Skylar FeinToday's Risk of Diabolical Faggotry2019
2019
About the Item
- Creator:Skylar Fein (1968, American)
- Creation Year:2019
- Dimensions:Height: 39 in (99.06 cm)Width: 48 in (121.92 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:1stDibs: LU10525075762
Skylar Fein
Skylar Fein was born in Greenwich Village and raised in the Bronx. He has had many careers, including teaching nonviolent resistance under the umbrella of the Quakers, working for a gay film festival in Seattle, stringing for The New York Times and as a pre-med student at the University of New Orleans, where he moved one week before Hurricane Katrina hit. In the wreckage of New Orleans, Fein found his new calling as an artist, experimenting with the color and composition of the detritus of Katrina. His work soon became known for its pop sensibility as well as its hard-nosed politics. After a few starring roles in group shows, he had his first solo show in May 2008 at Jonathan Ferrara Gallery in New Orleans. In the fall of 2008, his Prospect.1: Biennial installation, Remember the Upstairs Lounge, shined a spotlight on an overlooked piece of New Orleans history, a fire that swept through a French Quarter bar in 1973, killing everyone inside. The worst fire in New Orleans history has never been solved. His installation walked visitors right through the swinging bar doors and offered visual riffs on politics and sexuality. The piece was praised in Artforum, Art In America, The New York Times Magazine and The New Yorker, among others. In late 2009, Fein had his first solo museum show, "Youth Manifesto," at the New Orleans Museum of Art. The exhibition was an ode to punk rock as a force for social and cultural upheaval. True to form, the opening reception was shut down by police responding to the look of the unlikely art-going crowd. In March 2010, Jonathan Ferrara Gallery presented Fein's solo installation, Skylar Fein: Rise of the Youth Front at the VOLTA Art Fair in New York during Armory Week. This installation drew thousands of people and delved into revolutionary politics past and present, a continuing theme in Fein's work. In May 2010, Fein was invited by the New York curatorial project No Longer Empty to recreate, Remember the Upstairs Lounge installation in a vacant Chelsea space. The exhibition, once again, drew thousands of visitors and sparked renewed interest in this piece of history. In September 2011, Fein exhibited over 80 new works in his solo exhibition Junk Shot at Jonathan Ferrara Gallery, New Orleans. This exhibition embodied this artist’s turn towards formalism and art historical reference while maintaining Fein’s iconic sensibilities and aesthetic. Fein's solo exhibition "Beckett at War" in September 2012 at C24 Gallery in Chelsea was praised as one of the top ten exhibitions of the year in New York, in The Village Voice. He followed that up with his November 2013 installation of The Lincoln Bedroom which received wide media attention. Fein unveiled his Giant Metal Matchbook series in his 2014 solo exhibition at Jonathan Ferrara Gallery. Since then, the series has been exhibited nationally at art fairs including a solo presentation at VOLTA NY, as well as, Miami Project for Art Basel Miami Beach, Texas Contemporary, artMRKT San Francisco and the Seattle Art Fair and has continued to gain momentum in rave reviews and collector acquisitions. Skylar Fein was the recipient of a 2009 Joan Mitchell Foundation Award and his work is in several prominent collections including The Whitney Museum of American Art, The Brooklyn Museum, The Frederick R. Weisman Art Foundation, The Louisiana State Museum, The Birmingham Museum of Art, the New Orleans Museum of Art, curators Dan Cameron and Bill Arning, and collectors Beth Rudin DeWoody, Lance Armstrong, Lawrence Benenson, Brooke Garber-Neidich, Stephanie Ingrassia and Thomas Coleman.
- ShippingRetrieving quote...Ships From: New Orleans, LA
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- Church of the Eggshell PlaintiffBy Skylar FeinLocated in New Orleans, LASKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...Category
21st Century and Contemporary Contemporary Sculptures
MaterialsPlaster, Wood, LED Light, Acrylic, Latex
- Sisters of BarbarityBy Skylar FeinLocated in New Orleans, LASKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...Category
21st Century and Contemporary Contemporary Sculptures
MaterialsPlaster, Wood, LED Light, Acrylic, Latex
- Saint Aureola of Murgatroyd, Paul Thek, Pastor (lighted sign)By Skylar FeinLocated in New Orleans, LASKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...Category
21st Century and Contemporary Contemporary Sculptures
MaterialsPlaster, Wood, LED Light, Acrylic, Latex
- Daughters of Barbarity (lighted sign)By Skylar FeinLocated in New Orleans, LASKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...Category
21st Century and Contemporary Contemporary Sculptures
MaterialsPlaster, Wood, LED Light, Acrylic, Latex
- Wahrheit, Schönheit, Güte (lighted signs)By Skylar FeinLocated in New Orleans, LASKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...Category
21st Century and Contemporary Contemporary Mixed Media
MaterialsPlaster, Wood, LED Light, Acrylic, Latex
- Candy (lighted sign)By Skylar FeinLocated in New Orleans, LASKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...Category
21st Century and Contemporary Contemporary Mixed Media
MaterialsPlaster, Wood, LED Light, Acrylic, Latex
- Dog on wood palate with twine: 'Speak to Me'By Elizabeth JordanLocated in New York, NYElizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...Category
2010s Contemporary Figurative Sculptures
MaterialsWire
- ADORNED OBSOLESCENCE 03 - Sculptural Wall Hanging w/ Found & Repurposed ObjectsLocated in Signal Mountain, TNIn ADORNED OBSOLESCENCE 03, Liz Miller creates a sculptural wall hanging piece out of a found headboard piece that she has painted and utilized as the found...Category
2010s Contemporary Mixed Media
MaterialsMetal
- Blue, Grey and WhiteBy Dianne BakerLocated in Buffalo, NYAn original conceptual sculpture by contemporary artist Dianne Baker, created in 2015 using wood, paint, metal, rubber and plexi.Category
2010s Contemporary Abstract Sculptures
MaterialsMetal
- Standing FigureLocated in Wilton Manors, FLTom Cramer (b.1960). Standing Figure, 1998. Carved wood and polymer paint. Measures 17.5 inches high. Excellent condition. Signed and dated under base. Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho. Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...Category
Late 20th Century Neo-Expressionist Figurative Sculptures
MaterialsWood, Latex
- Standing FigureLocated in Wilton Manors, FLTom Cramer (b.1960). Standing Figure, 1980. Carved wood and polymer paint. Measures 11.5 inches high. Excellent condition. Signed and dated under base. Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho. Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...Category
Late 20th Century Neo-Expressionist Figurative Sculptures
MaterialsWood, Latex
- Standing FigureLocated in Wilton Manors, FLTom Cramer (b.1960). Standing Figure, 1988. Carved wood and polymer paint. Measures 11.5 inches high. Excellent condition. Signed and dated under base. Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho. Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...Category
Late 20th Century Neo-Expressionist Figurative Sculptures
MaterialsWood, Latex