Eliza Southwood

Coffee Break (CB02_nov23), Coffee on paper, Cycling, Sports, Café, Illustration

2023

Coffee Espresso #13 by Eliza Southwood [2022] Coffee Espresso #13 is an original coffee on paper by artist Eliza Southwood. It features one cyclist painted in coffee, combining cycl...

Coffee Peloton XXXIII by Eliza Southwood [2022] original Coffee on Paper Image size: H:59.5 cm x W:42.5 cm Complete Size of Unframed Work: H:59.5 cm ...

Coffee Espresso #3 by Eliza Southwood [2022] original Coffee on Paper Image size: H:42 cm x W:59 cm Complete Size of Unframed Work: H:42 cm x W:59 cm x D:0.1cm Sold Unframed Ple...

Coffee Break Series X by Eliza Southwood [2022] original Coffee on paper Image size: H:42 cm x W:60 cm Complete Size of Unframed Work: H:42 cm x W:60 c...

Coffee Espresso #8 by Eliza Southwood [2022] original Coffee on Paper Image size: H:59.5 cm x W:42.5 cm Complete Size of Unframed Work: H:59.5 cm x W:42.5 cm x D:0.1cm Sold Unfra...

Coffee Peloton XXXI by Eliza Southwood [2022] original Coffee on Paper Image size: H:59.5 cm x W:42.5 cm Complete Size of Unframed Work: H:59.5 cm x ...

Melike Kılıç (b. 1982) is a Turkish artist who tells stories through drawings and delicate paper cutouts. She grew up in a small village in Sebinkarahisar, and currently works in Ist...

Melike Kılıç (b. 1982) is a Turkish artist who tells stories through drawings and delicate paper cutouts. She grew up in a small village in Sebinkarahisar, and currently works in Ist...

Melike Kılıç (b. 1982) is a Turkish artist who tells stories through drawings and delicate paper cutouts. She grew up in a small village in Sebinkarahisar, and currently works in Ist...

"Shoe Phone," 2019. Acrylic on paper. Figurative, cap toe dress shoe, rotary telephone, cartoon, sign painting, blue, teal, tan, red, brown, black, and white. ...

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

Grażyna Rigall is a painter, illustrator, author of stage designs and music videos. - The artist is interested in the merging of the world of fauna and flora with the world of man, p...