Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 15

John Seymour Lucas
Historical military oil painting of a prisoner being brought before officers

1882

About the Item

John Seymour Lucas RA British, (1849-1923) Stolen Despatches Oil on canvas, signed & dated 1882 Image size: 19.5 inches x 29.5 inches Size including frame: 27 inches x 37 inches Provenance: N Mitchell, Duke Street, London A wonderfully detailed historical painting of a prisoner being brought before a general by John Seymour Lucas. Two soldiers can be seen forcing an older man dressed in civilian clothes to stand before two Georgian officers at a table. The uniform of the soldiers is similar to those worn by British soldiers during the American War of Independence (1775-1783). The painting could well be referencing the civilian spies organised by George Washington. John Seymour Lucas was born in London on 21 December, 1849 to Henry and Elizabeth Lucas (née Seymour). He was the nephew of the portrait painter John Lucas and two of his children, Sydney Seymour Lucas and Marie Ellen Seymour Lucas also became artists. His father was a coach joiner and Lucas initially trained as a woodcarver, however, encouraged by his uncle he became an apprentice to a sculptor. At the age of 16, he decided to pursue a career in painting and began studying with his cousin John Templeton Lucas (1836-1880) in his spare time before attending the St. Martin's Lane Art School. By 1871, he had entered the Royal Academy School and during the same year began exhibiting at the Royal Society of British Artists (RSBA). In 1872, he made his debut at the Royal Academy exhibitions. He was later elected an associate member of the RA in 1876 and a full Academician in 1898. In 1877, he married the Parisian artist Marie Cornelissen (1850-1921) who was the daughter of the artist and colourman Louis Cornelissen. She attended the St Martin’s Lane and Royal Academy schools where they met and also went on to exhibit at the RA and RSBA. Later in the same year, Lucas was elected a member of the New Society of Painters in Watercolours. He continued his artistic education, travelling around Europe where he studied the Flemish and Spanish Masters and was particularly inspired by van Dyck and Velázquez. On his return, he began painting historical scenes from the 16th to 18th century including the Spanish Armada, English Civil War and the Jacobite rebellions. His works were highly detailed and contained accurate portrayals of period costumes and interiors. During the late 1880’s his reputation flourished and he became friends with John Singer Sargent. A portrait of him by Singer Sargent is held at the National Portrait Gallery. His success led to commissions for a number of major works for prestigious public buildings and royal clients including Queen Victoria. As well as producing paintings, he also designed sets and costumes for theatres. From 1882, he lived at Woodchurch Road in Hampstead where he built a studio. Towards the end of World War I, Lucas moved to Blythburgh, Suffolk where he remained until his death on 8 May, 1923. His works can be found in a number of public collections including Bristol Museum, Hartlepool Museum, Laing Art Gallery, Orleans House Gallery, Royal Academy of Arts, Royal Armouries Museum, the Tate, Victoria & Albert Museum, Walker Art Gallery, Wolverhampton Art Gallery and more. Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. The reverse retains old label for N Mitchell, an art dealership established around 1875 by Nathan Mitchell at 52 Copthall Avenue, London. By 1909, it had opened a branch at 49 Duke Street, remaining there until 1929 when it relocated to 2 Duke Street. The business later took over the premises next door, operating at 2 & 3 Duke Street until Nathan’s death in 1945. The dealership was continued by his son George who ran it as Mitchell Galleries Ltd until his death in 1951. The painting also bears a label for Pettus House, an antique dealership based in Norwich. Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished. © Benton Fine Art
  • Creator:
    John Seymour Lucas (1849 - 1923, British)
  • Creation Year:
    1882
  • Dimensions:
    Height: 27 in (68.58 cm)Width: 37 in (93.98 cm)Depth: 3 in (7.62 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Nr Broadway, GB
  • Reference Number:
    1stDibs: LU156213922822
More From This SellerView All
  • 19th Century historical military oil painting of Royal Dragoon Cavalry Guards
    Located in Nr Broadway, Worcestershire
    Richard Beavis British, (1824-1896) Royal Dragoon Guards on the March Oil on canvas, signed with monogram Image size: 9.5 inches x 13.5 inches Size including frame: 17.25 inches x 2...
    Category

    19th Century Victorian Figurative Paintings

    Materials

    Canvas, Oil

  • 19th Century historical genre oil painting of a courtship
    By Henry Gillard Glindoni
    Located in Nr Broadway, Worcestershire
    Henry Gillard Glindoni British, (1852-1913) The Suitor Oil on canvas, signed & dated 'Jan 1908' Image size: 27.5 inches x 35.5 inches Size including frame: 41 inches x 49 inches Thi...
    Category

    19th Century Victorian Figurative Paintings

    Materials

    Canvas, Oil

  • Early 20th Century Worcestershire landscape oil painting of a plough team
    By David Bates b.1840
    Located in Nr Broadway, Worcestershire
    David Bates British, (1840-1921) The Plough Team, Bredon’s Norton Oil on canvas, signed & dated 1908, further inscribed verso Image size: 15.5 inches x 23.5 inches Size including frame: 21.5 inches x 29.5 inches A lovely landscape painting of a plough team on a country track near Bredon’s Norton by David Bates. Bredon’s Norton is a village located in the Cotswolds, on the slopes of Bredon Hill in South Worcestershire. The America women’s rights activist Victoria Woodhull Martin moved to the village in 1901 and by 1908 had set up an agricultural school for women at her Norton’s Park estate. The Antarctic explore Raymond Priestley also lived there. Although Bates was living in Surrey at the time of this painting, he would have been familiar with the area after having lived and worked in Worcestershire for some considerable time. He would have also most likely been aware of Victoria Woodhull Martin and the school. David Bates was born in March, Cambridge in 1840 to Benjamin Bates a shoe maker and Sarah Bates. By 1851, the family had moved to Upton upon Severn in Worcestershire and from 1855 Bates became an apprentice at the Royal Worcester Porcelain Works in Worcester. There he developed his artistic talent, painting flower decorations onto vases and plates. At some point after 1861, he became a full time artist and made his debut at the Royal Academy in 1863, continuing to exhibit there until 1893. He also exhibited at the Royal Birmingham Society of Artists, Suffolk Street and the Grosvenor Gallery. He married Elizabeth Higgs from Worcester in 1867 and they lived at Cherry Orchard, Bath Road in Worcester where their children were later born. Their second child John Bates Noel (1870-1927) became a landscape artist and their younger son David Samuel...
    Category

    19th Century Victorian Landscape Paintings

    Materials

    Oil, Canvas

  • 19th Century historical Italian genre scene of a woman & baby sat next to a man
    Located in Nr Broadway, Worcestershire
    Willem Johannes Martens Dutch, (1838-1895) The Admirer Oil on canvas, signed & transcribed with title to stretcher Image size: 19.25 inches x 24.5 inches Size including frame: 28 in...
    Category

    19th Century Victorian Figurative Paintings

    Materials

    Canvas, Oil

  • 19th Century genre landscape oil painting of three boys fishing on a river
    By William Bromley
    Located in Nr Broadway, Worcestershire
    William Bromley British, (1816-1890) Gone Fishing Oil on canvas, signed Image size: 13.5 inches x 17.5 inches Size including frame: 18.75 inches x 22.75 inches A picturesque genr...
    Category

    19th Century Victorian Figurative Paintings

    Materials

    Oil, Canvas

  • Genre oil painting of children with a model aeroplane
    By Harry Brooker
    Located in Nr Broadway, Worcestershire
    Harry Brooker British, (1848-1940) The Model Aeroplane Oil on canvas, signed & indistinctly dated Image size: 13.5 inches x 17.5 inches Size including...
    Category

    Early 20th Century Victorian Figurative Paintings

    Materials

    Oil, Canvas

You May Also Like

Recently Viewed

View All