Arup Das

Ganesha, Mythology, Hindu God, Acrylic on canvas, Red by Indian Artist"In Stock"

2020

Manish Upadhyay - Durga-2 Acrylic on Canvas, 36 x 48 inches Upadhyay titles most of his paintings as “Innocent”. He is preoccupied in most of his work...

Iruvan Karunakaran - Gangireddu Acrylic on Canvas with Pallete Knives, 48 x 60 inches, 2018 Educational Qualifications : B.F.A (Visual communicatio...

Anil Kumar Yadav - Door-IX - 48 x 48 inches (unframed size) Acrylic on Canvas STYLE : Anil Kumar Yadav is an Artist from Kolkata who was born in 1984...

Anil Kumar Yadav Aradhana, Acrylic on Canvas 60 x 48 inches (unframed), 2020 Anil Kumar Yadav is an Artist from Kolkata who was born in 1984 a village in Uttar Pradesh. He grew up a...

Samir Sarkar - Untitled - 36 x 72 inches (unframed size) Acrylic on Canvas Inclusive of shipment in roll form. Style : He says, “All my paintings have people wearing some headgear...

Birendra Pani - Re Vision - 66 x 42 inches (unframed size) Acrylic on Canvas , 2008 ** Will be delivered in rolled form. Should you want the work in ready to hand condition please contact gallery for freight calculation. In this series of works - “Boy - Dancer”, Gallery Kolkata revisits the artists very popular and well lauded ‘Boy Dancer’ suite of paintings on the plight of traditional Gopitua dancers from his native land, Odisha. The boy dancers who perform a devotional dance ritual are quickly declining in today’s cosmopolitan world. Pani entwines his empathy for the dying art with an opinion on our post-Modern era. In that respect, Pani does not try to create nostalgia for the decline in the taste for the dancers, instead he problematizes the issue by bringing in a dispassionate view of the issue. The ten canvases on display in this exhibition, features the Gopitua dancers in different situations. The canvases are a hyper-real portrait, far & close shots of a Gopitua dancers with liquid innocent eyes and a small smile playing upon his lips as he confronts the viewer. The blade is a recurring motif in Pani’s work and it has multiple functions and meanings. In this instance its meaning is rather clear — one where modernity eclipses tradition. Style : His fresh, perspective and contemporary canvases have loud and vivid images and use colors like green and shocking pink unashamedly. Pani says his works are preoccupied with exploring contemporary materials, culture and current lives of people, the negligence of local places, their culture, history, memory and their identity in present times. Further he feels the consumerist attitude has penetrated deep into the human psyche. Human beings are being consumed by the commodity rather than them consuming it. In his works, Pani explore the struggles, contradictions, dichotomies and critical reflections of the embodied selves with changes in value, knowledge and culture in our present society. “I have extensively used body parts like brain, heart and other organs, and everyday objects like capsule, syringe, blade etc to create a new visual language. Deriving from life experiences, my idea is to create a new vision by the juxtaposition of the above experience with the rich legacy, diverse visual culture and sensibility of the vast tradition of Odisha’s miniatures and Pata paintings, stone carvings, monumental visuals of temples and dance forms like Gopitua dance and Chhau-dance in Odisha.” Pani, thus attempts to create a new phenomenology and the reinvention of ‘self’ in a globalized and yet very localized world. About the Artist and his work : BORN : 1969, Bhadrak, Odisha, India. FINE ARTS EDUCATION : 1997-1999 MFA – (First class with Distinction) Faculty of Fine Arts, M.S. University, Baroda. 1991-1997 BFA - Kala Bhavan, Viswa Bharati University, Shantiniketan, West Bengal. 1987-1990 2nd world “Studio for Fine Arts”, Bhadrak, Odisha. SOLO EXHIBITION IN INDIA AND ABROAD : 2017 Towards a new Viewership / Audience & Reproduction Aesthetics, Curated by Dr. Rajashree Biswal, organized by New Bridge India and North Odisha University, Baripada, Odisha. 2016 “Mahanadi”- A Journey through History, Memory and Culture curated by Maurice O Riordan of Australia at Lalit Kala Akademi, Rabindra Bhavan, New Delhi. 2015 Re-Vision / Relationship- a visual literary engagement of Birendra Pani and poet Jayanta Mahapatra, curated by Dr. Rajashree Biswal, and organized by New Bridge India, Forum on Contemporary Theory, Vadodara, Sarat Chandra Library, Baripada and Revenshaw University, Cuttack, Odisha at Revenshaw University, Cuttack. 2012 “Soft- Subversion” at Red Earth Art Gallery, Baroda. 2011 “Re – Vision” at Aakriti Art Gallery, Kolkata. 2010 “Re – Vision” at Gallery Sumukha, Bengalore. 2009 “Re – Vision” at Gallery Espace New Delhi and R.L.Fine arts, New York. 2007 “Boy Dancer’’-The convergence and continuum, at Gallery Espace, New Delhi. 2007 “Boy Dancer’’-The convergence and continuum, at Faculty Gallery, M.S.U., Vadodara. 2006 “Risk’’-The Double Edge of Society, at Gallery Espace, New Delhi. 2005 “Echo” at Kaleidoscope Art...

In the symphony of life, dissonance rings, Harmony disrupted by conflicting things. Idea clash like cymbals, passions collide, Yet through discord, new melodies abide. Each soul a note in this grand human choir, Diverse in tone, in rhythm, in desire. Yet in the dissonance, there lies a chance, To find unity in our shared dance. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Orioye Samuel...

The painting captures a beautiful moment of a girl, who got excited that she could afford something good for herself. We should learn to find our true happiness whether in the little...

Art has always been a medium for expressing human emotions, telling stories, and conveying messages. The artwork titled "Three Pillars," created by Samson...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) We forget what it is like to laugh, to play, we forget what it is like to exist in moments of joy. Playfulness is an attitude of pure glee, playing is curiosity in action, approaching each moment as new, full of beautiful possibility, of imagination. It's a grace and laughter even when falling and crawling It uses our bodies, hearts, minds, and spirits to explore the world around us with kindness and awe. But we often forget this because of worries and anxiety We need to remember to play. About Artist Esther Oyeyemi...

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around questions of trust, inte...

It is said that Marbling (his painting technique) originated in Japan in the 12th Century. Mikael has been able to reinvent the technique existing for more than hundreds of years li...