Alice Barber Stephens

A Conversation

Medium: Charcoal on Board Signature: Signed Lower Right

Medium: Charcoal on Board Signature: Signed Upper Left Sight Size 20.00" x 28.00;" Framed 24.00" x 32.00"

Medium: Charcoal on Paper Signature: Signed Lower Left

Medium: Charcoal on Paper Signature: Unsigned Sight Size: 19.00" x 26.00;" Framed 25.00" x 33.00"

Medium: Charcoal Drawing Signature: Signed Lower Right Framed 40.00" x 32.00" Bad glare in photos taken. Piece is in perfect condition. Please let me know if you would like to see a...

Signature: Unsigned

New York City Abstract Expressionist Between Abstraction, Calligraphy & Graffiti Vivian Muller presents an homage to Greek and Roman mythology, ...

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

Charcoal on paper

In work “Lumière” (Light) (2016), charcoal on paper, 70x50 cm, Luo Mingjun works with arefined and precise hachure in charcoal and graphite, sculptingshadows and reflections to let t...

Traces Frammenti Mineral Oxide on Paper (Fabriano Elle) 100x70 cm 2023 Marilina Marchica's research delves into the relationship between Man and Nature and the emotional implicati...

Reclining Nude.Early modernist line drawing, by American artist William S. Schwartz, c. 1940, gouache painting, signed with initials, framed. (size includes frame). Work is reminisce...