Amanda Andersen

"Ridge L" contemporary abstract painting nature earthy dark green ivory mauve

2022

One from a series of two abstract paintings made in 2022 by Amanda Andersen. These artworks began with the idea of a mountain range simplified into large layered shapes, a disoriented horizon line touched by wind and weather patterns. This piece has large areas of dark forrest green and ivory with mauve and light peach contrasted with black and white ovals–some accented with bright blue, red, green and yellow. Acrylic paint on canvas; on heavy duty stretcher bars ready to hang. 60 cm x 80 cm (23.6 x 31.5 inches) – 3.5 cm deep (1.37 inches deep). Initialed on the back. Original artwork ships in a box...

Large abstract acrylic painting on canvas by Amanda Andersen; one in a series of four created in 2020 during anxiety filled times due mostly to Covid. The shapes in these works represented a balloon at first–a common subject in the artist's earlier work, which honored the beauty and elegance of hot air balloons and also celebrated their invitation for a romantic escape. We all wanted an escape in 2020. The large shape can also be seen as a window; the static hole we all peered out from to check if the world was still out there. With stripes–also a common visual element in the artist's work, it may even suggest prison bars...

Large abstract acrylic painting on canvas by Amanda Andersen; one in a series of four created in 2020 during anxiety filled times due mostly to Covid. The shapes in these works represented a balloon at first–a common subject in the artist's earlier work, which honored the beauty and elegance of hot air balloons and also celebrated their invitation for a romantic escape. We all wanted an escape in 2020. The large shape can also be seen as a window; the static hole we all peered out from to check if the world was still out there. With stripes–also a common visual element in the artist's work, it may even suggest prison bars...

One in a series of three abstract paintings made in 2023 by Amanda Andersen, initialed on the back. An array of loose geometric shapes: rectangles, triangles and circles converse wi...

One in a series of three small works created in 2021 with acrylic paint and charcoal on 270g archival quality paper. This abstract urban landscape painting was inspired by brutalist ...

One in a series of three small works created in 2021 with acrylic paint and charcoal on 270g archival quality paper. This abstract urban landscape painting was inspired by brutalist ...

Acrylic on canvas. Signed, titled, and dated on verso. 86 x 74 in. 87.25 x 75.25 in. (framed) Please note: Our framing studio could not accommodate the scale of this work, so it is being sold as-acquired. The canvas is housed in an original “studio strip” frame installed by the artist. Please see condition notes below for additional details and an assessment of condition. Provenance Steve Chase Design, Palm Springs, CA Ronnie Landfield was born in the Bronx, NY on January 9, 1947 - the same day as his older brother. As a teenager, he was encouraged to pursue a career as an artist, subsequently creating his first real paintings around the age of 14. He was particularly influenced by a Life magazine article from 1961 on the Abstract Expressionists, most notably: Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Hans Hofmann, Mark Rothko, Clyfford Still, Robert Motherwell and Franz Kline. After stints at the Art Students League, the Kansas City Art Institute, the San Francisco Art Institute, and the University of California at Berkeley, Landfield’s professional career as a painter began in New York in 1965. The following year, after completing a major series of hard-edge border paintings, success as a painter began to materialize. The famous architect and collector Philip Johnson and the collector Robert Scull each acquired large paintings works, as did the Sheldon Memorial Museum in Lincoln, Nebraska. In 1967, Landfield was invited to participate in the Whitney Annual at the end of the year. His work attracted considerable attention, and he was invited to participate in important group exhibitions at the Bykert, Bianchini, and Park Place Galleries in New York. Landfield joined the David Whitney...

Neuberg Osculating Circle is a complex integration of mathematical elements through collinear intersects completing a geometric picture with vivid colors.

A painting by Patrick Wilson. “Meadowlark” is a geometric abstract painting, acrylic on canvas executed in a vibrant palette of yellows, whites, grays and blacks by contemporary Amer...

Bonr on December 18, 1940 in Vestignè (Turin) in Italy, Ferruccio Gard is considered to be a central figure in Programmed Art, Kinetic Art and Constructivism since the 1970s. Gard i...

Ferruccio Gard (Italy, 1940) is one of the pioneers and leading artist representatives of the Neo-Constructivist art, Programmed Art and Optical Art, which he has practiced since 1969. He is considered to be a master of colour, in his painting Gard creates original formal and compositional solutions of forms and colours. Exploring the geometric composition with chromatic and special themes Gards clasps the complexity of black and white and the extremes of the tonal scale of colours. Gard's work have been the subject of many writers, including Piero Dorazio and Virgilio Guidi, as well as renowned poets art art curators such as Jorge Amado...

Ferruccio Gard (Italy, 1940) is one of the pioneers and leading artist representatives of the Neo-Constructivist art, Programmed Art and Optical Art, which he has practiced since 1969. He is considered to be a master of colour, in his painting Gard creates original formal and compositional solutions of forms and colours. Exploring the geometric composition with chromatic and special themes Gards clasps the complexity of black and white and the extremes of the tonal scale of colours. Gard's work have been the subject of many writers, including Piero Dorazio and Virgilio Guidi, as well as renowned poets art art curators such as Jorge Amado...