Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Edgar Corbridge
Untitled (Industrial Street)

About the Item

This work is part of our exhibition - America Coast to Coast: Artists of the 1940s Untitled (Industrial Street), c. 1940s, watercolor on paper mounted on illustration board, estate stamp verso (signed by Peter Corbridge, the artist’s son); 14 x 21 inches; unframed Edgar Corbridge was a Massachusetts-based precisionist painter who mainly worked in watercolor. In 1916, three years after immigrating from England, Corbridge completed a course of study in sign painting at the Fall River, Massachusetts Technical High School and obtained an apprenticeship with the Armour Sign Shop. Throughout his career, Corbridge was mainly self-taught as a fine artist. In 1918, Corbridge received his first recognition as an artist for his entry in a Fall River Women’s Club poster competition. During much of his professional life, Corbridge worked as a self-employed window trimmer and operator of the Corbridge Display Service, supplemented by income from the occasional sale of his paintings. Corbridge gleaned the subjects for his works in and around his home in Fall River, Massachusetts, as well as Provincetown. In the 1940s, Corbridge began to exhibit frequently, including at the annual exhibitions at the Jordan Marsh Company in Boston (where he also served as a judge), the Newport Art Association, the Providence Art Club, The Rhode Island School of Design Museum, the Corcoran Gallery, the Portland (Maine) Society of Artists, the Springfield (Massachusetts) Artist League, as well as a number of other institutions. Critics recognized Corbridge for his “extraordinary tonal quality” as well as “clarified, designed reality, which reduces the confusion of nature to fundamental form.” These attributes caused critics, dealers, and collectors to put Corbridge in the precisionist canon, though his works often have a hint of Magic Realism as well. The present work, Untitled (Industrial Street) is a prime example of Corbridge's watercolors, with its meticulous drafting, careful editing and mysterious, depopulated composition which owes a debt to de Chirico. As the 1950s progressed, Corbridge exhibited less, although he participated in the Provincetown Art Association shows consistently through the 50s. Corbridge is listed in Who Was Who in American Art as well as other standard references.
  • Creator:
    Edgar Corbridge (1901 - 1988, American)
  • Dimensions:
    Height: 14 in (35.56 cm)Width: 21 in (53.34 cm)Depth: 1 in (2.54 cm)
  • More Editions & Sizes:
    14 x 21 inchesPrice: $2,000
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Los Angeles, CA
  • Reference Number:
    1stDibs: LU1859214265202
More From This SellerView All
  • Untitled (Cars)
    Located in Los Angeles, CA
    This painting is part of our exhibition America Coast to Coast: Artists of the 1940s. Untitled (Cars), 1940, watercolor on paper, signed and dated lower right, 15 x 18 1/2 inches, ...
    Category

    1940s American Modern Drawings and Watercolor Paintings

    Materials

    Paper, Watercolor

  • Blue Ships
    By Tom Lewis
    Located in Los Angeles, CA
    (Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Watercolor on paper, 14 x 21 inches unframed sheet, 24 x 30 inches framed, signed and dated lower right About the Artist: Born in 1909, Tom E. Lewis studied architecture at the University of Southern California. Beyond that training, Lewis was largely self-taught as an artist. He began watercolor painting during the late 1920s and focused on scenes of California. Lewis was an active organizer of the arts and exhibitor and aided the formation of the Progressive Painters of Southern California. Prior to World War II, the Treasury Section of Fine Arts awarded two commissions to Lewis, the first completed in 1938 for the Hayward California Post Office and the second completed in 1941 for the El Dorado County California District Attorney’s Office...
    Category

    1930s American Modern Landscape Drawings and Watercolors

    Materials

    Watercolor

  • Abandoned Wharf
    Located in Los Angeles, CA
    This drawing is part of our exhibition Charles Goeller: A Wistful Loneliness. Crayon on paper, 20 x 12 (image), 22 x 14 inches (sheet), Signed lower right, Matted, but not framed Ex...
    Category

    1940s American Modern Landscape Drawings and Watercolors

    Materials

    Crayon, Paper

  • Flood
    Located in Los Angeles, CA
    This drawing is part of our exhibition Charles Goeller: A Wistful Loneliness. Crayon on paper, 10 ½ x 9 inches (image), 14 x 11 inches (sheet), Signed...
    Category

    1930s American Modern Landscape Drawings and Watercolors

    Materials

    Crayon, Paper

  • Orange Grove Landscape
    By Dorr Bothwell
    Located in Los Angeles, CA
    Orange Grove Landscape, 1941, gouache on illustration board, 14 inches x 18 inches (image), 22 x 26 inches (framed) signed and dated lower right, newly framed with museum glazing ...
    Category

    1940s American Modern Paintings

    Materials

    Gouache, Board

  • Untitled (Transcendental Composition)
    By Charles Ragland Bunnell
    Located in Los Angeles, CA
    This work is part of our exhibition - America Coast to Coast: Artists of the 1940s Untitled (Transcendental Composition), oil on board, 1947, oil on board, signed and dated lower r...
    Category

    1940s American Modern Paintings

    Materials

    Oil, Board

You May Also Like
  • Original 1930s Painting Fortune Cover Proposal. Industrial Modern American Scene
    By Antonio Petruccelli
    Located in New York, NY
    Original 1930s Painting Fortune Cover Proposal. Industrial Modern American Scene Antonio Petruccelli (1907 - 1994) Steel Mill Fortune cover proposal, c. 1945 13 1/2 x 10 3/4 inches...
    Category

    1930s American Modern Landscape Paintings

    Materials

    Board, Gouache

  • Fortune Magazine Cover Published 1941 Illustration Precisionist American Scene
    By Antonio Petruccelli
    Located in New York, NY
    Fortune Magazine Cover Published 1941 Illustration Precisionist American Scene Antonio Petruccelli (1907 - 1994) Military Tent City Fortune Cover published, May 1941 17 1/2 X 15 in...
    Category

    1940s American Modern Landscape Paintings

    Materials

    Board, Gouache

  • Original Painting. Fortune Cover. Sept 1933 Illustration American Modern WPA Era
    By Antonio Petruccelli
    Located in New York, NY
    Original Painting. Fortune Cover. Sept 1933 Illustration American Modern WPA Era Antonio Petruccelli (1907 - 1994) Wild Horses & Dynamo Fortune cover published, September 1933 13 X ...
    Category

    1930s American Modern Animal Paintings

    Materials

    Gouache, Board

  • Bricklayers House Beautiful Cover Proposal American Scene Modern 1930s Workers
    By Antonio Petruccelli
    Located in New York, NY
    Bricklayers House Beautiful Cover Proposal American Scene Modern WPA 1930s Industrial Workers Antonio Petruccelli (1907 - 1994) Brick Layers House Beautiful cover proposal, c. 1939 ...
    Category

    1930s American Modern Figurative Paintings

    Materials

    Board, Gouache

  • Original Painting. Fortune Mag Cover Proposal. American Mid Century Industrial
    By Antonio Petruccelli
    Located in New York, NY
    Original Painting. Fortune Mag Cover Proposal. American Mid Century Industrial Antonio Petruccelli (1907 – 1994) 92 Fortune cover proposal, c. 1945 13 X 10 3/4 inches (sight) Framed...
    Category

    1940s American Modern Landscape Paintings

    Materials

    Board, Gouache

  • Original Painting. New Yorker Cover Proposal Baseball c. 1939 Modern Cubist Deco
    By Antonio Petruccelli
    Located in New York, NY
    Original Painting. New Yorker Cover Proposal Baseball c. 1939 Modern Cubist Deco Antonio Petruccelli (1907 - 1994) Play Ball New Yorker cover proposal, c. 1939 12 x 8 inches (sight) Framed 18 1/2 X 14 3/4 inches Gouache on board Estate sticker verso BIOGRAPHY: Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests. In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s. ‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune. Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...
    Category

    1930s American Modern Figurative Paintings

    Materials

    Board, Gouache

Recently Viewed

View All