Jack Welch

The Lost Shoe, Saturday Evening Post Cover

1951

Date: 1898 Medium: Ink and Gouache on Paper Affixed to Board Dimensions: 16.50" x 12.00" Signature: Signed Lower Left Carter's Monthly, March 1898, cover illustration. Decades lat...

Date: 1950 Medium: Gouache on Paper Dimensions: 17.20" x 14.20" Signature: Signed Lower Left 1950 Beer Advertisement; Two men relaxing.

Date: 1988 Medium: Gouache and Acrylic on Paper Dimensions: 9.50" x 26.00" Signature: Signed Lower Right Image of performers in front of the word "Variety." TV Guide, April 16, 1988.

Original cover illustration for The Saturday Evening Post, November 13, 1948 The Post described, “Artist Stevan Dohanos felt like a baseball coach who had everything he needed excep...

Medium: Gouache on Paper Dimensions: 17.50" x 17.50" Signature: Signed Lower Left

Date: 1929 Medium: Ink and Gouache on Paper Signature: Signed Verso Dimensions: 22.50" x 11.00" Story illustration, ca. 1929; Signed verso with 12 Bank Street New York City ...

Le Roi Yvetot (no. 227) from 1919 is a gouache painting on tissue paper mounted on board. The image size is 9.25 x 6 inches, framed in a gold-tone frame, 22.5 x 19 inches. Signed recto 'Erté' lower right, in the image and annotated verso, 'Les Rois des Lègendes, No 8, Le Roi Yvetot 227'. Erte name and 'Composition originale' stamps verso. Le Roi Yvetot is a design by Erte for the 1919 theater production of Les Rois des Lègendes. The King of Yvetot William Makepeace Thackeray: 1811 –1863 There was a king of Yvetot, Of whom renown hath little said, Who let all thoughts of glory go, And dawdled half his days a-bed; And every night, as night came round, By Jenny, with a nightcap crowned, Slept very sound: Sing ho, ho, ho! and he, he, he! That's the kind of king for me. And every day it came to pass, That four lusty meals made he; And, step by step, upon an ass, Rode abroad, his realms to see; And wherever he did stir, What think you was his escort, sir? Why, an old cur. Sing ho, ho, ho! and he, he, he! If e'er he went into excess, 'Twas from a somewhat lively thirst; But he who would his subjects bless, Odd's fish!—must wet his whistle first; And sofrom every cask they got, Our king did to himself allot, At least a pot. Sing ho, ho, ho! and he, he, he! To all the ladies of the land, A courteous king, and kind, was he; The reason why you'll understand, They named him Pater Patriae. Each year he called his fighting men, And marched a...

Martha, Act I (Chicago Opera) from 1925 is a gouache on paper measuring approximately 9 x 7 inches and framed in a custom, closed-corner frame. Signed recto 'Erté' mid-right and stamped with Erte's Villa Excelsior block stamp and 'Composition originale' verso. Annotated in fountain pen verso 'No 659 Martha I acte Pour Madame Ganna Walska...

Genre: Latin American Subject: Children Medium: Mixed Media Surface: Paper Country: Mexico Dimensions include Frame: 36X26 The sweetness that characterizes the work of Mexican pai...

Dancing Jesters or Clowns (colorful Chassidim dancing) Gouache on paper Sheet is 19.25 X 25.25 Image is 13.5 X 19.25 Moshé Raviv-Vorobeichic, known as Moi Ver, born Moses Vorobeichik (1904–1995) was an Israeli photographer and painter. Moi Ver (Moshe Raviv) was born in 1904 in Vilnius, Lithuania as Moshe Vorobeichic. Moshe Vorobeichic received his initial artistic training in the early 1920s in Vilnius, Lithuania, where he studied painting, architecture, and photography. Having become an important figure in the Yiddish avant-garde culture, he exhibited his first works. From October 1927, he studied at the Bauhaus school in Dessau (Germany), with photographer-visual artist Laszlo Moholy Nagy and painters Josef Albers, Paul Klee, Wassily Kandinsky, and Hinnerk Scheper. In his book Moi Ver: Paris, he produced avant-garde photomontages. Originally published in 1931 by Editions Jeanne Walter with an introduction by futurist Fernand Leger. In 1932 Raviv was sent by the weekly La Vie Parisienne to British Mandate Palestine as photo reporter. Raviv illustrated many books. Raviv was a founder of the Artists' Colony in Safed. At the height of 20th Century modernism and one of the followers of Laszlo Moholy Nagy and his concept of New Vision, Moin Ver was one of the rising stars in European photography. Born in Lebedeva, in Belarus, he wandered through Europe until he immigrated to Palestine in 1934. His well known yet partly forgotten three photographic projects in 1931, The Ghetto Lane in Wilna, Paris: 80 Photographies de Moi Ver and Ci-Contre – 110 Photos de Moi Ver (that was not published at the time), have remained milestones in the art of the 1930s as he created and imposed a new visionary style in photography. As a contemporary of artists such as Man Ray, Ilse Bing...

Original painting on paper by Agnese Negriba- In this artwork a female figure is depicted in a sitting position. She holds a book placed in front of her. The depicted person has retr...

Internationally acclaimed artist Martina Niederhauser presents a new collection that offers fresh perspectives on women, delving into the realms of emotion, beauty, identity, and the...