Linda Holt

"Small # 175" Brilliant Abstr Exp Ptg 8" x 8" Red/Orange/White/Yellow/Blue

2023

"Green Fields" 2019 Oil on Canvas 48 x 36 Inches Vividly colored Abstract Expressionist painting filled with light and energy, primarily in white, chartreuse, blue, turquoise, burgu...

"Pools of Blue" 2018 Oil on Canvas 36 x 36 Inches i Vividly colored Abstract Expressionist painting filled with light and energy, primarily in white, blue, green, yellow, orange an...

"Puzzle Pieces" 2019 Oil on Canvas 48 x 46 Inches Vividly colored Abstract Expressionist painting filled with light and energy, primarily in white, blue, yellow and red. This pai...

"Either Way" 2019 Oil on Canvas 36 x 36 Inches Vividly colored Abstract Expressionist painting filled with light and energy, primarily in white, blue, burgundy, yellow and lavende...

"Peaches and Pears" 2019 Oil on Canvas 36 x 36 Inches Vividly colored Abstract Expressionist painting filled with light and energy, primarily in yellow, white, blue, chartreuse an...

"Strawberry Fields Forever" 2019 Oil on Canvas 36 x 36 Inches Vividly colored Abstract Expressionist painting filled with light and energy, primarily in white, blue/gray, burgund...

Wesley Kimler (born 1953) an American artist based in Chicago, Illinois, is known for his colossal paintings, up to 15 feet high and 27 feet wide. According to critic Kevin Nance, th...

Phenomena like Byron by PAUL JENKINS (1923-2012) Oil on canvas 74 x 60 cm (29¹/₈ x 23⁵/₈ inches) Signed lower left, Paul Jenkins Signed, titled and dated on the reverse and on the stretcher Executed in 1990, Saint Paul Provenance Waterhouse & Dodd Fine Art, London/New York Private collection, Europe, acquired from the above in 2012 Private collection, Austria Artist biography Born in Kansas City, the multi-media artist, poet and playwright Paul Jenkins began his studies at Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of Jenkins’ work springs from a wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes", influenced by ancient natural forms. Frequent student visits to the Frick Collection in New York fostered a love of the great masters, and lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...

Alan Fenton (1927 - 2000) Pond I, 1958 Oil on canvas 81 x 90 inches Signed, titled and dated on the reverse Fenton's quiet and contemplative nonobjective paintings and drawings were...

Alan Fenton (1927 - 2000) Untitled, 1958-1960 Oil on canvas 90 x 84 inches Fenton's quiet and contemplative nonobjective paintings and drawings were widely recognized for their demanding yet understated means of revealing a serious and sober essence. He identified greatly with Mark Rothko, a friend, as well as Adolph Gottlieb and Jack Tworkov, with whom he had studied privately. Fenton painted in New York City in the late 50's as the explosion of Abstract Expressionism turned into a rebellion against gestural, emotional painting. More concerned about his art than his posture, he expanded upon a tradition in painting with influences as diverse as Whistler and Turner as well as Ad Reinhardt and Joseph Albers. Alan Fenton was born in Cleveland in 1927, studied at the Cleveland School of Art, The Arts Students League, The New School, and at NYU, earning his BFA at Pratt Institute, where he later taught painting for many years. At seventeen, Fenton served in the Merchant Marines where he began a career as a professional boxer, a skill he had honed on the streets. He moved successfully through the graphic design business en route to becoming a painter in New York at the height of the art revolution of the fifties and sixties. Fenton enjoyed success with his subtle washes and pencil drawings as well as large abstract...

Alan Fenton (1927 - 2000) Untitled, 1958-1960 Oil on canvas 90 x 84 inches Fenton's quiet and contemplative nonobjective paintings and drawings were widel...

Alan Fenton (1927 - 2000) Untitled, 1958-1960 Oil on canvas 88 x 82 1/2 inches Signed on the stretcher Fenton's quiet and contemplative nonobjective paintings and drawings were widely recognized for their demanding yet understated means of revealing a serious and sober essence. He identified greatly with Mark Rothko, a friend, as well as Adolph Gottlieb and Jack Tworkov, with whom he had studied privately. Fenton painted in New York City in the late 50's as the explosion of Abstract Expressionism turned into a rebellion against gestural, emotional painting. More concerned about his art than his posture, he expanded upon a tradition in painting with influences as diverse as Whistler and Turner as well as Ad Reinhardt and Joseph Albers. Alan Fenton was born in Cleveland in 1927, studied at the Cleveland School of Art, The Arts Students League, The New School, and at NYU, earning his BFA at Pratt Institute, where he later taught painting for many years. At seventeen, Fenton served in the Merchant Marines where he began a career as a professional boxer, a skill he had honed on the streets. He moved successfully through the graphic design business en route to becoming a painter in New York at the height of the art revolution of the fifties and sixties. Fenton enjoyed success with his subtle washes and pencil drawings as well as large abstract canvases...