Items Similar to Entrance to the temple at Klungkung, Bali, 1925
Want more images or videos?
Request additional images or videos from the seller
1 of 5
W.O.J. NieuwenkampEntrance to the temple at Klungkung, Bali, 19251925
1925
About the Item
Entrance to the temple at Klungkung, Bali, 1925
With studio seal at the reverse, dated and described, bottom left
Black chalk on paper, 53 x 46.5 cm
In ebonized frame with white mount
Willem Otto Wijnand Nieuwenkamp
(1874-1950)
Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way.
He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths.
In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art and objects for their collections, Nieuwenkamp immediately started to purchase and order a wide range of ethnographic art and objects from local artists and craftsmen.
Through his drawings and books, he gave an excellent impression of Balinese art and culture at that time. Since 1854 Northern Bali was under Dutch rule but Southern Bali in 1904, when Nieuwenkamp visited it, was still independent. Nieuwenkamp would be one of the last Westerners to experience a glorious medieval society in its final days. During his second visit to Bali in 1906 the Dutch decided to end the independence of South Bali and Nieuwenkamp was invited by the Governor-General van Heutz to accompany the Dutch invasion force. By contemporary European standards, the Balinese were barbarous and primitive, particularly with widows throwing themselves in the flames of the funeral pyre of their deceased husbands. But Nieuwenkamp was a singular man who saw in their society the beauty and soul that had been lost in his own.
On September 20th, 1906, Denpasar, the capital of South Bali fell to the Dutch military forces. Official military briefings praised the victory which was reported with nationalistic pride on the front pages of all Dutch newspapers. As Nieuwenkamp had witnessed, the truth was far from glorious. As if in trance the Balinese, men women and children, dressed in their finest silks and jewellery and armed with ancient bejewelled krises, the Raja himself mounted atop a golden palanquin, rushed forward, the men killing their wives and children and the Dutch machinegun fire doing the rest. The once-powerful and magnificent court of Denpasar was left in ashes and as many as two thousand Balinese dead. The Dutch suffered four deads.
Nieuwenkamp made drawings and saved as many beautiful architectural elements and artefacts from the rubbles as he could, most of it now in the collection of the Ethnological Museum in Leiden.
- Creator:W.O.J. Nieuwenkamp (1874 - 1950, Dutch, Indonesian)
- Creation Year:1925
- Dimensions:Height: 20.87 in (53 cm)Width: 18.31 in (46.5 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:Amsterdam, NL
- Reference Number:1stDibs: LU147128030342
About the Seller
No Reviews Yet
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
1stDibs seller since 2021
Typical response time: 9 hours
- ShippingRetrieving quote...Ships From: Amsterdam, Netherlands
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Part of the ring-wall of the Taj Mahal, Agra, India, 1914Located in Amsterdam, NLPart of the ring-wall of the Taj Mahal, Agra, India, 1914 Signed with initials and dated bottom right Black chalk on paper, 45.5 x 53 cm Literature: Ernst Braches en J.F. Heijbro...Category
1910s Art Nouveau Landscape Drawings and Watercolors
MaterialsChalk, Paper
- Stone Statue, Madura, India, 1914Located in Amsterdam, NLStone statue in the temple at Madura, India, 1914 Signed with initials and dated, bottom left Pencil on paper, 25.4 x 16.7 cm Literature: Ernst Braches en J.F. Heijbroek, W.O.J. ...Category
1910s Art Nouveau Landscape Drawings and Watercolors
MaterialsPencil, Paper
- Four Balinese, Bali (1910)Located in Amsterdam, NLFour Balinese, 1910 Signed and dated bottom left Pencil and ink on paper, 15.6 x 23 cm In ebonized frame with white mount. Literature: W.O.J. Nieuwenkamp, Zwerftochten op Bali, Amsterdam, 1910, p. 36 WILLEM OTTO WIJNAND NIEUWENKAMP (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art...Category
1910s Art Nouveau Landscape Drawings and Watercolors
MaterialsPencil, Paper
- Market under the Banyan, Bali, 1937Located in Amsterdam, NLMarket under the Banyan tree, 1937 Signed with initials and dated bottom right Pencil and ink on paper, 28 cm x 34.5 cm Literature: Bruce W. Carpenter, W.O.J. Nieuwenkamp. First ...Category
1930s Art Nouveau Landscape Drawings and Watercolors
MaterialsGraphite, Paper
- Incoming Rain, Bali, 1937Located in Amsterdam, NLIncoming rain, Den Pasar, Bali 1937 Signed with initials, dated and titled, bottom right Black chalk and ink on paper, 42 by 46 cm Literature: Ernst Braches en J.F. Heijbroek, W.O...Category
1930s Art Nouveau Landscape Drawings and Watercolors
MaterialsGraphite, Paper
- Beach of Kusambe, Bali 1937Located in Amsterdam, NLFour outrigger proa’s on the beach of Kusambe, Bali, 1937 Signed with initials, dated and described with location bottom left Pencil and ink on paper, 29.7 x 35 cm In ebonized frame with white mount WILLEM OTTO WIJNAND NIEUWENKAMP (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art and objects for their collections, Nieuwenkamp immediately started to purchase and order a wide range of ethnographic art and objects from local artists and craftsmen. Through his drawings and books, he gave an excellent impression of Balinese art and culture at that time. Since 1854 Northern Bali was under Dutch...Category
1930s Art Nouveau Landscape Drawings and Watercolors
MaterialsIndia Ink, Paper, Pencil
You May Also Like
- "Medieval Thoughts, Prague, " Alphonse Mucha, Czech Art Nouveau IllustrationBy Alphonse MuchaLocated in New York, NYAlphonse Mucha (Czech, 1860 - 1939) Medieval Thoughts, circa 1890 Wash, ink, and watercolor on paper 11 x 9 inches Signed lower right Provenance: Phillips New York, 19th and 20th ce...Category
1890s Art Nouveau Figurative Drawings and Watercolors
MaterialsWatercolor, Ink, Paper
- Fairies among the Lily Pads - Female Illustrator FantasyLocated in Miami, FLA turn-of-the-century fantasy illustration by female illustrator May Audubon Post features a charming fairy with expanded wings resting on Lilly s...Category
Early 1900s Art Nouveau Figurative Drawings and Watercolors
MaterialsPaper, Ink, Watercolor
- Inconscience by Yvon Pissarro - Contemporary work on paperBy Yvon PissarroLocated in London, GB*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Inconscience by Yvon Pissarro (b. 1937) Conté chalk and pastel pencil on paper 50 x 65 cm (19 ³/₄ x 25 ⁵/₈ inches...Category
21st Century and Contemporary Figurative Drawings and Watercolors
MaterialsPaper, Chalk, Conté, Pastel, Pencil
- Evasion by Yvon Pissarro - Contemporary work on paperBy Yvon PissarroLocated in London, GB*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Evasion by Yvon Pissarro (b. 1937) Conté chalk, crayon, pastel pencil on paper 65 x 50 cm (25 ⁵/₈ x 19 ³/₄ inches...Category
21st Century and Contemporary Figurative Drawings and Watercolors
MaterialsPaper, Chalk, Conté, Crayon, Pastel, Pencil
- Opoczno - XXI century, Figurative landscape drawing, Black and whiteBy Józef PanfilLocated in Warsaw, PLJÓZEF PANFIL (born in 1958) He graduated from PWSSP in 1984. In 1987 he received a grant from the Department of Culture and Arts. He won several prizes, e...Category
2010s Other Art Style Figurative Drawings and Watercolors
MaterialsPaper, Chalk, Charcoal
- Modernist Conte Crayon Drawing Beach Scene David Burliuk Russian FuturistBy David BurliukLocated in Surfside, FLDavid Burliuk (Ukrainian, 1882-1967) Three figure on the beach (Hamptons, Long Island New York) Conte crayon drawing on paper. Hand signed lower left. Unframed Provenance: Bloomsb...Category
Mid-20th Century American Modern Figurative Drawings and Watercolors
MaterialsPaper, Conté, Crayon