Sao Paulo and Paris. He published numerous articles and lectures. He is also the author of books. He was deputy curator at the Museum of Spanish Abstract Art in Cuenca. He developed an artistic style close to science, such as his Impossible Figures. He introduced cyber art...

'Geometry Study' by M. Vondrak, 1971 Signed lower right M. Vondrak, and dated '71 Presenting 'Geometry Study' signed by the artist M. Vondrak, painted in the year 1971. This cap...

Oil on canvas painting of geometric shapes signed Brink.

An outstanding abstract painting, oil on canvas in an oval form. Painted in 1971 by Argentine Artist Fernando Maza. Fernando Maza is an Argentinian Postwar & Contemporary painter...

Hernández Pijoan (1931-2005) untitled Gouache and pencil on paper. Signed an dated 1971.                         

Original 'Nature Morte' color lithograph by André Derain. Lithograph printed from an original painting made by the author in France, circa 1948. Published by Mourlot in Collection Pierre Levy in 1970, Paris. Framed and signed in the stone. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina. About the Artist: André Derain (10 June 1880 – 8 September 1954) was a French artist, painter, sculptor and co-founder of Fauvism with Henri Matisse. Derain and Matisse worked together through the summer of 1905 in the Mediterranean village of Collioure and later that year displayed their highly innovative paintings at the Salon d'Automne. The vivid, unnatural colors led the critic Louis Vauxcelles to derisively dub their works as les Fauves, or "the wild beasts", marking the start of the Fauvist movement. In March 1906, the noted art dealer Ambroise Vollard sent Derain to London to produce a series of paintings with the city as subject. In 30 paintings (29 of which are still extant), Derain presented a portrait of London that was radically different from anything done by previous painters of the city such as Whistler or Monet. With bold colors and compositions, Derain painted multiple pictures of the Thames and Tower Bridge. These London paintings remain among his most popular work. Art critic T. G Rosenthal: "Not since Monet has anyone made London seem so fresh and yet remain quintessentially English. Some of his views of the Thames use the Pointillist technique of multiple dots, although by this time, because the dots have become much larger, it is rather more simply the separation of colours called Divisionism and it is peculiarly effective in conveying the fragmentation of colour in moving water in sunlight." He experimented with stone sculpture and moved to Montmartre to be near his friend Pablo Picasso and other noted artists. Fernande Olivier...