Items Similar to The Bermuda Coast,
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Harry Leslie HoffmanThe Bermuda Coast,c. 1929
c. 1929
About the Item
HARRY LESLIE HOFFMAN (1871-1964)
Bermuda, c. 1929
Watercolor on heavy paper
11 ½ x 14 ½ inches
Estate stamp verso
PROVENANCE
The artist’s estate
Harry Hoffman, born in Cressona, Pennsylvania, studied in New York City and Paris before going to Old Lyme in 1902 and associating with other artists working there during the summer months. He returned to Old Lyme over the next few summers, then moved there permanently in 1910, although continuing to spend winters in a New York City apartment for the next two decades. Hoffman took strong interest in Old Lyme activities, including the Lyme Art Association and later the Florence Griswold Association. In addition, he enjoyed any opportunity to perform on stage, becoming a regular actor with the local theater group and making memorable appearances at the annual Old Lyme Street Fair.
Hoffman later gained recognition for his numerous watercolor sketches of underwater life, from which he produced several hundred oil paintings. He also pursued his undersea interest on research trips to Bermuda, British Guiana (now Guyana), and the Galapagos Islands. In the early 1930s, Hoffman’s wife, Beatrice Hoffman, who had pursued an interest in creating tapestries based on her husband’s designs, was instrumental in the founding of the Old Lyme Guild of Artists and Craftsmen.
- Creator:Harry Leslie Hoffman (1871 - 1964, American)
- Creation Year:c. 1929
- Dimensions:Height: 11.5 in (29.21 cm)Width: 14.5 in (36.83 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Concord, MA
- Reference Number:1stDibs: LU3541709153
Harry Leslie Hoffman
Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania's Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien. In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists' colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony. In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman's antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910 Hoffman married another Old Lyme artist named Beatrice Pope, and the couple had one child in 1921. Hoffman and his wife often escaped New England during the harsh winter months. In the winters of 1914 and 1915 he traveled to Savannah, Georgia with fellow Old Lyme artist William Chadwick. Hoffman depicted urban genre scenes around the city and was inspired by the soft hazy light created by the tropical climate. Hoffman's Savannah paintings feature loose, Impressionistic brushwork and vibrant, saturated colors. In 1916, he visited the Bahamas and became interested in seascapes and underwater scenes. During the early twenties, Hoffman accompanied renowned naturalist William Beebe as a staff artist on expeditions to the Galapagos Islands, British Guiana, and Bermuda. Throughout his career, Hoffman was a member of numerous art associations and clubs including the Salmagundi Club, the National Arts Club, the New York Watercolor Club, and he was elected as an associate member of the National Academy of Design in 1930. He was awarded a gold medal at the Panama Pacific Exposition in 1915 and won the Eaton Prize, bestowed by the Lyme Art Association in 1924. His work is now located in private and permanent collections throughout the United States.
About the Seller
4.4
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1993
1stDibs seller since 2014
50 sales on 1stDibs
- ShippingRetrieving quote...Ships From: Concord, MA
- Return PolicyThis item cannot be returned.
More From This SellerView All
- Frenchman Bay, Mount Desert Island, MaineBy Charles Henry GiffordLocated in Concord, MACHARLES HENRY GIFFORD (1839-1904) Frenchman Bay, Mount Desert Island, Maine, 1874 Oil on canvas 12 x 20 inches Signed and dated at lower right:...Category
19th Century Abstract Impressionist Landscape Paintings
MaterialsCanvas, Oil
- On the Marmaton River, Kansas,By Benjamin HartleyLocated in Concord, MABENJAMIN HARTLEY (1838-1912) On the Marmaton River, Kansas, 1880 Oil on board on canvas 6 x 9 ¾ inches Signed and dated at lower right: B. Hartley / 1880 Titled and dated in artist’s...Category
1880s Abstract Impressionist Landscape Paintings
MaterialsBoard, Oil, Canvas
- Untitled AbstractLocated in Concord, MABUDD HOPKINS (1931-2011) Untitled Abstract, 1964 Oil on paper on canvas 14 x 11 inches Signed and dated at lower right: Hopkins ‘64 Budd Hopkins was born in Wheeling, West Vi...Category
1960s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil, Paper
- Swing,By Ray DonarskiLocated in Concord, MARAY DONARSKI (1935-1996) Swing, 1966 Oil on canvas 17 ½ x 17 ½ inches Signed, dated and inscribed verso: ‘Swing’ / Ray Donarski / 2/66 / 17 ½ x 17 ½ / For Mr. & Mrs. Passerman / New York 1966 Original frame Ray Donarski was one of a group of artists in New York known as the Bowery Boys during the early sixties. The group included Eva Hesse, Robert Mangold, Jack Youngerman, and Robert Rauschenberg among others. He is mentioned in several of art critic Lucy Lippard's articles on New York conceptual artists and Bowery Boy artists of that period. Donarski was a close friend of artist James Rosenquist. They had studied together at the Art Students League in New York. In January of 1962 Donarski helped Rosenquist set up his first solo exhibition at the Green Gallery in New York. In his book, Painting Below Zero: Notes on a Life in Art, Rosenquist recalls sitting on the floor with Donarski before opening night wondering if anyone would show up. The show sold out before it opened. When Rosenquist was broke and homeless in 1955 his friend Donarski told him he knew of a great job as a chauffeur and bartender for some very wealthy people. They went up to see them and split the job. Rosenquist took it for a year, and after a year, he gave it to Donarski. In an interview with Rosenquist he said “I lived in the lap of luxury with very little money, and was a chauffeur bopping around in a ’56 Lincoln town car and a ’56 Lincoln convertible with big fins on the car (laughs), great big fins. I did that for a year and then transferred into the International Sign Painters.” Donarski married Mary Lou Storm and had two children. He became known as the “American in Luxembourg”, dividing his time between New York and summers in Luxembourg, where he was represented by Galerie Paul Bruck and Galerie Horn. He also exhibited at the Westport Gallery...Category
1960s Abstract Geometric Abstract Paintings
MaterialsCanvas, Oil
- UntitledBy Henry BotkinLocated in Concord, MAHENRY BOTKIN (1896-1983) Untitled, c. 1954 Oil on board 40 x 30 inches Signed at lower right: Botkin Signed versoCategory
1950s Abstract Abstract Paintings
MaterialsOil
- MedleyBy Henry BotkinLocated in Concord, MAHENRY BOTKIN (1896-1983) Medley, 1958 Oil on paperboard on board 44 x 34 inches Signed at lower left: Botkin Signed, titled and dated versoCategory
1950s Abstract Expressionist Abstract Paintings
MaterialsMixed Media
You May Also Like
- Autumn Garden Porch Abstracted Landscape with PumpkinsBy Les AndersonLocated in Soquel, CAColorful abstracted landscape of a garden porch in autumn with pumpkins by Les (Leslie Luverne) Anderson (American, 1928-2009). Signed "Les Anderson" lower right. Unframed. Image siz...Category
1980s Abstract Impressionist Landscape Drawings and Watercolors
MaterialsPaper, Watercolor
- Dyptic around the Episy marshesLocated in THOMERY, FRThis series of paintings is inspired by the relationship between the artist and the Fontainebleau forest region. Here we're talking about the Episy marsh, a sensitive, protected natu...Category
21st Century and Contemporary Abstract Impressionist Landscape Paintings
MaterialsPastel, Watercolor, Handmade Paper
- 'Sunset Landscape', Hamburg, Rivne, Volhynia, Rivne MuseumLocated in Santa Cruz, CASigned lower right, 'G. Kosmiadi' for Georg Kosmiadi (Ukranian-German, 1886-1967) and dated, '66'; additionally signed verso, 'Georg Kosmiadi', inscribed with serial number and dated, '20/9/66'. Georg Kosmiadi was a resident of Rivne before moving to Hamburg in 1940 where he worked as an art teacher. Kosmiadi exhibited at the Rivne Regional Museum and a regional art...Category
1960s Abstract Impressionist Abstract Drawings and Watercolors
MaterialsPaper, Gouache
- REVERIE AT THE MARSH OF EPISYLocated in THOMERY, FRThis series of paintings is inspired by the relationship between the artist and the Fontainebleau forest region. Here we're talking about the Episy marsh, a sensitive, protected natu...Category
21st Century and Contemporary Abstract Impressionist Landscape Drawings ...
MaterialsHandmade Paper, Watercolor, Pastel
- Untitled (Abstract, Vibrant, Drips, Neon, Gestural, Contemporary, Expressionism)By Russell ShoemakerLocated in Kansas City, MORussell Shoemaker Title: Untitled Year: 2018 Medium: Gouache on Yupo Paper Size: 12 x 9 inches Signed, dated and inscribed by the artist Russell Shoemaker received his BFA from the ...Category
2010s Abstract Impressionist Landscape Drawings and Watercolors
MaterialsGouache, Synthetic Paper
- Touch of Fall watercolor and pastel painting by Nell BlaineBy Nell BlaineLocated in Hudson, NYSigned "Nell Blaine" upper left in pencil. Signed, titled, dated verso on sheet. Signed, titled, dated verso on backing panel. The artist. Exhibited at Fischbach Gallery, NYC, in 1994 (Gallery label verso, and wall label affixed verso). Purchased by private collectors c.1994. By descent. Tibor de Nagy Gallery, NYC (the artist's estate representative), exhibited 2020 (label verso). Exhibited at Fischbach Gallery, NYC, in 1994 (Gallery label verso, and wall label affixed verso). Tibor de Nagy Gallery, NYC (the artist's estate representative), exhibited 2020 (label verso). From her November 15, 1996 NYT obituary: Nell Blaine, a widely respected New York landscape painter and watercolorist, died yesterday at Mount Sinai Hospital. She was 74 and had homes in Manhattan and Gloucester, Mass. Ms. Blaine, who had been hospitalized since July, had been confined to a wheelchair since 1959, when she contracted polio. Ms. Blaine was born in Richmond, Va., in 1922, and first studied at the Richmond School of Art, now part of Virginia Commonwealth University. She moved to New York in 1942 to study painting with Hans Hofmann and later studied etching and engraving at Atelier 17 with Stanley William Hayter. During her first years in New York, her work, which had previously been tightly realist, turned abstract, inspired by Mondrian, Leger and Jean Helion. At one time she was the youngest member of the American Abstract Artists. She was also a founding member of the Jane Street Gallery, one of Manhattan's earliest artists' cooperatives, and had her first solo show there in 1945. Just as Ms. Blaine was becoming known as a promising abstract painter, and gaining the admiration of such critics as Clement Greenberg, she started to shift back to representation. Inspired in part by a trip with Larry Rivers in 1950 to Paris, where she was especially impressed by the work of Vuillard and Bonnard, she immersed herself in the tradition of 19th-century European painting. From the mid-1950's, she cultivated an increasingly painterly and colorful style, usually working directly from nature, or still life, with particular emphasis on the forms and hues of flowers. Her work retained a sense of all-over structure and pulsating energy that she nonetheless credited to abstract art. ''It all goes back to Mondrian,'' she would say. In the 1950's, Ms. Blaine was prominent among a circle of New York artists and poets that included John Ashbery, Frank O'Hara, Kenneth Koch, Mr. Rivers, Jane Freilicher, Leland Bell, Louisa Matthiasdottir, Robert De Niro Sr. and Rudy Burckhardt. She had her first solo show of representational work at the Tibor de Nagy Gallery in 1953 and was represented by the Poindexter Gallery until it closed in 1978, and, in recent years, by the Fischbach Gallery. During the 1950's she supported herself as a commercial artist, designing brochures for art galleries. In 1955, she designed the original logo, column heads and layout for The Village Voice. In 1957, Ms. Blaine was featured in Life magazine as one of five leading young female artists in America. In 1959, after several months of traveling and painting in Greece, she contracted severe bulbar polio on the island of Mykonos. ''To Nell Blaine,'' an exhibition organized at Poindexter to raise money for her hospital bills, included the work of 79 artists, including Saul Steinberg, Robert Motherwell, Elaine and Willem de Kooning, Philip Guston, Mr. Rivers, Ms. Freilicher and Robert Rauschenberg. After eight months in a New York hospital, including five months in an iron lung...Category
1990s Abstract Impressionist Landscape Drawings and Watercolors
MaterialsPaper, Watercolor, Pastel