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Ethel MagafanLone Horse in Abstract Landscape1968
1968
About the Item
A stylized horse is depicted grazing in an abstract landscape. Most likely, the location is Woodstock, New York, where the artist lived.
Signed Lower Right; Framed; Note: titled and signed on verso.
Ethel Magafan (August 10, 1916 – April 24, 1993) was an American painter and muralist.
Magafan was born in Chicago to Greek parents who had recently immigrated to the U.S. The family soon relocated to Colorado Springs, Colorado, and Magafan's artistic training occurred at the Colorado Springs Fine Arts Center under the tutelage of Peppino Mangravite, Boardman Robinson and Frank Mechau, who hired Magafan and her twin sister, Jenne, to assist on mural projects. In 1937, aEthel won the commission to paint a mural in the U.S. post office in Auburn, Nebraska, making her the youngest recipient of such a commission. It would be the first of seven government-sponsored commissions for the artist.
Murals
"Andrew Jackson at the Battle of New Orleans, January 8, 1814" E. Magafan, 1943
Under President Franklin Roosevelt's New Deal, several programs were created to employ Americans during the Great Depression. The Magafan twins worked under the New Deal's Section of Painting and Sculpture, a program that hired thousands of artists to paint murals in public spaces, particularly post offices. Ethel and her twin sister, Jenne Magafan, became widely known for their murals painted during the Great Depression. Ethel received her first of seven Government commissions when she was commissioned to produce a painting for the United States post office in Auburn, Nebraska, titled Threshing.Other murals commissioned by the US Government hang in the United States Senate Chamber, the Social Security Building and the Recorder Deeds Building in Washington, D.C., and in post offices in Wynne, Arkansas, titled Cotton Pickers in 1940; in Madill, Oklahoma, titled Prairie Fire in 1941; and Englewood, Colorado, titled The Horse Corral in 1942.Her final mural, entitled Grant in the Wilderness, was installed in 1979 in the Chancellorsville Visitor Center at the Fredericksburg National Memorial Military Park in Virginia,
She was a member of the National Academy of Design.
Magafan died April 24, 1993, in Woodstock, New York, at the age of 76.
References
"Collections National Academy Museum". Retrieved 2017-03-08.
"Jenne Magafan". Retrieved 2017-03-08.
Marlene Park and Gerald E. Markowitz, Democratic Vistas: Post Offices and Public Art in the New Deal. Philadelphia: Temple University Press, 1984.
"Browse New Deal projects by State and City". Living New Deal. Retrieved 9 January 2015.
"Ethel Magafan Passes Away". New York Times. No. Obituary. April 29, 1993.
Opitz, Glenn B, Editor, Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers, Apollo Book, Poughkeepsie NY, 1986
- Creator:Ethel Magafan (1916-1993, American)
- Creation Year:1968
- Dimensions:Height: 18 in (45.72 cm)Width: 36.25 in (92.08 cm)Depth: 3 in (7.62 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU385313795832
Ethel Magafan
Ethel Magafan Born Illinois, 1916
Died New York, 1993 Jenne and Ethel Magafan were identical twins, born in Chicago to a Greek immigrant father and a Polish mother. Due to health concerns about their father, the family moved to Colorado, living first in Colorado Springs and then in Denver. He was a proud supporter of their artistic ambitions but died suddenly 1932, a heavy blow to both of them. They attended East High School in Denver, where they found a mentor in their art teacher Helen Perry. She had studied at the Art Institute of Chicago but had later abandoned a career as an artist, making her all the more determined to help the Magafan twins succeed artistically. While still in high school, the twins impressed artist Frank Mechau, and Helen Perry paid for their lessons with him. He subsequently invited them to apprentice with him at his Redstone studio. In 1936, Jenne won the Carter Memorial Art Scholarship and shared it with her sister so that they both could attend the Broadmoor Art Academy in Colorado Springs. Once they ran out of money, Mechau, now teaching there, hired them as assistants. Through their involvement at the Academy, the twins entered into careers as muralists, working at first with Mechau and then with Peppino Mangravite. From 1937 to 1943, Ethel was commissioned to paint her first of seven government sponsored murals. Located in the US Post Office in Auburn, Nebraska, this commission made Ethel (at age 26) the youngest artist in America to receive such an honor. Denver Art Museum director Donald J. Bear once commented that “[Ethel and Jenne's] study of local detail makes them appear as little Bruegels of ranch genre – natural and unforced.” As mural painting commissions diminished, Ethel began to do more easel painting for which she used a palette knife and tempera paints to great effect. After settling in California for five years, the twins permanently relocated to Woodstock, New York in 1945, where the sisters lived apart for the first time. Ethel developed an increasing focus within her work, particularly for horses and abstract landscapes. She met fellow artist Bruce Currie at an artist’s party, and the two were married in 1946. The twins and their husbands went to Greece and Italy for a year when Jenne’s husband and Ethel were granted Fulbright Scholarships. Upon their return, Jenne died suddenly of a cerebral hemorrhage — a loss that Ethel would mourn deeply. With her sister gone, her landscapes became much more abstract, as she sought out the feeling of the scene rather than an exact representation. During the mid-fifties, she began to make annual trips to Colorado. Her stature within the art world was solidified in 1971 when the United States ©David Cook Galleries, LLC
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