Chico Montilla

Series "The Imaginary traveler nº29" Expressionist corner with flowers and cat.

Expressionist interior corner that has an orchid as its protagonist. Predominant chromaticism between fuchsia-pink and yellow. Oil on linen by Spanish artist Chico Montilla. Beautifu...

"Dancers reading III", Impressionist Indoor scene with tow girls. Oil on panel. Measurements in centimeters: 61 x 61 cm / In inches 24.02 x 24.02 “ Framed: 78 x 78 x 4 cm. / In inches 30.71 x 30.71 x 1.57 " This artwork, signed IF by Scottish artist Iain Faulkner...

"Dancers resting VII". Impressionist interior scene with two girls. Oil on panel Measurements in centimeters: 61 x 61 cm / In inches 24.02 x 24.02 “ Framed: 78 x 78 x 4 cm. / In inches 30.71 x 30.71 x 1.57 " This artwork , signed IF in the left down corner, by the author Iain Faulkner, is a very well studied composition with two dancers, dressed in blue color, lying on a beautiful mosaic floor with gold border, having a rest. The circle design of the mosaic, the figures in three quarters in parallel; opposite the postures, the suits, and the colors blue and flesh. This complementation above and below, and to the left and right of the painting, gives the painting a surprising composition and excellent balance. Despite the thick brushwork, the author achieves a very subtle effect in the definition of the two beautiful figures and very successful effects of light and shadow. Iain Faulkner acknowledges the influence on his painting of artists such as Sargent, Degas, Whistler and, especially, Vermeer, showing scenes with figures performing everyday tasks while lost in thought, like this two dancers. This piece was originaly purchased from Albemarle Gallery in London. ABOUT THE ARTIST Born in Glasgow in 1973 and graduating from Glasgow School of Art in 1996 with a BA (Honours) in Fine Art. His degree show was sell-out. Iain Faulkner is now one of Britain's top figurative painters, a stablished artist with the Albemarle/Pontone Galleries in London, and with numerous solo shows in New York, Paris, Geneva, Monaco and Bologna . His work appears in many private and corporate collections and in the Scottish National Portrait Gallery. In 2010 he was commissioned to paint the European Ryder Cup...

Christmas (La Navidad) acrylic paint on canvas by Elena Narkevich. Dimension not framed: 195 H x 162 W cm x 2 cm D In inches: 76.77 H, 63.78 W, x 1.18 D Elena Narkevich work is well...

The window (La ventana) . Folk Art, Acrylic on wood panel painting by Spanish author Raquel Fariñas. Dimensions in centimetres (H) 177,3 x (W) 95 x (D) 4 In inches: (H) 69.7 x (W)...

KNIFE. Expressionist yellow Still-life with flowers fruits and Buddhist figures. Author: Chico Montilla (Spain 1961). Oil on Canvas. Measurements: (H) 100 x (W) 81 x (D) 2 cm. ...

Bold and expressive large scale figurative abstract painting of two people conversing in a theater, with a silhouette of a third figure in the foreground, by Jane Voitle Mellin (Amer...

In this embodiment of passion and serenity, crafted with oil on canvas, my hand wove the essence of raw emotion into every stroke. I melded expressionism's vigor with realism's detai...

In this vibrant oil painting, I've captured the essence of unbridled joy and carefree abandon. Two figures dance beneath a crimson umbrella, their movements a blend of expressionism ...

Paul Manes was born May 4, 1948, in Austin, Texas. He began his professional career in New York City in the early 1980s. His art has been widely exhibited in America and Europe and h...

A mid century Expressionist oil on canvas of a man, child and cat in an interior with a cityscape beyond. The work is not signed but there are various notations to the top rear stret...

Framed 27 X 24 inches Sight 18 X 15 inches Walter Spitzer (Polish/French, 1927 - ) born in Cieszyn, Poland. A Polish Jewish Holocaust survivor, he made his first drawings in a concentration camp. Walter Spitzer has lived and worked since WWII in France, where he studied at the École des Beaux Arts in Paris. Walter Spitzer has achieved great renown as a painter and printmaker. Whether in his paintings of Biblical subjects or in lithographs of Shtetl scenes, His humanity was inspired by the writings of Sartre, Montherlant and Kazantzakis, Walter Spitzer is occupied with two great, interlinked themes: man’s inhumanity to man, and the humanity of man. He will surely be recognized in the future as one of the great witnesses to the twentieth-century experience. Walter Spitzer was born in Chieszyn, Poland, the son of a Jewish liqueur producer, and attended the German school there. He began to draw and paint at an early age. In 1939 the Spitzer family was forcibly removed by the Germans to the town of Strzemieszyce, which was turned into a ghetto in 1942. When the ghetto was liquidated in June 1943 Spitzer’s mother was shot, and the sixteen-year-old Walter was deported to Blechhammer, a subcamp of Auschwitz. There he painted portraits of Wehrmacht soldiers and fellow inmates in exchange for food. He was one of the few to survive the evacuation march from Auschwitz to Buchenwald, where to begin with, in late February 1945, he was held in the Little Camp. To enable him to make drawings documenting life in the camp, the Communists organized his transfer to the main camp. While on a death march in early April he made his escape in the vicinity of Jena and was soon in the hands of the Americans. Spitzer served as an interpreter with an American army unit, and at the same time executed numerous drawings depicting the world of the camps. In June 1945 the Americans took him to Paris, where – following the advice of his father, who had died in 1940 – he began to study art at the École des Beaux-Arts in Par the following year. After completing his training as an artist he produced paintings expressing a critical view of the society of his day. In 1955, in commemoration of the camps and the death marches, he executed a cycle of nine etchings in an edition of thirty, which he gave to various museums in Israel and in France. In the 1960s he established himself as an illustrator of exclusive editions of works by such authors as André Malraux, Jean-Paul Sartre, Joseph Kessel and Nikos Kazantzakis. The Six-Day War prompted him to begin painting subjects from Jewish and Biblical history; At age 19, he was asked to make the scenery for the Edouard VII Theater in Paris, which was showing The Dibbuk of Ansky. In 1947 the same theater asked him to make the scenery for the Hill of Life ( Max Zveig). Spitzer has been a member of the Salon d'Automne since 1952. He was the last remaining survivor of the Montparnasse Ecole de Paris. A group of Jewish expats that included Issachar Ber Ryback, Abel Pann, Abraham Mintchine, Isaac Antcher, Alexandre Altmann, Henri Epstein, Mane Katz, Marcel Janco, Gregoire Michonze...