Unknown

French Abbey Rouen Landscape Drawing 19 century pencil paper

early 19th

This drawing represents a lateral view over the Cathedral of Koln that doesn't want to be a faithfull copy from real but It's pervaded with a nostalgic and decadent feeling proper of...

The drawing depict the Sanctuary of Madonna di San luca in Bologna. It can be attributed to a French artist because it's written "Bologne" (the french name of...

This drawing represents the grand opening of the monument dedicated to Victor Emmanuel II, the first king of Italy, that happened in Turin on September 9, 1899, twenty years after his death. It was wanted by his son, King Umberto I and made by the architect Pietro Costa...

The drawing is a self portrait of the tuscan artist Gisberto Ceracchini. Considering the age at the moment and the fact that his birth year was the 1899,...

Il disegno a matita grigia e rossa raffigura un intenso ritratto frontale di un fanciullo con cappello, con le braccia incrociate davanti. Sul retro, in grafia corsiva, è probabilme...

Il disegno, matita su carta 32 x 22.5 cm, raffigura una figura femminile che indossa un vestito con le maniche corte e la gonna che lascia intravedere le gambe, distesa su un fianco,...

Late 19th century drawing on paper of a French marine scene by noted French artist Georges Ricard-Cordingley. Carrying the atelier stamp to the bottom left and with full annotation and certification to the back of the paper. Provenance: This drawing came from the estate of the artist's daughter who had acquired it directly from her father. It is from his earliest period of drawing when his talents were first being recognised. A charming drawing capturing the scene of a paquebot, a small passenger ship, leaving the dock at Boulogne sur Mer. Cordingley has captured the majesty of the scene, the rolling waves, the force of nature. Georges Ricard was born on January 30, 1873 in Lyon, son of Prosper Louis Ricard and Georgina Marie Cordingley. He spent part of his childhood in Lyon and Boulogne-sur-Mer. He displayed early gifts for drawing. He lost his father in 1885. He began his training around 1887, becoming a pupil of Jean-Charles Cazin, a landscape painter from Pas-de-Calais and the Côte d'Opale. He then joined the School of Fine Arts in Lyon and remained there from 1888 to 1889. He moved to Paris in 1890, where he studied at the Académie Julian as a pupil of Benjamin Constant, Louis Martinet and Jules Lefebvre. He lost his mother around 1892, went to England to his maternal family and added his mother's name to his name. He embarked for the North Sea with the Royal National Mission to Deep Sea Fishermen and carried out his first studies. In 1894, he met with great success at the court of Queen Victoria. He embarked a second time, in 1895, still for the North Sea and produced numerous studies of waves of clouds, of the port and of portraits of fishermen...

Original mid-century illustration for the children's book "Good Work" by John G. McCullough, Young Scott Books, N.Y. It depicts a busy harbor filled with commercial and leisure traffic. Notice all the charming little people, busy at work - dotting the docks and boats. Ipcar masterfully designed the work so that your eye effortlessly travels from more prominent foreground elements to more minor elements in the distance. But her color scheme limited only to two colors sets "Harbor Scene" apart from the humdrum and elevates it to a sophisticated children's book illustration. The suspension bridge in the back of the composition is modeled after the Golden Gate. The illustration bears the hallmarks of modernism with its flat shapes and quick painterly style. "Harbor Scene" represents the artist's early style. By the '60s and '70s, her work began to take on a new direction with intricate patterns and depicting animals. Signed lower right with the artist's label on verso. Dahlov Ipcar...

Watercolour on paper Paper size: 21 x 13.5 inches Signed lower right

Watercolour on paper Paper size: 7.5 x 10.5 inches Framed size: 15 x 17.5 inches Signed lower left

Coffee Peloton XXXVI by Eliza Southwood [2022] original and hand signed by the artist Coffee on Paper Image size: H:42 cm x W:59.5 cm Complete Size of Unframed Work: H:42 cm x W:59.5 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Coffee Peloton XXXVI is an original drawing in coffee on paper by artist Eliza Southwood. Featuring a pack of cyclists racing, the artist has noted a link between cycling culture and the love of a good coffee break. Eliza Southwood cycling prints...

'Man Smoking Shisha in Istanbul', watercolour on art paper, by Yves Brayer (1933). So many historic elements grace this stunning depiction by celebrated French artist and world trave...