Andrew Loomis

Cabaret Dancers

This charming scene of four boys sitting on a bench having a conversation is typical of the sentimentalized portrayals of street urchins that John George Brown is known for. His pain...

Medium: Oil on Canvas Laid on Board Signature: Signed Lower Left "Spring Is Here" The Country Home Magazine Cover, March (Year Unknown).

Medium: Oil on Canvas Board Signature: Initialed Lower Right Richard Williams Encyclopedia Brown Takes the Cake Painted Cover Original Art (Scholastic Books, 1991). "He's a master s...

Medium: Oil on Canvasboard Signature: Signed Lower Right Revere F. Wistehuff was one of the central group of cover artists in the New Rochelle Art Colony in the 1920's, '30s, '40s w...

Medium: Oil on Canvasboard Signature: Unsigned Caricature by George Wachsteter (1911-2004) of Tennis Champion Don Budge, Number One ranked player in the world, 1937-42, injury from ...

Medium: Oil on Canvasboard Signature: Signed 'Jacob Rosenberg' This piece was commissioned for the movie "Roberta" (1935), directed by William A. Seiter. Painting is by Jacob Rosenb...

Globe and glove. 2020. Canvas, cardboard, oil, 60x42 cm Juris Dimiters (1947) Education: 1958-1965 Janis Rozentals Art High School of Riga 1965-1973 ...

Domenico Bresolin (Padua 1813 - Venice 1890), Boy in a squero in Venice Oil on canvas applied to cardboard 27 x 16 cm initialed (DB) lower left. Publications D. Ritter, Venedig in...

Donato Frisia ( Merate 1883 - 1953 ), Children by the Sea Oil on canvas pasted on cardboard 35 x 45 cm signed lower right.

Emilio Longoni (Barlassina 1859 - Milan 1932), Alpine Lake (1910) Oil painting on canvas pasted on board 20 x 41 cm signed lower right in Emilian frame late 16th century.

Sometimes when you are near the water you forget how time passes. The sea surface and transparency are mesmerizing, small ripples stop the gaze and the gaze, as if under hypnosis, ca...

Gregg Robinson, American (born 1948) Canvas mounted on wood board work of art depicts geometric shapes and forms with a lacquered high gloss finish. Hand signed lower left and dated 1995. Dimensions: 24 X 24 X 1.75 in. GREGG ROBINSON The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism. I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself. The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. His prints have been published by GalleryOnline, publishers of Per Arnoldi, Ricardo benaim, Pierre Marie Brisson, Simon Bull, Fanch Ledan, Claude Gaveau and Laurent Schkolnyk and more. SELECT CORPORATE COLLECTIONS: Allstate Insurance NBC Productions Alaska Airlines...