Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Henry Schreiner 1930s ProngSetCrystal FloraSpray TeardropFrame GiltBrass Brooch

About the Item

Henry Schreiner, the Austrian-born blacksmith founder of Schreiner New York in 1932, handcrafted this multi-color prong-set Bavarian crystal stylized-flora spray gold-gilt brass brooch before he began designing more extravagant silver-soldered settings in the early 1940s (see our other listing for the colorless crystal demi-parure). Like the more linear and asymmetrical early pieces that can be distinguished as those clearly made by the founder, this elegant large brooch features sprawling overlapping wire arrangements with widely spaced soldered pre-cast settings that appear scattered and delicate like thin branches. The hand-arranged twisted wires are imperceptibly soldered on at least one end to his characteristic teardrop leaf-like frame without the need for rivet construction. He often assembled the metal strips of a frame sideways on an edge for added depth and shadows. More so, the hinge for the long pin and its safety clasp are neatly soldered to the edge of the central strip without an extra support bar. Further identifying the brooch, Schreiner's granddaughter published some family secrets about real Schreiners: "many of our flower pins, always have the end of the stem/wire hammered to flatten it." Comparatively, similarly styled handcrafted European brooches, such as some produced later by Countess Cis Zoltowska, have stems that are not hammered. For some of the leading fashion designers since the mid-1930s such as American Norman Norell and French Christian Dior, Schreiner, who died in 1954, finished such custom-order pieces unsigned to accompany seasonal clothing ensembles in the tradition of European couture sets by Coco Chanel and Elsa Schiaparelli. Most of the signed brooches produced after Schreiner's death under the direction of his late daughter Terry and her designer husband Ambros Albert included a versatile pendant hook for specially-made chains, layered hook-and-eye construction, unfoiled inverted stones, and were often mixed with uniquely elongated plastic or painted aurora-borealis glass jewels in a chunkier tighter arrangement, such as the popular ruffle design first produced in 1957. In typical Schreiner style, the custom-made Czech rhinestones in six faceted shapes and colors--foiled cranberry, pink, green, lime and grey, plus unfoiled aqua--are positioned at different angles in three dimensions for maximum sparkle. Given its over 80-year-old age, the palest foiled crystals are likely darker than when new, while the brass has minute gilt loss at edges and stem ends seen with a loupe. Signed and unsigned Schreiner brooches with similar structure can be seen among the photos found in the co-authored book by Carole Tanenbaum and Eve Townsend, titled Schreiner: Masters of Twentieth-Century Costume Jewelry.
  • Creator:
  • Metal:
    Brass,Yellow Gold,Gilt Metal
  • Stone:
    Crystal
  • Stone Cut:
    Mixed Cut
  • Weight:
    1.3 ounces (lb)
  • Dimensions:
    Width: 3 in (76.2 mm)Depth: 1 in (25.4 mm)Length: 5 in (127 mm)
  • Style:
    Artist
  • Place of Origin:
    United States
  • Period:
    1930-1939
  • Date of Manufacture:
    late 1930s
  • Condition:
    Wear consistent with age and use.
  • Seller Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU3244220994172
More From This SellerView All
  • Couture CocoChanel Byzantine ThePurpleHeart PearlAmethystQuartz GoldMedallion
    By Chanel
    Located in Chicago, IL
    During the ArtDeco period when Gabriel "Coco" Chanel was at her peak as a Parisian couture fashion-designer in the early 1930s, this antique one-of-a-kind handcrafted gem-fringed and gilt-chain medallion brooch with trombone clasp was commissioned to accessorize one of her clothing designs. Marked only "FRANCE" like some early 1930s Chanel couture jewelry (without a brand stamp until the 1950s), its artistic origin is most likely from ornate organic-form sketches by her favorite parurer Fulco di Verdura. The Sicilian duke began creating fabric patterns for Chanel in 1927, which shortly expanded to fine jewelry beginning with custom pieces for herself. These include the iconic Byzantine-influenced gem-adorned cuffs referencing the Maltese military-cross, which the French designer can often be seen wearing in circa-1930s photos. This bright yellow-gold brooch suits goldsmith Verdura's early anti-Art-Deco aesthetic that was considered a radical departure from 1920s silver-tone jewelry, which otherwise featured linear geometric designs or figurative representation. The softly-shaped deconstructed gem-bouquet mixes amethyst and rose-quartz beads with natural Keshi pearls and intricate tiny gilt leaves, which are wired to a Baroque-motif open-work frame that dangles another gem surrounded by a thick gilt-rope halo. Notably, Verdura is credited with re-introducing since Victorian times the rope motif to jewelry. Since 1930, Verdura's unique style was influenced by travels with Chanel to explore Byzantine art, Baroque architecture, and exotic flora-and-fauna among his native Italian aristocratic estate. The legendary fashion-editor Diane Vreeland and American entertainment-stars were among the first Chanel clients to acquire couture real-gem-adorned jewelry made by Verdura, while one of the two brooches treasured by Vreeland was titled "Theodora". See our photo of the Byzantine mosaic of Empress Theodora, whose image wearing many teardrop pearls above her chest and surrounded by a golden halo seems to be the inspiration for this brooch. As one of the most important modern-design collaborations, Chanel's close relationship with Verdura lasted largely-undocumented years in Paris, until he launched his first outside jewelry venture with a Hollywood designer-boutique after emigrating to the United States in 1934. By 1939 as a financially-backed in-demand goldsmith, he founded the namesake jewelry-company Verdura in NYC. After he retired in 1973, the brand continued to operate without him with different owners. Given the duo's designs that played with historic and military references, Chanel's couture commission for this purple medallion may have been sparked in the early 1930s when the internationally-new...
    Category

    Vintage 1930s French Brooches

    Materials

    Amethyst, Pearl, Quartz, Gold, Gilt Metal, Yellow Gold

  • ArtDeco c1925 Bakelite TriColor RedBlueGreen Carved Ribbon Bow BrassPinBrooch
    Located in Chicago, IL
    Antique ArtDeco-period Bakelite rare three-color ribbon bow hand-blended-and-carved brooch. Given the colors, narrow style, texture and affixed brass pin...
    Category

    Vintage 1920s Unknown Art Deco Brooches

    Materials

    Brass

  • MiriamHaskell c1929 FrankHess Rare FurClips GoldGiltBrass 3ChainFloraBow Lariat
    By Frank Hess for Miriam Haskell
    Located in Chicago, IL
    As one of Miriam Haskell's earliest fur clips from the late 1920s, these two Russian-gold gilt mostly brass brooches by her first designer Frank Hess are tethered as a lariat by thre...
    Category

    Vintage 1930s American Baroque Revival Brooches

    Materials

    Yellow Gold, Brass, Gilt Metal

  • MiriamHaskell WWII Era FrankHess GoldGiltCast Filigree Butterfly Brooch
    By Frank Hess for Miriam Haskell
    Located in Chicago, IL
    A child of the Art Nouveau period, Miriam Haskell loved its butterfly design-motifs, which are found in many pieces of costume jewelry by her first designer Frank Hess. His butterfly...
    Category

    Vintage 1940s American Art Nouveau Brooches

    Materials

    Yellow Gold, Gilt Metal, Base Metal

  • Antique Amuletic DozenRockCrystals CagedRing MedievalStyle GiltBronze Pendant
    Located in Chicago, IL
    This antique amuletic bronze framed pendant cages a dozen 7mm-diameter single-cut rock crystals that each feature a table-cut decagon crown, deep pavilion, 21 facets and uncut girdle, while the culets range from off-center to blunted. They are tightly set within four linked rings to overlap at the same angle in a sparkling single row. Seeming to retain a little of its original yellow-gold gilding on just the interior, the frame that surrounds each of the four sections of three crystals enables them to reflect pale-yellow-and-lime light when the pendant is viewed from certain angles. Suggesting French heritage, the Medieval Frankish culture in northern France made jewelry in similar segmented or openwork shapes of wheels or whorls, which were worn as gem-decorated disk-shaped brooches or gold-caged rock...
    Category

    Antique 18th Century French Renaissance Pendant Necklaces

    Materials

    Crystal, Rock Crystal, Gilt Metal, Bronze, Copper

  • Artist BertoiaStyle Hammered SterlingSilver SquiggleSpiral UndulatingWire Brooch
    Located in Chicago, IL
    This modern mid-century abstract three-dimensional unsigned brooch is a single hand-hammered sterling-silver wire that was shaped by an artist into an undulating squiggle that ends i...
    Category

    Early 20th Century American Modern Brooches

    Materials

    Sterling Silver

You May Also Like
  • 18 Karat White Gold with White Diamonds Brooch
    Located in GALLARATE, IT
    Elegant Talisman ! Stanoppi takes care of you ! Protect yourself with style. Talisman applied on a 100% pure cotton mask with protective filter or you can put the brooch in your jack...
    Category

    21st Century and Contemporary Italian Modern Brooches

    Materials

    Diamond, White Diamond, White Gold, Gold, 18k Gold

  • Vintage Diamond Brooch
    Located in New York, NY
    Command attention in this exquisite diamond brooch from the Jewels Aficionado antique collection. Outfitted with a whopping 20.40 carats of diamonds set in platinum, the brooch mixes...
    Category

    Vintage 1960s Brooches

    Materials

    Diamond, Platinum

  • Vintage Aquamarine and Diamond Flower Head Brooch
    Located in London, GB
    A vintage aquamarine and diamond flower head brooch, the brooch with round brilliant-cut diamond set domed centre surrounded by four heart sh...
    Category

    Vintage 1950s Modern Brooches

    Materials

    Aquamarine, Diamond

  • Cameo, Topazs, Rubies, Diamonds, Rose Gold and Silver Brooch/Pendant.
    Located in Marcianise, Marcianise (CE)
    SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). PS: THIS POLICY IS NOT APPLICABLE ...
    Category

    Vintage 1960s Italian Retro Brooches

    Materials

    Diamond, Ruby, Topaz, 9k Gold, Rose Gold, Silver

  • An Early 20th Century French Frog Brooch
    Located in London, GB
    An early 20th century French frog brooch, set with old European-cut diamonds and demantoid garnets, with a round cabochon-cut ruby eye, the diamonds estimated to weigh 2 carats in to...
    Category

    Early 20th Century French Modern Brooches

    Materials

    18k Gold, Silver

  • Victorian diamond pendant/brooch, circa 1880.
    Located in London, GB
    Victorian diamond pendant/brooch. Centrally set with a cushion shape old mine diamond in an open back cut-down setting with an approximate we...
    Category

    Antique 1880s Pendant Necklaces

    Materials

    Diamond, Yellow Gold, Silver

Recently Viewed

View All