Making Bubbles

View Similar Items

Jacob Markiel - 20th Century Portrait of Young Man Signed Oil on Canvas Polish Artist

French Mid Century - Portrait of a Roman Soldier in Head Gear and with Spear 1950's French Oil Paint

Cindy Shaoul - "James" Impressionistic Black & White James Dean Portrait Oil Painting on Canvas

Joseph Newman - "The Red Dress"

Bazevian DelaCapuciniere - French School - Portrait Thom Yorke - Radiohead - Oil Impressionist

André Gisson - Young Girl in Summer, Andre Gisson

Joan Palet - Female figure woman oil on canvas painting portrait

Pauline Palmer - The Russian Model

E.Melinda Morrison - Rock Me Baby Oil 14 x 20 Framed Water Movement Figurative Portraiture

Unknown - Portrait of a Woman in Traditional Vietnamese Clothing in Oil on Canvas

Unknown - First Catch of the Day - Young Fisherman at Sea by Betty Cal Alumnus

Michael Alford - Flamenco 2-original impressionism figurative female painting-contemporary Art

Video Loading

Want more images or videos?

Request additional images or videos from the seller

1 of 10

Joseph Henry Hatfield
Making Bubbles

About the Item

Joseph Henry Hatfield (American, 1863-1928) Making Bubbles Signed Lower Right 16 x 13 inches 23 x 19 inches At the turn of the century, Joseph Henry Hatfield was well known around Canton, Massachusetts, for both his paint and his paintings. Not only was he a successful businessman with an art store and a paint company known for high quality oils with vivid colors, he was also an accomplished artist. Although born in Kingston, Ontario, Canada, the family seems to have soon moved to Boston, Massachusetts where he grew up. His early interest and training is unknown but beginning in 1889, Hatfield studied in Paris at the Academy Julian with Benjamin Constant, Henri-Lucien Doucet and Jules-Joseph Lefebvre. In 1891 the artist exhibited a work titled Une Letter de Papa in the Paris Salon, which previewed the many genre scenes to come. By 1892 the artist had returned to Boston, first exhibiting at the Boston Charity Mechanics' Association where he was awarded a silver medal. He also exhibited at the Columbian Exposition (Chicago World's Fair) in 1893. Further exhibitions included the Pennsylvania Academy of Fine Art; the National Academy of Design, 1896 (Prize); the Boston Art Club, 1880 through 1902; and the Louisiana Purchase Exposition in St. Louis in 1904. He painted extensively during the first years after returning home and enjoyed painting landscapes, but was hardly known for them as he was trained as a figure painter. One of the earliest exhibitions at the Art Club of Boston, was comprised of one hundred-forty canvases primarily of children whom he loved dearly. During one period later in life when he began to wonder about his life as a painter, he stated: "I was completely discouraged. I said to myself, "You old fool, you can't paint any more than a cow. You ought to give it up." I did give it up. I packed away my sketching material and decided to be a farmer. The mood was on for two or three days. One afternoon I was digging in the garden as hard as I know, in order to forget my disappointment with myself, when straightening up for a moment I saw a wonderful great cloud in the sky. My heart went out to it. "By jove," I said, "I've got to paint that cloud." I ran to my studio and got out my brushes and paint. I made straight for a meadow that I know of, got over the stile and found just the point of view I wanted. I painted like one mad. I painted as if this were the last chance I would ever have. For two hours the frenzy lasted until I was limp as a rag. Gathering up my kit, I went home, not daring to look at the picture. I put it in the studio and went to bed. Next morning I went down and said, "I guess I'll take a peek." I went in trembling, and turned it around where I could see it. Then I saw I had got "a hummer." Becoming discouraged by the quality of paints he had been using, around 1896 Hatfield began seriously experimenting with color pigments. He eventually stopped painting and devoted the last twenty years of his life to developing and manufacturing colors that would be pure and permanent. The business was begun in Canton, Massachusetts and it was possible to obtain a copy of a pamphlet Color For Art Sake by sending a two cent stamp and request to J.H Hatfield, Canton Junction, Massachusetts. As the business grew, eventually a retail store was opened, Hatfield's Color Shop in the basement of the Hotel Ludlow, in Boston. The exhibition pamphlet for an exhibit at the Canton Public Library in 1978 commented on the man and his work: "His loved of nature was captured in his paintings and these fleeting moments are there to enjoy by all who see his art. Joseph Henry Hatfield, a talented, concerned and loving man. His fine paintings, quality paints and most of all his gentleness are remembered by the people of Canton."

Creator:
Joseph Henry Hatfield
Dimensions:
Height: 16 in (40.64 cm)Width: 13 in (33.02 cm)
Medium:
Oil,Canvas
Movement & Style:
Impressionist
Period:
Early 20th Century
Condition:
Gallery Location:
Missouri, MO
Reference Number:
1stDibs: LU747313346512