Steven Miller

No.3

2023

Steven Miller trained at Parsons School of Design, Miller derives inspiration from electron microscope images that reveal the invisible building blocks of natural world. His pursuit ...

Steven Miller trained at Parsons School of Design, Miller derives inspiration from electron microscope images that reveal the invisible building blocks of natural world. His pursuit ...

Steven Miller trained at Parsons School of Design, Miller derives inspiration from electron microscope images that reveal the invisible building blocks of natural world. His pursuit ...

Steven Miller trained at Parsons School of Design, Miller derives inspiration from electron microscope images that reveal the invisible building blocks of natural world. His pursuit ...

Steven Miller trained at Parsons School of Design, Miller derives inspiration from electron microscope images that reveal the invisible building blocks of natural world. His pursuit ...

Steven Miller trained at Parsons School of Design, Miller derives inspiration from electron microscope images that reveal the invisible building blocks of natural world. His pursuit ...

Ripples in Space - Abstract Composition Original Oil Painting Vibrant abstract composition of paint, paper, enamel, and glitter by unknown artist "DeZulio" or "Dejulio". Several pie...

Abstract expressionist painting on paper Matted

Yolanda Sanchez The Faraway Nearby #4, 2021 oil on paper 30 x 22 (san201) Yolanda’s work is not intended as a narrative or rendering of a subject, she references nature, gardens, fl...

Frame in wood white gold. Free shipment worldwide. Acquired directly from the artist. Size without frame: 71 x 51 cm (Size with frame 77 x 58 cm) “With just a few strokes of his b...

Free shipment worldwide Acquired directly from the artist. Size without frame: 63x36 cm (Size with frame 84x56 cm) “With just a few strokes of his brush he conjures up an entire world. James Coignard extends the boundaries between concrete and abstract. He knows how to create chromatic melodies that shift in timbre from cobalt blue to blood red. His pictures are an artistic epicentre where lines, letters and numbers meld with vigorous swashes of colour.” That is how the writer Johan Persson has described the artist’s paintings. With this exhibition we honour James Coignard, showing some of his last carborundum engravings and paintings as well as presenting the book “L’œuvre gravé de James Coignard” volume VI. In this edition, we have gathered together all the engravings that James Coignard produced between June 2005 and his decease, on 7 March 2008. Behind him he left many fond memories and a life’s work as a great artist. James Coignard’s principal modes of expression were oil on canvas and gravure au carborundum, but also in bronze and glass sculptures as well as in ceramics. His work has been shown on more than 400 exhibitions, primarily in Central Europe and Scandinavia, but also in Canada and the USA. His first Swedish exhibition was at Malmö Museum in 1956. The early 1970s saw the start of a long-term liaison with Galleri Östermalm in Stockholm, owned by Editions Sonet. They came to represent him in Scandinavia and edited several volumes of his graphic works. It was not until 2003 that we at Galleri GKM Siwert Bergström...

Genre: Modern Subject: Abstract Medium: Oil Surface: Paper Country: Spain Dimensions w/Frame: 25 1/2 x 21 1/2 This original painting by Spanish artist Ramon Prats is moody and powerful. The colors are a mix of black, grays and reds ala Antoni Tapies and they evoke a masculine, deep energy. Ramon Prats, was born in Barcelona, Spain in 1928. At the age of 15, Prats was appointed the official artist and illustrator for the El País newspaper in Havana, Cuba where his family was residing at the time. He studied at The School of Visual Arts in Santo Domingo and The School of Graphic Arts in Havana, Cuba. Upon completing his studies in Cuba, Prats moved to New York to study at the Art Students League of New York. Word of the young, talented, Spanish artist quickly spread amongst the New York City art scene and soon reached the Associated American Artist Gallery of New York, which then commissioned Prats under a seven year exclusive contract. He regularly exhibited at the AAA gallery until 1955, and also showed at the Museum of Modern Art in New York. In 1952, he assisted painter Jose Vela Zanetti in painting the mural, "Mankind's Struggle for Lasting Peace," which is still in the lobby of the United Nations Headquarters in New York. Prats moved to Mexico in 1956 and was pivotal in spearheading the development of modern art there until his death at age 74. There are currently two examples of Prats' work in the Cooper Hewitt, Smithsonian museum's collection: Textile, Mosaic, 1954 (1994-38-3) and Sidewall, Terrazzo, 1953 (1954-21-6). Prats moved to Mexico in 1956 and was a pivotal figure amongst the artist responsible for spearheading the development of Modern Art in Mexico. EXHIBITIONS(selected) Orfeo Catalan New York Presented by the famous artist Bartoli. Associated American Artists. New York, USA Art-Garden City Park Mexico Four Rooms Gallery Casino de la Selva Museum of Modern Art in New York Collective Latin American prints 1976 INBA Morelos Foreign Friends of Acapulco Guerrero Cortes Palace in Cuernavaca, Mor GalleryExcelsior AD Mexico...