Goyo Dominguez

Landscapes Finder (Buscador de paisajes) Figurative painting. Old masters style

1994

Still-life with a profile portrait was painted by Spanish artist Goyo Domínguez in 1994. Acrylics in a 65 cm by 54 cm wooden panel. Using a classical style with renaissance reminisc...

Raquel. Images of woman on abstract background. Mixed media on panel. Measurements: 81 x 65 x 0.5 cm / Framed 103 x 87 x 5 cm In inches: 31.89 x 25.59 x 0.2 " / Framed 40.55 x 34.25 x 1.97 " "Raquel" was painted by Goyo in 1999 ( signature and date in right down corner) using a mixed technique. On abstract background that plays with colors, shapes, and volumes, Goyo portrays a beautiful woman's face with a penetrating gaze. There, almost like a collage, an academic female...

Ciberurban in "tondo". Architectural colorful landscape inspired in the Bauhaus School. Acrylic paint, mixed media on panel. 2021 Dimensions in cm.: 132 x 129 x 4 cm. In inches: 51.9...

A breath of fresh air (Un soplo de aire fresco). Symbolic acrylic paint on panel Colorful Folk Art Landscape with figure. Dimension art cm.: (H) 43 x (W) 53 x (D) 6 cm. The pictu...

"Cemented". (Cimentada). Acrylic and mixed media on wood panel, 54x40x4 cm. The pictures of Raquel Fariñas are presented before our eyes with an almos...

In front of the sea (Frente al mar), Acrylic / wood panel. Working on a panel allows the artist to use a lot of material. Dimension art cm: (H) 80 x (W) 50.5 x (D) 5 cm. / Inches: (...

Formerly Canesso Collection, Paris. Publications: Bozzetti, modelletti, sketches: dalla collezione di Giorgio Baratti (From the Giorgio Baratti Collection) curated by Anna Orlando, Agnese Marengo and Annalisa Scarpa, Genova, 2022, pp. 22, 23. In this precious panel we can admire a lament over the body of Christ by a large group of bystanders among whom we can recognise the Virgin and, in the foreground, St Catherine of Alexandria...

Inscribed, reverse: Fr Brina Provenance: Private Collection, New Jersey. Francesco Brina was one of the “Studiolo” painters, responsible for the panel of Neptune and Amphitrite in F...

Giacomo used to paint with his brother Giulio, identifying their works with the monogram «I I». The strong influence of his father, Francesco, is undeniable in all his works, althoug...

Portrait of Francisco de Reynoso y Baeza.   Secretary of Pope Pius V, abbot of Husillos and bishop of Córdoba. Francisci de Reynoso. Early 17th century. Small-format portrait from the late Renaissance period. Spanish school. Size: Cm 19 x Cm 13.5 Oil on wooden panel. On the back the fine tablet is strengthened (already in ancient times) by a sheet of parchment. About 1600-1610. As often in Mannerist / Late Renaissance portraits, the image of the character is accompanied by the writing that runs at the top, adding a celebratory, historicising touch to the effigy. Let's bring back the sentence here: DON FRANCISCO DE REINOSO. CAMARERO SECRETO IESCALCO PIO QUINTO OBISCOPO CORDOBA. 68 (? O 7?) (1534, Autillo de Campos, Spain - 1601, Córdoba) Francisco de Reynoso was a Spanish cleric, chief chamberlain, and secretary to Pope Pius V, abbot of Husillos, and bishop of Córdoba. He was the fourth of eleven children. His father was the seventh Lord of Autillo de Campos, and his mother was Juana de Baeza y de las Casas, daughter of Manuel de Baeza, a lawyer of the Royal Council and at the Court of Valladolid. Francisco de Reynoso was deeply devoted to the Virgin Mary and showed a strong inclination toward religion and piety from an early age. He studied Latin, arts, and theology at the University of Salamanca. In 1562, he traveled to Rome with his brothers Pedro and Luis. In January 1566, following the death of Pope Pius IV, Cardinal Antonio Michele Ghislieri was elected pope, becoming Pius V. From this period until Ghislieri's death in 1572, Francisco de Reynoso served as his chief chamberlain and secretary. After Pope Pius V died, Francisco de Reynoso returned to Spain and lived for several years in the city of Palencia, where his brother Manuel was a canon. He supported the Society of Jesus when it was established in Palencia, providing alms to the school's clergy and funding chairs of Letters and Theology at his own expense, as well as donating a significant number of books. During the brief outbreak of the Black Plague...

We are delighted to present a significant piece from the Dutch School, most likely dating back to the late 17th century. This captivating painting showcases the dynamic force of nature with three ships vigorously navigating through stormy waters. The foreground is a scene of nautical struggle, as figures are depicted working intensely with the sails, steering, and bracing against the tumultuous sea. In the serene background, the silhouette of a quaint town emerges, with spires from churches and the outlines of various buildings is visible. This juxtaposition of the calm town against the chaotic foreground serves as a powerful reminder of the unpredictability of life and nature. Dominating the canvas, the sky occupies two-thirds of the painting, filled with brooding clouds that occasionally break to reveal patches of blue. The presence of birds adds a dynamic element to the otherwise ominous atmosphere. While the artist remains unknown, the work is quintessentially Dutch in its execution, with meticulous attention to detail and a profound understanding of maritime life. The painting's oval shape is quite distinctive and is complemented by a suitably antique octagonal black frame, which adds to its historical charm. This piece is a testament to the mastery of Dutch maritime painting...

Saint Jerome in the desert Cercle of Lambert Van Noort (1520-1571, Antwerp) Antwerp School, mid-16th century Oil on oak panel. Dimensions: panel h. 69 cm (27.16 in), l. 52.5 cm (20.6...