Paper Still-life Drawings and Watercolors

David Morrison has extended his brand of hyperrealism to the artificial, capturing the intricate lithography that decorates his collection of vintage Kohler wind-up birds. His drawings are often mistaken for a photograph from afar - on approach, they dissolve into a mesmerizing display of mark-making.This new body of work plays with the boundaries between organic and manufactured: the metal imposters are resplendent as they perch, pert and expectant, on wilting greenery. Yet another layer of irony, the toy birds...

"Delicate watercolor painting depicting a winter forest. The rays of the pre-spring sun play on the branches of firs and pines, beautiful deep shadows on the snow intertwine in a rhy...

Charles Demuth was one of the most complex, talented, and deeply sensitive artists of the American modern period. Whether he was painting floral still lifes, industrial landscapes, or Turkish bathhouses, art was, for Demuth, fraught with personal meaning. A fixture of the vanguard art scene in New York, Demuth navigated the currents of Modernism, producing some of the most exquisite watercolors and original oil paintings in twentieth-century American art. Demuth was born in Lancaster, Pennsylvania, the only child of a well-to-do family. He had an awkward and introverted childhood shaped by a childhood illness, Perthes, a disease of the hip that not only left him permanently lame, but, as part of the “cure,” bedridden for two years in the care of his mother. This long period of incapacitation had a deep impact on Demuth, who came to see himself as an invalid, an outsider who was different from everyone else. It was perhaps during this period of indoor confinement that his keen interest in art developed. Several relatives on his father’s side had been amateur artists, and, following his convalescence, his mother encouraged his artistic pursuits by sending him to a local painter for instruction. The majority of his early pictures are of flowers, a subject for which Demuth maintained a lifelong passion. Following high school, Demuth enrolled at the Drexel Institute of Art in Philadelphia, a school renowned for its commercial arts program. He advanced through the program rapidly, and, in 1905, at the encouragement of his instructors, he began taking courses at the Pennsylvania Academy of the Fine Arts. The two leading teachers then at the Academy were William Merritt Chase and Thomas Anshutz. Anshutz, himself a former student of Thomas Eakins, was well liked by his students, and is best known as the teacher of Robert Henri, John Sloan, and several of the other artists of the Ashcan School. Demuth, too, adopted a similar idiom, working in a controlled, realistic manner while at the Academy, where he remained until 1910. In 1907, Demuth made his first trip to Europe, staying in Paris. He spent time on the periphery of the art scene composed of the numerous American artists there, including John Marin and Edward Steichen. He returned to Philadelphia five months later, and immediately resumed courses at the Academy. Despite his introduction to advanced modern styles in Europe, Demuth’s work of this period retains the academic style he practiced before the trip. It wasn’t until he had summered at New Hope, Pennsylvania, in 1908 and 1911, that his style began to evolve. New Hope was a prominent American Impressionist art colony whose members were largely affiliated with the Pennsylvania Academy. Demuth dropped the conservative tone of his style and adopted a freer and more colorful palette. Although he remained based in Philadelphia, Demuth frequently went to New York during this period. Many of the same American artists of the Parisian art scene Demuth had encountered on his earlier European trip now formed the nucleus of New York’s avant-garde, which centered around Alfred Stieglitz’s 291 gallery. It wasn’t long before Demuth began to apply modernist-inspired strategies to his work. He was particularly influenced by the watercolor work of John Marin, also a former student of Anshutz, whose bold use of color in the medium Demuth freely adapted into looser washes of color. In 1912, Demuth again left for Paris, this time studying in the Académie Moderne, Académie Colorossi, and Académie Julian. In Paris Demuth met the American modernist Marsden Hartley. Hartley, a principal figure in the expatriate art circle, acted as a mentor to Demuth, and introduced him to the wide array of modern styles currently practiced in Europe. Hartley also introduced Demuth to many of the members of the Parisian avant-garde, including Gertrude Stein. Demuth was an aspiring writer, and he spent many hours in conversation with Stein. He wrote extensively during this period, and published two works shortly after his return to America. He also developed an interest in illustrating scenes from literary texts. From 1914 to 1919, Demuth produced a series of watercolors of scenes from books such as Emile Zola’s Nana and Henry James’s The Turn of the Screw. Upon his return to America, Demuth settled in New York. In 1914, Demuth had his first one-man show at Charles Daniel’s gallery, which promoted emerging modern American artists, including Man Ray, Rockwell Kent, Yasuo Kuniyoshi, Stuart Davis, and Max Weber. Demuth drew closer to the artistic vanguard in New York, becoming friends with many in the Stieglitz and Daniel circles, including Georgia O’Keeffe, Marcel Duchamp, Carl Van Vechten, and Edward Fiske. New York’s cosmopolitan atmosphere and active nightlife appealed greatly to Demuth. In a sketchy style well suited to watercolor, he painted many vaudeville and circus themes, as well as nightclub, café, and bathhouse scenes. Often with Duchamp, Demuth took part in an urban subculture replete with nightclubs, bars, drugs, and sexual permissiveness, which, for a homosexual artist like himself, allowed room for previously unattainable personal expression. Demuth’s pictures of sailors, bathhouses, and circus performers embody a sensual and sexual undercurrent, expressing the artist’s sense of comfort and belonging in the bohemian subculture of New York. Simultaneously, Demuth deepened his interest in floral pictures, painting these almost exclusively in watercolor. His style evolved from the broad color washes of his earlier pictures to more spare, flattened, and sinuous compositions, inspired by the drawings of Aubrey Beardsley and other artists of the Aesthetic Movement. Demuth’s flower watercolors are moody and atmospheric, sensuous and elegant, introspective and yet full of expressive power. Moreover they are beautiful, and are unequivocally among the finest still lifes in American art. Despite numerous subsequent artistic undertakings that led him in a variety of directions, Demuth never stopped painting flower pictures, ultimately adding fruits and other still-life objects to his repertoire. In 1916, Demuth began to develop a style later known as Precisionism, a form of landscape painting infused with Cubism, in which space is divided into precisely drawn geometric regions of color. Demuth first began to paint the landscape in an appropriated Cubist mode while on a trip with Hartley to Bermuda. In these early landscapes, in which the curvilinear forms of trees intersect the geometrically articulated architectural forms, Demuth explored ideas that shaped the future development of modernism in America. The full realization of Demuth’s explorations came after his return to America in 1917, when he turned his attention to industrial subjects. These works derive from a “machine aesthetic,” espoused by New York artists such as Francis Picabia, Joseph Stella, Albert Gleizes, and Duchamp, by which artists viewed machines as embodying mystical, almost religious significance as symbols of the modern world. Rather than painting the skyscrapers and bridges of New York as did most of his like-minded contemporaries, Demuth returned to his home town of Lancaster, where he painted factories and warehouses in a Precisionist idiom. The titles for these pictures are often contain literary references, which serve as clues for the viewer to aid in the decoding of the artist’s meaning. In 1923, Demuth planned a series of abstract “poster portraits” of his friends and contemporaries in the New York art and literary scene. In these “portraits,” Demuth combined text and symbolic elements to evoke the essential nature of his sitters’ distinguishing characteristics. In this fashion, he painted portraits of such artists as Georgia O’Keeffe, John Marin, and Arthur Dove. His most famous poster portrait, I Saw the Figure 5 in Gold...

Signed lower right, 'Maria Winkler' (American, born 1946) and dated 1991. Professor Emeritus of the Art Department at California State University, Sacramento, Maria Winkler earned h...

Signed lower right, 'Maria Winkler' (American, 20th century) and dated 1991. Professor Emeritus of the Art Department at California State University, Sacramento, Maria Winkler earne...

Two bud vases seemingly defy gravity as they teeter upon a watery surface in Christina Haglid's "Janus". This meticulously detailed watercolor invites the viewer to take a closer look at nature, to question what is seen and to enter into a newly created world. Intricate in her execution, Haglid uses watercolor as one might use a colored pencil. Layer upon layer of color is added to achieve this impressively detailed painting. Christina Haglid Janus watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm CMH031 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night...

Jacques Villon, born Gaston Émile Duchamp on July 31, 1875, in Damville, France, was a pivotal figure in the development of modern art. As the elder brother of Marcel Duchamp, Raymon...

Quand le Soleil se Couche et Mes Idées se Levent by Lélia Pissarro (b. 1963) Tempera on paper 20 x 24 cm (7 ⁷/₈ x 9 ¹/₂ inches) Signed lower right, Lélia Pissarro Executed in June 20...

Perfect for sport lovers, this is a series of four Art Prints on recycled paper featuring, hockey, soccer, baseball and football. The contemporary and timeless aesthetic makes them s...

Artist: Ian Hornak (1944-2002) Title: (Apple Study) Untitled Year: 1985 Medium: Ink on archival paper Size: 12 x 10 inches Condition: Good Provenance: Estate of Ian Hornak, East Hamp...

Artist: Ian Hornak (1944-2002) Title: (Abstract Still Life) Untitled Year: circa 1964 Medium: Acrylic on illustration board Size: 10 x 9 inches Condition: Good Provenance: Estate of ...

Artist: Ian Hornak (1944-2002) Title: (Modern Still Life) Untitled Year: 1964 Medium: Ink on archival paper Size: 14 x 12 inches Condition: Good Provenance: Estate of Ian Hornak, Eas...

Artist: Ian Hornak (1944-2002) Title: (Abstract Still Life with Chessboard) Untitled Year: circa 1964 Medium: Acrylic on illustration board Size: 14 x 11 inches Condition: Good Prove...

Artist: Ian Hornak (1944-2002) Title: (Abstract Still Life) Untitled Year: circa 1965 Medium: Charcoal on archival paper Size: 11 x 14 inches Condition: Good Provenance: Estate of Ia...

Every artwork is hand-made and supported with a certificate of authenticity. Made in Spain, 2024. Package: protected cardboard box. Dispatching terms: 2-3 working days. Location and ...

Every artwork is hand-made and supported with a certificate of authenticity. Made in Spain, 2024. Package: protected cardboard box. Dispatching terms: 2-3 working days. Location and ...

"I make quiet paintings in a noisy world. My work is an intimate meditation on humble objects and the detritus of studio life. I aim to promote a reengagement with the mundane while ...

Every artwork is hand-made and supported with a certificate of authenticity. Made in Spain, 2024. Package: protected cardboard box. Dispatching terms: 2-3 working days. Location and ...

"I make quiet paintings in a noisy world. My work is an intimate meditation on humble objects and the detritus of studio life. I aim to promote a reengagement with the mundane while ...

"I make quiet paintings in a noisy world. My work is an intimate meditation on humble objects and the detritus of studio life. I aim to promote a reengagement with the mundane while ...

Hannah Reeves Eastern Bluebird 2024 13 x 11 framed

Every artwork is hand-made and supported with a certificate of authenticity. Made in Spain, 2024. Package: protected cardboard box. Dispatching terms: 2-3 working days. Location and ...

Ghosted Bouquet (2023) by Shamona Stokes Blue and yellow still life image of a vase of flowers, a bouquet with some falling flower petals in blue and yellow and white; a monoprint g...

Every artwork is hand-made and supported with a certificate of authenticity. Made in Spain, 2024. Package: protected cardboard box. Dispatching terms: 2-3 working days. Location and ...

Feeling of spring. Paper, pastel 21x23 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer, gradua...

This modern colorful expressive drawing "The colors of the South of France is full of expressionism and vivid colors where I could fully experience my love for the south of France....

Flowers study. Paper, pastel 30x20 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer, graduate o...

'Camellia' watercolor on paper. Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. Internatio...

This modern colorful expressive artwork "Oysters , lemons and fish" is full of expressionism and vivid colors. This contemporary piece depcitng food is done with acrylic paints on ...

This modern colorful expressive food artwork "Sweet strawberries " is full of vivid colors which are my tools of expression. I explore the beauty of thes...

This modern colorful expressive artwork "Happiness vase with pink flowers" belongs to my “Floral” series which is full of expressionism and vivid colors where I could fully experienc...

This modern colorful expressive artwork "Three strawberries on a plate" is full of expressionism and vivid colors where I could fully experience a summer fruit theme. This contemp...

Flower. Paper, pastel 33x27 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer, graduate of Latvi...

This modern colorful expressive artwork "The joy of summer flowers " is full of expressionism and vivid colors where I could fully experience a summer fruit theme. This contempora...

This modern colorful expressive artwork "Olives from Provence" is full of expressionism and vivid colors where I could fully experience my love for the south of France. This regio...

James Tower. English ( b.1919 - d.1988 ). Still Life of Flowers in a Jug and a Plate of Fruit. Watercolor & ink. Image size 15.4 inches x 13 inches ( 39cm x 33cm ). Frame size 22.2 ...

Every artwork is hand-made and supported with a certificate of authenticity. Made in Spain, 2024. Package: protected cardboard box. Dispatching terms: 2-3 working days. Location ...

This is a beautiful and fine avant-garde finished drawing of flowers by the French female artist, Dora Maar. Dora Maar was a distinctive artist in her own right marked by striking p...

Translated title: "Tree" Pencil on high-quality cotton paper, which is handmade in Italy. This is part of an album. It's been drawn in one go, with no erasure and with a continuou...

George Cochran Lambdin (American, 1830–1896) Goldenrod in the Sand Watercolor on paper, 19 x 12 inches Framed: 27 x 20 inches (approx.) A son of the portraitist James Reid Lambdin, ...

"Not Art" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. The hand-drawn render is reminiscent and inspired by the word art...

This artwork belongs to my “Floral” series which is full of expressive brush strokes where I could experience a floral theme. It is a bold and eclectic mix of art which radiates str...

This artwork belongs to my “Floral” series which is full of expressive brush strokes where I could experience a floral theme. It is a bold and eclectic mix of art which radiates str...

This artwork belongs to my “Floral” series which is full of expressive brush strokes where I could experience a floral theme. It is a bold and eclectic mix of art which radiates str...

Jolanta Johnsson, experienced Polish artist, graduate of the Academy of Fine Arts in Warsaw, PhD of fine arts, university teacher. She currently lives in Sweden. This is how she writ...

Jolanta Johnsson, experienced Polish artist, graduate of the Academy of Fine Arts in Warsaw, PhD of fine arts, university teacher. She currently lives in Sweden. This is how she writ...

"Still Life" Abstract Drawing 20" x 12" inch by Nazli Madkour Madkour was born on 25 February 1949 in Cairo, Egypt. She has held solo exhibitions since 1982 in many galleries in Egypt and elsewhere, and her works are held in collections including those of the Egyptian Modern Art...

This artwork belongs to my “Floral” series which is full of expressive brush strokes where I could experience a floral theme. It is a bold and eclectic mix of art which radiates str...

This Art Print on recycled paper features a baseball image for the one's who love the game. The contemporary and timeless aesthetic makes it perfect for a child's room or sports room...

This artwork belongs to my “Floral” series which is full of expressive brush strokes where I could experience a floral theme. It is a bold and eclectic mix of art which radiates st...

Crab. 1971, watercolor on paper, 63x69,3 cm Underwater world Janis Brekte (1920.15.VIII – 1985.27.XII) Janis Brekte his first artistic education got in drawing courses of K. Brence...

This artwork belongs to my “Floral” series which is full of expressive brush strokes where I could experience a floral theme. It is a bold and eclectic mix of art which radiates str...

This artwork belongs to my “Floral” series which is full of expressive brush strokes where I could experience a floral theme. It is a bold and eclectic mix of art which radiates str...

"A painting of nature is a landscape with water . A watercolor painting of nature with a sunny landscape, painted based on memories from walking along the Volga. The painting of natu...

Sean Lyman is a Professor of Painting and Drawing at Missouri State University, with an extensive list of international exhibitions and work in public permanent collections including...

HELEN HAWLEY Terracotta Hu Figurine, China 2024 Ink on paper Framed: 12 x 16 inches

HELEN HAWLEY Terracotta Siren, Greek, c. 550-500 BCE 2024 Ink on paper Framed: 12 x 16 inches

Sean Lyman is a Professor of Painting and Drawing at Missouri State University, with an extensive list of international exhibitions and work in public permanent collections including...