Andrew S. Conklin

Duet II - Still Life with Guitar, Violin and Scantily Clad Woman, Oil on Linen

2020

Motion Capture #9 explores the conventional representation of females in Western figurative art yet contrasting it with the contemporary imagery of that subject via computer-based im...

Sensual in it's style and subject matter, Andrew S. Conklin's still life "Duet I" explores the sexuality in both innate objects and the human form. The female figure is off to the s...

The reversal of the famous Cervantes quote “not giants but windmills” where Don Quixote mistakes windmills for giants and attempts to joust with them. By reversing the quote I am sta...

Story Short-story Once upon a time, five women met up at an outdoor café. They sat around the table sipping their coffee and chatting, one caught everyone's attention, because she was dressed up in a metallic suit, complete with robotic wings, resembling a robot bee. The others were impressed by her outfit and asked her about it. She explained that she was a performance artist and was on her way to a show. Another woman pulled out a cigarette and started smoking, ignoring the "no smoking" sign. The others frowned at her, but she just shrugged and continued puffing away. The third woman had a dead bird. She explained that she had found it on her way to the café and had brought it along to see if anyone could identify the species. Just as they were about to order their food, a swarm of bees suddenly descended on the café, buzzing around the tables and chairs. The women panicked, swatting at the bees and ducking for cover wondering why they had worn so many flowers. But then something surprising happened. The woman dressed as a robot bee stood up and raised her arms, and the bees suddenly started swarming around her, as if she were their queen. She calmly led the bees away from the café, and soon they disappeared into the distance. The other women were amazed, and the smoker even stubbed out her cigarette in awe. They all thanked the robot bee woman and chatted excitedly about what had just happened. The time traveler was fascinated by the scene in front of her and watched the women with interest. She noticed the woman with the dead bird and wondered how she had come to possess it. As she continued to observe, she realized that the woman had found the bird on a time-traveling expedition and had accidentally brought it back to the present. As the time traveler watched...

[From Ben Duke] The following is from Wikipedia, but I learned of this spot after getting into August Strindberg novels. "Zum Schwarzen Ferkel," translated as "The Black Piglet," was a historic tavern located at the corner of Unter den Linden and Neue Wilhelmstraße in Berlin. Notable for its cultural and historical significance, the tavern was a central meeting point for Nordic writers and artists in the 1890s. It was frequented by figures such as August Strindberg, Edvard Munch, and the Polish writer Stanisław Przybyszewski, among others. The tavern's original name was Gustav Türkes Weinhandlung und Probierstube, owned by Gustav Türke, and it was also known as "The Cloister." The name "Zum Schwarzen Ferkel" was coined by Strindberg, who thought an Armenian wine-sack hanging over the entrance resembled a black piglet. This quirky name was enthusiastically accepted by both the owner and the patrons. August Strindberg, a Swedish playwright and novelist, played a significant role in the tavern's history. After moving to Berlin in 1892, he became a regular at the tavern and a leading figure among the Nordic and German artistic community that gathered there. The tavern was not only a place for socializing but also a hub of intellectual and artistic exchange, with members engaging in vibrant discussions and forming significant relationships, both personal and professional. Edvard Munch, the Norwegian painter, also became a regular after his arrival in Berlin in 1892. The tavern saw its share of drama, including romantic entanglements and artistic disputes. One notable figure was Dagny Juel, a Norwegian music student who became involved with several members of the circle and was later tragically murdered in Tbilisi in 1901. The tavern's influence extended into the literary and artistic works of its patrons. For example, Adolf Paul wrote about his experiences and the people he met at the Ferkel in his book "Strindberg-Erinnerungen und -Briefe," published in 1914. Strindberg's novel "Klostret" ("The Cloister"), published posthumously in 1966, also drew from his experiences at the tavern. Unfortunately, the original building that housed Zum Schwarzen Ferkel was destroyed during the Second World War. Today, its legacy lives on through the stories and works of the artists and writers who once gathered there. Wikkipedia. Ben Duke Zum Schwarzen Ferkel oil on canvas 36h x 36w in 91.44h x 91.44w cm BSD039 Ben Duke b. 1977 Louisville, KY Education 2006 M.F.A., Maryland Institute College of Art, Baltimore, MD 2002 B.F.A., University of Utah, Salt Lake City...

The two figures are my brothers, who have differing personalities and life styles. One is more traditional, while the other is rebellious. They work in the same environment, however ...

Figurative painting of a male museum guard with portrait 19th century paintings of women in white dresses at the Metropolitan Museum of Art "Empire and Cotton," painted by Judith Wyer...

Image dimensions: 6 ⅞ x 8 ¾ inches Framed dimensions: 11 x 13 inches Mysteriously engaging oil on linen painting from 1982. Recently acquired from a private collection. Biography...

Enveloped by outstretched paintings, Gonzalo García reveals the ever-present ghosts of our past and present in a delicate swirl of color, light, and flesh. These deeply visceral disp...

Figurative painting of a man and a woman viewing paintings (Picasso's 'Gertrude Stein') at The Metropolitan Museum of Art "Collectors," painted by Judith Wyer...

Modern, figurative painting by Judith Wyer, "Two Hats," 2024 oil on linen, framed 22 x 15 inches with a floater frame 21 x 14 inches unframed The artist Judith Wyer creates figurati...

Modern academic style figurative painting by Judith Wyer, "Afterglow," 2024 oil on linen, framed 22 x 18 inches with a slim floater frame 21 x 17 inches unframed The artist Judith W...