Jiri Kolar

Original Rollage of a sculpture by Michelangelo and painting by Bruegel Collage

Yanira Collado (Dominican, American, 1975 ) "Que Ya Estan En El Olvido" Mixed Media unique fabric and painting assemblage collage on plywood Textile, clothing and found material o...

Tim White-Sobieski Alpha LV, 2005 Unique photo print on canvas 42 X 30 in Tim White Sobieski has been commissioned by LVMH multiple times, and in 2005, was invited to create an ar...

Born in Paris in 1946 and raised in the heart of an idyllic French countryside near the Loire Valley, Jacques Lamy began painting at a very early age. Jacques completed his formal a...

This depicts civil rights icon MLK, the Statue of Liberty, Iwo Jima, an assemblage of mixed media photographic images and painted collaged elements. A powerful, moving work, an ode to the black civil rights movement. John M. Mitchell is originally from North Carolina, and as an art student at North Carolina Central University, he was involved with the Civil Rights movement including participating and getting arrested at a sit-in protest in Durham in 1963. After graduating, he was one of the first art teachers to take a position at the newly integrated schools in his home state. Mitchell continued his education in the 1990s and earned an MFA in painting from the Savannah College of Art and Design in 1993. He later served as a professor there from 1998-2006. Of his inspiration to create, Mitchell says: "A lot of my work is based on my experiences during the Civil Rights movement," he says. "I see art making as a 'record' of experiences. My bittersweet past, growing up in the segregated South, inspires the content, focus and narrative of my work." Savannah-based artist John Mitchell believes that a home is more than a simple edifice. Rather, he argues that the sociological, psychological, architectural, and historical associations embedded in the structure “tell us about our culture, our lives. It tells us about where we come from.” Mitchell's signature shotgun house constructions, crafted from found materials and scraps of newspaper headlines, reference his childhood in North Carolina, where such modest architectural structures were once commonplace. In "ALA 1963," he uses the shotgun shape to create a heartfelt memorial to a group of African-American girls killed in a racially motivated church bombing in Alabama nearly 50 years ago. He also incorporates the shotgun symbol in "Victims," a powerful reflection upon crime in Savannah in the early 1990s, which reveals how little has changed over the past two decades. Mitchell's mixed media constructions operate, in many ways, like memory itself. Scraps, fragments and pieces loosely cohere around a central idea, making symbolic and metaphorical connections. In these richly narrative and boldly stream-of-conscious assemblages, the whole truly is greater than the sum of its parts. Mitchell's jazz collages - carefully crafted from scraps of newspaper, sheet music, magazines and tissue paper - celebrate key players in Savannah's jazz scene, from sultry female vocalists to wiry male saxophone players. A tribute to the late jazz bassist Ben Tucker, a true Savannah legend, is especially moving, incorporating a pencil sketch of the standing bass player as well as newspaper clippings of other Savannah jazz musicians. Mitchell grew up in a shotgun house in North Carolina, a style of vernacular architecture that is particularly prevalent in the South. Mitchell fills his sculptural homes with objects of metaphorical and symbolic, iconic, importance. In Home Sweet Home he includes the American flag, a photograph of Martin Luther King Jr. and Malcolm X, and a china plate depicting The Last Supper, among other items that convey a personal and historical narrative. He notes that making art acts “as a ‘record’ of experiences. My bittersweet past, growing up in the segregated South, inspires the content, focus, and narrative of my work.” While this contains elements reminiscent of folk art and outsider art this is a quite sophisticated tour de force. He was included in the show Complex Uncertainties, Telfair Museum: Modern and contemporary art comprise painting, prints, drawing, photograph, sculpture, and works in new media, representing American artistic achievement from 1945 to the present day. The exhibition includes works by artists such as Bruce Davidson, Elaine de Kooning, Carrie Mae Weems, Sam Gilliam, Ethel Schwabacher, Radcliffe Bailey...

A contemporary mixed media painting on cloth, plaster and board created by listed Texas artist Jacques Lamy (French/American, 1946 – 2016). The piece uses a combination of woven and ...

Eclectic, mixed media wall hanging textile tapestry by Marlene (Marlen) Richard featuring abstract embroidery atop free hanging locks of fabric over a black background embellished with gilt fabric accents. Hand made and hand embroidered. This had a paper artists label but it has since become detached. Overall image resembles a colorful pop art sunset over ocean waters. Hanging cords in various fabrics, colors and textures. Her work bears the influence of Sheila Hicks and bears similarities to Latin American, Colombian textile artists Olga de Amaral and Stella Bernal. Hand made, hand woven felt and wool spectacular textile wall hanging fabric sculpture by Miami woman artist Marlene Richard. It consists of long hanging pods...

'I am a multidisciplinary artist with a focus on ecofeminism using fiber and mixed media constructions. My materials include hand-dyed commercially fished line and ghost gear, recycled and antique textiles, fabric printed with cyanotype emulsions and found objects. I change the existing surface of recognizable animals by creating a veneer of unexpected color and imagery. This forces the viewer to consider the shape more carefully by visually exploring its new topography. The creation process can be likened to painting with fiber (that has been tinted with hand-mixed dyes) on a three-dimensional canvas. Intense work is spent creating the eyes and ears to convey the emotion of each animal. I look to the work of Joan Mitchell and The Quilters of Gee’s Bend as inspiration for pattern and color, as well as charts, iconography, and satellite imaging.' -Gin Stone...

Hendrix is a unique sculpture created from Vinyl Records by Belgian artist Georges Monfils. Hendrix is made out of around 8500 vintage vinyl records...

David Bowie is a unique sculpture created from Vinyl Records by Belgian artist Georges Monfils. David is made out of around 8000 vintage vinyl records...

Theda Sandiford, is a self-taught mixed media artist based in Jersey City, NJ. Though art is engrained in her psyche, Theda’s first creative endeavors were in the music business as a...

'My Emotional Baggage Carts are vessels to dispose of racial trauma. The act of making, weaves the sting of macro and microaggressions into the cart, freeing me from these constraints. Each recovered shopping cart is unique, but they all are woven with upcycled materials like rope, paracord, grocery bags, rope lights, beads, fabric, and bottle caps. The cart is with a protective zip tie blanket to trap trauma and prevent its escape. For me, my Emotional Baggage Carts are a release, for you, they are an opportunity to look within and recognize any emotional baggage you, yourself may be carrying and release it.' Theda Sandiford...

"Waves of Hope" is a unique kinetic mixed media artwork with Silver Leaf on panel by a world-renowned French contemporary artist, Patrick Rubinstein. He is famous for his diverse st...