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Lelia Pissarro
C’est moi qui te capture et qui te garde dans mes bras by Lélia Pissarro

2009

About the Item

SOLD UNFRAMED C’est moi qui te capture et qui te garde dans mes bras by Lélia Pissarro (b. 1963) Acrylic on canvas 89 x 59.5 cm (35 x 23 ⅜ inches) Signed lower right, Lélia Pissarro Inscribed on the reverse Executed in 2009 This work is a perfect example of Lélia Pissarro’s vibrant and powerful paintings from her ‘Silver’ series. This work is accompanied by a certificate from the artist. Literature: Lélia Pissarro, The Colours of Silence, London, 2010, p. 70 (illustrated) Artist biography Born in Paris in 1963, Lélia is the third and youngest child of Hugues-Claude and Katia Pissarro. She was raised, however, in the loving care of her grandparents Paulémile Pissarro, Camille’s youngest son, and his wife Yvonne, in Clécy, Normandy. From a young age, Lélia’s interest in drawing and painting was nurtured by her grandfather while she sat beside him at his easel, captivated. He taught her the fundamental Impressionist and Post-Impressionist techniques he had learnt from his father and brothers before him and watched as her skills blossomed rapidly. Standing readily on the shoulders of giants, Lélia sold her first painting to New York art dealer Wally Findlay, when she was only four years of age. When Lélia turned 11 she moved to Paris to live with her parents where, with the guiding support of her father’s teachings she began to broaden her skill sets. Under the watchful eye of her father Hughes Claude Pissarro, she became exposed to new environments and learnt to experiment with abstract styles and subjects. At age 14 Lélia submitted some of these works to the exhibition ‘Salon de la Jeune Peinture’ at the Luxembourg Museum in Paris. Being underage, however, she had to submit these works secretly under the pseudonym Rachel Manzana Pomié. With her parents dividing their time between France and California, Lélia found herself moving between Tours, Paris and San Francisco, all the while studying fine art and psychology at the University des Beaux Arts. She eventually settled in Paris to teach art at the Moria School and study oil painting conservation under the guidance of a teacher from the Louvre museum. During this time she began to present her work in solo exhibitions in Paris, Lyon, Mulhouse and Rennes.
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