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Emilio Grau SalaLe Piano - Post Impressionist Figurative Interior Painting by Emilio Grau Salac.1950
c.1950
About the Item
Signed and titled oil on canvas figure in interior circa 1950 by Spanish post impressionist Emilio Grau Sala. The work depicts a red-haired lady in a red dress seated at a piano. A young girl sits beside the piano. In the foreground a vase of flowers and a bowl of fruit are placed on a table.
Signature:
Signed lower right and titled verso
Dimensions:
Framed: 32"x37"
Unframed: 24"x29"
Provenance:
Private French collection
Emilio Grau Sala studied at the fine arts school in Barcelona, where he became friends with Antoni Clavé. While still very young he began exhibiting at the Humourists Exhibition. In Paris he exhibited at the major annual Salons. He also exhibited at many international group exhibitions and in 1937 received an important award at the Carnegie Foundation International Exhibition in Pittsburgh. He showed collections of his work in many solo exhibitions starting in Barcelona in 1929 and 1930. His first solo exhibition in Paris was in 1937 and he went on to exhibit in Madrid, London, Buenos Aires and New York. After three trips to Paris he finally settled there in 1936.
In Paris he was influenced by the paintings of Marcel Gromaire and especially Julius Pascin. He created theatrical sets and costumes for several plays including The Woman of Easy Virtue ( La Demoiselle de Petite Vertu) by Marcel Achard. He also illustrated many literary works including Madame Bovary by Flaubert, Bel-Ami by Maupassant, Colette's series of four Claudine novels, Marcel Proust's In Search of Lost Time ( À la Recherche du Temps Perdu), and works by poets including Baudelaire's Les Fleurs du Mal, the Elegies of Francis Jammes, The Sundays of Jean Dézert ( Les Dimanches de Jean Dézert) by Jean de la Ville de Miremont, and works by Rimbaud and Verlaine, among others. He decorated restaurants and contributed to the decoration of several liners, including the France.
His wide-ranging activities brought him into contact with a charming world or demi-monde which he depicted in all its luxury and artificiality. His subjects were often lightweight or even risqué and his style and subject matter, spiced with a certain Spanishness, suited the public's taste in the inter-war period. He developed his own style, although it was undeniably influenced by the various trends that emerged from Impressionism and was most successful when it made reference to the work of Bonnard.
Museum and Gallery Holdings:
Paris (MAMVP)
Sceaux (Mus. de l'Île-de-France)
- Creator:Emilio Grau Sala (1911-1975, Spanish)
- Creation Year:c.1950
- Dimensions:Height: 32 in (81.28 cm)Width: 37 in (93.98 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good original condition.
- Gallery Location:Marlow, GB
- Reference Number:
Emilio Grau Sala
Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in "Sala Parés", Barcelona. His first works were exhibited at the Salon des Independents. In the years 1930-33 he had painted under the influence of Cubism, especially that of Torres García. It is from that time a painting of the port of Barcelona, geometric and structural, which completely anticipated what would later be his work. His personality began fully painting watercolors and oils with a certain fantasy character, with a point of decorative instinct and themes full of naivety and grace. Romantic interiors, paddocks, port scenes, sailors, etc. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. Mediterranean because his work has the color and light of that land.
He understood and assimilated impressionist painting very well, and for that reason he was never subject to the modules of a formulist realism, nor the sexigencias of the forms. In Paris he found the best environment to give us a fruitful and intense work, because he could use the expressive potential of French art to enrich it.
All this made him a very esteemed artist everywhere where his work was known. He was also very often required to illustrate books and publications in Paris. Also his posters were very successful. He painted a large number of subjects, but perhaps the theme of horse racing is where you can see in a very clear way the joyful and optimistic life that was lived at that time. In this fabric there is an explosion of juicy and vivid colors full of ingenuity and simplicity in its composition. Only a teacher could turn the complicated into something simple and beautiful. Before this work we feel a deep emotion, the emotion of before starting a horse race. Joy and nervousness at the same time. Especially since it is a direct emotion. There are no intermediaries between our eyes and what the work intends to tell us. This is precisely what seduces and catches us of this painting. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum, Tossa de Mar Museum, Philadelphia Museum, Museum of Buenos Aires, etc. EXHIBITION
Museo de Arte Moderno, Madrid
Galería Muller, Buenos Aires
Dindley Gallery, New York
Outdoor and Autumn Halls, Paris
Galería Charpentier, París
Monique de Groote, París
Sala Parés, Barcelona
Sala Rovira, Barcelona
Sala Syra, Barcelona
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