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Cheryl McClureAnother Hot Day, Contemporary abstract painting, Texas artist2016
2016
About the Item
I live and work in rural northeastern Texas. Painting seriously for over thirty years, I have a passion for abstraction, color and surface quality. I have a long history of producing abstract land influenced paintings.
Because of a lifetime of living in small towns and rural areas, my work strongly reflects place, but not a specific place. I don’t set out to paint specifics, I seek a universal feeling of that place.
My work has been shown throughout the USA and occasionally in Europe. You may view my work in person at galleries across the United States.
2020
University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX
Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX
Stable, Cerulean Gallery, Dallas, TX
- Creator:Cheryl McClure (American)
- Creation Year:2016
- Dimensions:Height: 36 in (91.44 cm)Width: 36 in (91.44 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Houston, TX
- Reference Number:1stDibs: LU140526724782
Cheryl McClure
“Art gives me a personal sense of who I am. Most of the rest of my life has been as a wife and mother. My paintings are for me,” states local artist, Cheryl McClure. I have personally experienced McClure’s work at different art exhibitions, and I am drawn to their energy and life. Like many abstract works so much of the non-representational elements connect on a visceral response to what it is to be human. It is hard to explain but when you experience it you know it, standing in front of a large abstract piece composed of lines, shapes, and colors and then thinking ‘yeah, I’ve felt like that.’
McClure explains, “I hate being pinned down about style. It is always slowly changing. However, abstraction has always been it for me. I seek to compose my work so it will stand out and speak to me first and viewers second. Gesture and mark making are important components in my paintings. Surface quality is also important to me. Although I have never sought to paint landscapes, that is what people sometimes see when they look at my work. I can understand why since I have always lived in small towns and now, I live on a small ranch outside New London, TX. Our home and my studio are perched on a hill in the middle of a lot of pastureland. As far as what I want people to experience, each painting will be different. Hopefully, they suggest something from the viewers’ personal experiences I never intended. Since I am not an angsty person, I do not seek to do work that has some message of dread or political point of view.”
McClure has no formal art education through a university or art school. Rather, she planned her own path of seeking out great instructors whose work she liked. She spends her time with books about art, artists’ lives, technique, and color. She describes, “One thing I regret is not knowing, at a young age, I would want the college experience, both for the advantages of an art education and for the other edification and experiences. I spent a lot of time volunteering at a local art museum and spent five years as the adult education coordinator, bringing in artists to teach workshops. Spending so much time in a museum is an education. I highly recommend it.
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- Mid-Summer Dance Acrylic on Panel Abstract INFLUENCES, INTUITION and INTENTLocated in Houston, TXMid-Summer Dance Cheryl D. McClure acrylic on canvas 40 x 40 x 1.5 in To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. 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Texas Women with Brushes, Jack Meier Gallery, Houston, Texas (2 person) 2012 EncaustiCon 2012, Gallery Nord, San Antonio, TX, Paula Berg Owen, juror WAX: Contemporary Art Works, Pajaro Valley Arts Council, Watsonville, CA Wise Earth: Land and Art, Wise Earth Gallery, Denton, TX, curator, Katy Crocker Continuum 2012, VamArt, Inc., Metuchen, NJ 2011 One Foot of Wax, North Lake College, Irving, TX Mississippi Art Colony Travel Show, Guild Hardy Architects Purchase Award, Sheri Fleck Rieth, juror Hunting Art Prize Finalist *Paintings, DCL, Tyler, TX 2010 Fusion, PFAMily Arts Gallery, Plano, TX Melting Point, Arts Centre of Plano, Plano, TX *Influenced by the Land, Encaustic Center, Richardson, TX Hive, Cole Art Center, Nacogdoches, TX 2009 Uncommon Composites, Cerulean Gallery, Dallas, TX Meltdown, Art Hotel Gallery, Dallas, TX Global Swarming, TX Discovery Gardens Gallery, Dallas, TX Encaustic Methods, Tarrant County Community College, Arlington, TX The Alchemy of Encaustic, Ann Dean Turk Gallery, Kilgore College, Kilgore, TX 2008 Coming Home, Longview Museum of Fine Arts, Longview, TX Some Like It Hot, Bath House Cultural Art Center, Dallas, TX Texas Artists Museum, Port Arthur, TX, Firehouse Gallery, Fort Worth, TX 2007 Landscapes, Longview Museum of Fine Arts, Longview, TX *Little Pieces of Land, Joyous Lake Gallery, Pinetop-Lakeside, AZ Mississippi Art Colony Travel Show, Meridian Art Museum, Meridian, MS East – West, Meeting in the Middle, Hilligoss Galleries, Chicago, IL 2006 Artist Residency, Centre d’Art Contemporain (Cat’Art) Sainte Colombe sur lâ Hers, France Mixed Media Invitational, Longview Museum of Fine Arts, Longview, TX 2005 Dance with the Imagination, 3 artists, West End Gallery, Winston-Salem, NC Southwestern Water Society Signature Members Show, Irving Art Center, Irving, TX, Marcie Inman juror of awards, Honorable Mention 2004 East Texas Regional Exhibit, Longview Museum of Fine Art, Longview, TX; juror, David Band Traveling the Carolinas, National Association Of Women Artists Mississippi Art Colony Travel Show, Spring, Joseph A Smith, juror Artist Career Training 1st National Juried Exhibition, 2nd place Award, jurors, Geoffrey Gorman...Category
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