Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 14

HenrySchreiner EarlySet ProngSetCrystal Silver Spray Tiered Earrings & Brooch

About the Item

Henry Schreiner, the Austrian-born blacksmith founder of Schreiner in New York in 1932, handcrafted this demi-parure of prong-set clear crystal stylized-foliage sprays after he began designing extravagant silver-soldered settings around the 1940s, which were likely inspired by Edwardian platinum-set diamond jewelry admired during his youth in Bavaria. The large brooch and matching clip-earrings feature sprawling wire arrangements with tiered rods. For some of the leading fashion designers since the mid-1930s, such as American Norman Norell, he finished such custom-order pieces unsigned to accompany ready-to-wear ensembles in the tradition of European couture sets by Coco Chanel and Elsa Schiaparelli. The elegant sprays of Czech-made rhinestones in three faceted shapes for silver pre-cast settings were clearly assembled by the company's founder himself, who died in 1954. Prior to characteristic Schreiner hook-and-eye frame construction at the height of his company's production in the mid-1950s, Henry Schreiner had created delicate complex wire branch-like designs with a scattered crystal appearance, which he achieved with wide spacing between soldered multi-size settings along rods. After his death, this technique was not reproduced when the founder's son-in-law took over ongoing design and became best known for his dense ruffled-ray glass-or-plastic stone compositions. The set cannot be dated later than 1954 since none of the stones are machine-collet set, inverted, Swarovski-manufactured Rivoli or Chatons, nor Lucite. More so, most of the brooches produced after Schreiner's death under the direction of his daughter Terry and her husband Ambros Albert included a versatile pendant hook, while earring clips featured a "donut-hole" at the top. Other elements distinguish this Henry Schreiner brooch. Without rivets or a base, the six branches are supported along a baguette-set curvilinear frame custom shaped like a winding ribbon. In typical layered construction, several tiers of wires totaling 16 are set with crystals and silver-soldered into fan shapes over or under the three-dimensional frame, which ends in an asymmetrical arrangement showcasing pre-made sets of mostly marquises. Finally, its sleek two-inch pin is soldered to the back under its hinge and under its small safety clasp without a support bar. Instead, the pin is perfectly aligned behind the central decorative rod. Our photos include shots taken with either indoor lights or in sunlight, so you will see that the foiled clear crystals mirror a range of mostly blue-gray to yellow-rose tones in the changing light. It is difficult for us to capture the set entirely in focus given the multi-tier construction. The 4 1/8-inch brooch is more than twice the size of each earring. Notably, when worn on the ear, the vertical clip positions the longest 2-inch part of the setting on a diagonal. Several faceted surfaces are dulled by microscopic scratching from normal use over time. The best source for viewing a variety of the elements that characterize this early jewelry set, which the original owner acquired with a fashion-designer ensemble, is the tabletop book Schreiner: Masters of Twentieth-Century Jewelry by Carole Tanenbaum & Eve Townsend--the author team that consulted with his daughter. According to family members in the business, unsigned prong-set buttons and jewelry are the most common form of early Schreiner pieces, as this is how the company sold sets at wholesale to American fashion designers after they had supplied new season samples. Comparatively, Schreiner jewelry was signed when sold to leading retailers by the 1950s, such as Neiman Marcus, Henri Bendel and Saks Fifth Avenue.
  • Creator:
  • Metal:
    Rhodium,Silver
  • Stone:
    Crystal,Diamond
  • Stone Cut:
    Mixed Cut
  • Dimensions:
    Width: 2.75 in (69.85 mm)Depth: 1 in (25.4 mm)Length: 4.25 in (107.95 mm)
  • Sold As:
    Set of 3
  • Style:
    Victorian
  • Place of Origin:
    United States
  • Period:
    1940-1949
  • Date of Manufacture:
    late 1930s-early 1950s
  • Condition:
    Wear consistent with age and use.
  • Seller Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU3244218223772
More From This SellerView All
  • Couture 1936-49 Schiaparelli-Dali-Style Set FauxSapphire&Pearl Earrings & Brooch
    Located in Chicago, IL
    This surrealistic handcrafted faux-sapphire-topped-pearl cluster brooch and clip-earrings set dates to around WWII, when fashion designer Elsa Sch...
    Category

    Vintage 1940s American Modern Brooches

    Materials

    Crystal, Pearl, Sapphire, Mixed Metal

  • Vendome GiltLeavesBranch GoldFilagree Handwired BlackGlass Crystals ClipEarrings
    By Vendome
    Located in Chicago, IL
    These post-WWII high-end Vendome hand-wired clip earrings each feature a spray of yellow-gold gilt-metal leaves with a stylized branch and five prong-set clear crystals among a clust...
    Category

    Vintage 1940s American Modern Clip-on Earrings

    Materials

    Crystal, Gilt Metal, Yellow Gold

  • Couture Chanel Pre1955 Signed France Gripoix PouredGlass Goosens Earrings
    By Maison Gripoix for Chanel
    Located in Chicago, IL
    This couture pair of gold-gilt earrings are both stamped "France" on their convex gold-gilt metal ear-pads, which is characteristic of one-of-a-kind designs commissioned by Parisian ...
    Category

    Mid-20th Century French Art Deco Clip-on Earrings

    Materials

    Crystal, Turquoise, Pearl, Gold, Gilt Metal

  • Couture Montague 1950s French WiredGlassBeads CrystalEnameledRondelles Earrings
    By Francoise Montague
    Located in Chicago, IL
    In the 1950s while he operated an eponymous Parisian couture costume-jewelry boutique, Francoise Montague designed these unique handmade ornate pair of sparkly clip earrings featurin...
    Category

    Vintage 1950s French Artisan Clip-on Earrings

    Materials

    Crystal, Enamel, Gilt Metal, Mixed Metal

  • MiriamHaskell 1945 CrystalRosesMontees Filigree Glass Enameled ClimberEarrings
    By Frank Hess for Miriam Haskell
    Located in Chicago, IL
    Before the brand signature was added in 1947, Miriam Haskell's first designer Frank Hess since 1926 designed these asymmetrical Baroque-style climber earrings with hand-painted white-and-ecru enamel leaves, crystal and glass beads, and Russian-gold gilt metal flowers, which are attached to a thick filigree branch that launched the post-war style of covering wires used to attach roses montees and beads behind an additional filigree plate. A similarly constructed and shaped pale-blue pair of climbers dated 1945 are in the renowned Barbara Berger museum-exhibited costume-jewelry collection. Characteristic of the materials favored by Hess for his designs, the clear rosette-cut rhinestones, intricate gilt-metal decorations, and white round glass beads were handcrafted in France by Parisian Louis Rousselet, who was among the first paruriers for Coco Chanel's couture clothing since the 1920s. In contrast to bold costume-jewelry by Chanel using...
    Category

    Vintage 1940s American Art Nouveau Clip-on Earrings

    Materials

    Pearl, Crystal, Gilt Metal, Enamel, Gold

  • Schreiner 1950s 22 RuffleProngSetCrystals PaleYellow AuroraBorealis ClipEarrings
    By Henry Schreiner
    Located in Chicago, IL
    In 1956 when Christian Dior's ultra-feminine New Look had dominated fashion for nearly a decade, Schreiner New York handcrafted these opulent unsigned earrings with 22 prong-set open-back crystals to accompany the evening-wear of an American high-end fashion designer. They may have been for client Pauline Trigere when her ready-to-wear collections with accessories including unmarked-Schreiner jewelry were sold by NYC's Bergdorf Goodman and worn by her clients including Grace Kelly, Jacqueline Kennedy, and Elizabeth Taylor. Comparatively, Schreiner jewelry produced in the 1950s for direct sale to high-end department stores, such as Neiman Marcus, Henri Bendel and Saks Fifth Avenue, were the only pieces to include a brand signature. Using the best quality European crystals that were custom-made for him, the founder Henry Schreiner was among the world's leading glass-jewelry designers before he died in 1954, whereafter his daughter and her husband continued with their handcrafted production. The family shared this distinction with Western Germany-based Max Muller and Paris-based Roger Jean Pierre, who were commissioned to create haute-couture pieces for the world's leading fashion houses. Notably in 1949, Henry Schreiner was commissioned by Dior to create several exclusive pieces. We know these earrings were not created earlier than 1956 because of the use of iridescent coating on some of the crystals that produces a rainbow effect. Known as aurora-borealis (AB) stones, Swarovski initially produced them exclusively for a haute-couture collection that year by Dior. Shortly thereafter, the Schreiner team had access to such colorful stones, and most certainly used them as soon as possible to enable their American fashion-designer clients to compete with the new Dior iridescent-colors trend. As Schreiner introduced its "ruffle" settings in 1957, we can see that they evolved from a smaller ruffle the year prior that is present on the tips of the marquise-shaped pale yellow stones...
    Category

    Vintage 1950s American Modern Clip-on Earrings

    Materials

    Crystal, Yellow Gold, Gilt Metal

You May Also Like
  • Van Cleef & Arpels Vintage 1960s Diamond Turquoise Poire Suite
    By Van Cleef & Arpels
    Located in New York, NY
    VAN CLEEF & ARPELS Diamond Turquoise Poire Suite in 18k Yellow and White Gold. A mid-century demi-parure by Van Cleef & Arpels including a brooch with complimentary on-the-ear clips....
    Category

    Vintage 1960s French Brooches

    Materials

    Diamond, Turquoise, 18k Gold

  • Van Cleef & Arpels Diamond Coral Gold Suite
    By Van Cleef & Arpels
    Located in New York, NY
    A 1980's Van Cleef & Arpels brooch & earring suite, the brooch designed as a curving branch with pave-set diamond leaves and white & pink carved coral flowers. The ear clips are si...
    Category

    Vintage 1980s French Brooches

    Materials

    Coral, White Diamond, 18k Gold

  • Torino Gold Floral Clip On Earrings and Pin Brooch, Retro Costume Jewelry Set
    Located in Milford, DE
    A pair of retro clips and a pin by Torino, featuring exquisite floral motifs in gold. Gold-plated. Marks / hallmarks / etc: Torino on pin Pin: 2 x 1.3 inches Earrings: 1 inch each
    Category

    20th Century Retro Clip-on Earrings

    Materials

    Gold Plate, Yellow Gold

  • Tara Golden Scarab Cabochon Cluster Clip in Earrings and Pin Brooch
    By Delizza & Elster
    Located in Milford, DE
    A colorful pin brooch and clip-on earring set by Tara, a mid-1900s costume jewelry designer. Each piece features colorful carved resin scarabs prong-set in a gold-tone metal setting....
    Category

    20th Century Retro Brooches

    Materials

    Gold Plate

  • Charming Dog Cameo Suite
    Located in New York, NY
    Charming and super unusual hand carved dog, shell cameo suite from the 1930's. Wonderful subject matter shows a pair of hounds carved into the shell brooch...
    Category

    Vintage 1930s American Brooches

    Materials

    14k Gold

  • DuJay Enamel and Pearl Spray Set
    By DuJay Jewelry
    Located in New York, NY
    Amazing collectors quality DuJay Enamel and Pearl Spray Set from the 1930's. Beautiful design with pink paste ovals set with faux pearls in swirl of pave stones hand set in rhodium. Matching clip...
    Category

    Vintage 1930s American Art Deco Brooches

    Materials

    Rhodium, Enamel

Recently Viewed

View All