Paul Desmond Brown

"My Son George" 1921 Pen & Ink Portrait by Paul Brown

Original caricature pen & ink artwork depicting Sir Humphrey de Trafford BT famous fox-hunter and Jockey Club steward sign (Peter Buchanan) The Tout & dated 1...

Pen & ink illustration depicting a famous French horse trainer by Peb c1960s Art Sz: 11"H x 7"W Frame Sz: 15"H x 11"W Pierre Camille Lucien Hilaire J...

Classic pen & ink on paper drawing depicting a sartorially resplendent/ dapper gent sporting a peak lapel/ white dinner jacket c1940s Art Sz: 12 ...

Elegant watercolour portrait of a dapper gent in evening cutaway attire c1930s Art Sz: 12 1/4"H x 8 3/4"W Frame Sz: 17"H x 13 1/2"W in gilt bamboo

Stylish & dapper watercolour 'decoupage' vignette by 'Fell' 1923 Featuring seven English gents sporting various styles of bespoke apparel Image Sz: 17"H x 12 3/4"W Frame Sz: 23 1/4"H x 18 3/4"W (4/14/1880- 11/1972) Herbert Fell Sharp was a British comic artist/illustrator born in London, United Kingdom in the district of Islington, son of Charles Sharp and Catherine née Fell. He immigrated to United States by 1910 married Ruth Sheriff in 1916 in Westchester, New York. He lived at 31 Poplar Street, Brooklyn and served as a former president to the New Rochelle Art Association in Westchester County, New York, an organization that included J.C. Leyendecker as a prominent member during the 1950's. Sources suggest that Fell Sharp began his career as a comic artist, composing illustrations for the Amalgamated Press comics circa 1900 and "The Jester and Wonder" in 1905. Mr. Sharp possesses an artistic technique that is easy to identify and yet unique. The people featured in his artwork show details of pointed noises. Sharp's career, like his contemporaries, explored a diversity of avenues in which to market his craft. For example, he sketched artwork that consisted of war themes. As you will see, his art signatures feature his middle name on most prints, but sometimes may include middle and last names together coupled with the year of its completion. There are some websites that happen to confuse Sharp's work with Laurence Fellows...

Classic pen & ink depicting three nattily attired London gents c1930s Art Sz: 13"H x 10"W Frame Sz: 18 1/4"H x 15 3/8"W

Florentine, Probably Seventeenth Century Titled L’ultime parti note nel Indie occidentali Dated on the edge of the cartouche: “M.D. LXIII. M.AG” [1564…the month of August] In the 1560s Cosimo I de’Medici, the powerful Duke of Florence, undertook a major renovation of the Palazzo Vecchio, the venerable palace that to this day dominates the city at the Piazza della Signoria. For the Sala della Guardaroba, literally the wardrobe room, but in fact the storeroom of the Duke’s most precious holdings, Cosimo conceived of a grand decorative project that was to reflect in one space the entire cosmos --both an indication of the Duke’s ambition and an allusion to his name. The plan, supervised by Giorgio Vasari, involved the construction of walnut cabinets to contain the Medici treasures, on the outside doors of which were to be placed large hand-painted maps specially commissioned to document and illustrate the current knowledge of the world. Portraits of famous men were to decorate the tops of the cabinets and two large globes –one representing the terrestrial world, the other celestial—were to descend from openings in the ceiling. The commission for the maps, inspired by Ptolemy’s Geographia, was given to the celebrated mathematician and cosmographer, Fra Egnazio Danti (Perugia 1536-1585 Alatri). Fifty-three maps were ultimately created. Thirty were conceived and executed by Danti between 1563 and 1575. The remaining twenty-three were completed by Stefano Bonsignori between 1576 and 1686. They remain in place in Florence in the room for which they were created. The present work is an exact-size painted, drawn and inscribed copy of Danti’s map of California...

This powerful pen and brown ink wash drawing is a study for an altarpiece depicting The Martyrdom of Saint Bartholomew. Signed and dated 1604, it was painted at the end of his life b...

Pen and ink abstract by French artist Jaquel, 1978. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Arc...

Mid-century French modern abstract painting of green and blue eye, circa 1960. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame....

THE ARCHITECT'S ORIGINAL PROPOSAL FOR KING'S COLLEGE HOSPITAL William Alfred Pite (1860-1949) King`s College Hospital, Denmark Hill general bird`s-eye view (1913) Initialled H.M.F.,...

William Heath Robinson (British, 1872 - 1944) 'Boring The First Tunnel With An Early Type Of Rotary Excavator, And The Red Flag', circa 1935 (railway ribaldry was published in this year) The former signed 'W. Heath Robinson (lower left) and inscribed with title (lower left and right) The former to mount 14 X 10.1/4in. (35.5 X 26cm.) The latter 1.1/2 X 8.1/2in. (3.8 X 21.6 cm.) Literature: Railway Ribaldry, first published by the Great Western Railway, Paddington, 1935. William Heath Robinson was an English cartoonist and illustrator best known for drawings of ridiculously complicated machines for achieving simple objectives. During the First World War, he drew large numbers of cartoons, depicting ever-more unlikely secret weapons being used by the combatants. In the UK the term "Heath Robinson" entered popular language during this time as a description of any unnecessarily complex and implausible contrivance. Its continuing popularity was undoubtedly linked to Second World War Britain's shortages and the need to "make do and mend". In the course of his work, Robinson also wrote and illustrated three childrens books including The Adventures of Uncle Lubin (1902) which is regarded as the genesis of his depiction of unlikely machines. The inventions he drew were frequently powered by steam boilers or kettles, heated by candles or a spirit lamp and usually kept running by balding, bespectacled men in overalls. There would be complex pulley arrangements, threaded by lengths of knotted string. One of his most famous series of illustrations accompanied the first Professor Branestawm book written by Norman Hunter. The stories provided a perfect backdrop for Robinson's drawings. One of the automatic analysis machines built for Bletchley Park during the Second World War to assist in the decryption of German message traffic was named "Heath Robinson" in his honour. He died in September 1944 during the Second World War and is buried in East Finchley Cemetery. The Heath Robinson Museum in Pinner opened in October 2016 to house a collection of nearly 1,000 original artworks owned by The William Heath Robinson Trust. In the Wallace and Gromit...