Königliche Porzellan-Manufaktur (KPM)Margueritec. 1900
c. 1900
About the Item
- Creator:
- Creation Year:c. 1900
- Dimensions:Height: 14 in (35.56 cm)Width: 8 in (20.32 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Missouri, MO
- Reference Number:1stDibs: LU74733907812
Königliche Porzellan-Manufaktur (KPM)
Known by just KPM, the Königliche Porzellan-Manufaktur company has been synonymous with exquisite porcelain works fit for nobility and royalty for over 200 years. KPM porcelain plates, centerpieces and sculptures are painstakingly formed through ages-old techniques and meticulously painted by hand, producing one-of-a-kind quality.
KPM began in Berlin in 1763, founded by King Frederick II of Prussia, after two other entrepreneurs had been unsuccessful in establishing porcelain manufacturing companies in Germany. In 1878, KPM developed a relationship with the Chemical-Technical Research Institute and its director, Hermann Seger. This partnership gave KPM early access to advances in porcelain production and coloration.
KPM flourished under the banner of royal ownership until 1918, when it became a state-run entity after the monarchy was disbanded following Germany’s loss in World War I. With the rise of the Nazi Party in the 1930s, many of the company’s top designers and directors were dismissed, denied exhibitions or forced to flee Germany due to Jewish heritage or loyalty to Jewish colleagues. In 1943, an Allied bombing raid destroyed the KPM factory, and the company was not reestablished until after the war.
KPM reopened in Franconia and began producing porcelain wares. Some staff also worked on reconstructing the historic KPM site in Berlin. In 1957, manufacturing returned to the original company premises.
KPM rebounded over the next few decades. In 2006, in a step to privatize companies throughout the country, German financier Jörg Woltmann bought the organization.
Since its privatization, the company has opened many galleries and shops around Germany and has worked in collaboration with notable brands like Bottega Veneta and Bugatti motor company in recent years.
Although rooted in the Rococo style, KPM has adapted its craft to meet the current trends, all while maintaining the highest levels of excellence throughout its centuries of operation. It continues to produce lavish, elegant porcelain works for elite clientele the world over.
On 1stDibs, browse a vast selection of Königliche Porzellan-Manufaktur serveware, decorative objects, lighting and more.
- ShippingRetrieving quote...Ships From: Missouri, MO
- Return PolicyA return for this item may be initiated within 2 days of delivery.
- ÉpanouissementBy Königliche Porzellan-Manufaktur (KPM)Located in Missouri, MOKPM Porcelain After Angelo Asti (French, 1847-1903) "Épanouissement" c. 1900 With Original Gold Gilded Frame Image Size: approx. 6 x 4 inches Framed Size: approx. 9 x 6 inches Eve...Category
Late 19th Century Victorian Figurative Paintings
MaterialsOil, Porcelain
- RuthBy Königliche Porzellan-Manufaktur (KPM)Located in Missouri, MOKPM Porcelain "Ruth" c. 1900 Original hand-painted KPM Porcelain In Original Gilded Florentine Frame 7 x 4 (16 x 9 framed) Since 250 years, the royal sceptre brand stands for finest...Category
Late 19th Century Victorian Figurative Paintings
MaterialsOil, Porcelain
- Queen LouiseBy Königliche Porzellan-Manufaktur (KPM)Located in Missouri, MOKPM Porcelain "Queen Louise" c. late 19th century Original Hand-Painted Porcelain Signed "R. Dittrich" Since 250 years, the royal sceptre brand stands fo...Category
Late 19th Century Victorian Figurative Paintings
MaterialsOil, Porcelain
- Queen LouiseBy Königliche Porzellan-Manufaktur (KPM)Located in Missouri, MOKPM Porcelain "Queen Louise" c. 1900 Original hand-painted KPM Porcelain approx. 14 x 11 inches approx. 21 x 15 inches framed Since 250 years, the royal ...Category
Late 19th Century Victorian Figurative Paintings
MaterialsOil, Porcelain
- Poor Man's FlockBy George Chambers 1Located in Missouri, MOGeorge W. Chambers “Poor Man’s Flock” 1897 Oil on Canvas 23.5 x 37.5 inches/42 x 57 inches framed approx. In Original Frame Provenance: The Artist thence by Descent; to Private Mi...Category
1890s Victorian Figurative Paintings
MaterialsCanvas, Oil
- A Fresh CatchLocated in Missouri, MOAlfred Guillou (French 1844-1926) "A Fresh Catch" Oil on Canvas Signed Lower Left Canvas Size: approx 18 x 24 inches Framed Size: approx 24 x 30 inches...Category
Late 19th Century Victorian Figurative Paintings
MaterialsOil, Canvas
- 19th century French, Surrender of the French at Huningen Fort to the AustriansLocated in Woodbury, CTWonderful French period copy of the famous painting by Jean-Baptiste Édouard Detaille, which the original is now in a museum in Paris. This piece came from a private collection in New Jersey where it had been since it was purchased in France back in the 1950s. The previous owner was an Art dealer in NYC during the 1950s-70s and she kept some of her favorite paintings, this being one of them. The piece was re-framed in the 1990s In 35 years of dealing in paintings, I have never seen another example of this scene, it is very rare.! History of the scene: In the Siege of Hüningen (27 November 1796 – 1 February 1797), the Austrians captured the city from the French. Hüningen is in the present-day Department of Haut-Rhin, France. Its fortress lay approximately 2.5 miles (4.0 km) north of the Swiss city of Basel and .5 miles (0.80 km) north of the spot where the present-day borders of Germany, France, and Switzerland meet. During the time of this siege, the village was part of the Canton of Basel City and the fortress lay in an area contested between the German states and the First French Republic. The siege occurred within the French Revolutionary Wars during which Revolutionary France ranged...Category
1880s Victorian Figurative Paintings
MaterialsCanvas, Oil
- Mid 19th Century English Oil Painting Portrait of Country Squire in Yellow WaistLocated in Cirencester, GloucestershirePortrait of a Country Squire English School, mid 19th century oil on canvas, unframed canvas : 26 x 21.5 inches provenance: private collection, UK condition: basic good condition tho...Category
Mid-19th Century Victorian Portrait Paintings
MaterialsOil
- Traditional 19th century French Signed Oil Painting Children Playing in HarvestLocated in Cirencester, GloucestershireThe Harvest Workers French School, 19th century indistinctly signed and dated oil on board, framed framed: 15.75 x 18.75 inches board: 9 x 12 inches provenance: private collection co...Category
19th Century Victorian Figurative Paintings
MaterialsOil
- Victorian Welsh Landscape Figure by Stone Bridge River Landscape Framed OilLocated in Cirencester, GloucestershireWelsh Landscape British artist, 19th century oil on board, framed framed: 7.5 x 10.5 inches board: 6 x 9 inches provenance: private collection, UK condition: very good and sound cond...Category
19th Century Victorian Landscape Paintings
MaterialsOil
- Ophelia, Victorian 19th Century Royal Academy Oil PaintingLocated in London, GBOil on canvas, signed lower right Image size: 33 1/2 x 56 1/2 inches (85 x 143 cm) Original gilt frame Provenance With the artist's son, Millie Dow Stott Esq., until 1912. Artist's Studio Sale, Christies, November 1913. Private Collection Exhibitions London, Royal Academy, 1895, no. 679. Paris, Societe de la Nationale des Beaux-Arts, 1896, no. 1179. Berlin, VII Internationale Kunstausstellung 1897. no. 3533. Manchester, City of Manchester Art Gallery, 1912, no. 339. In the 1890s William Stott exhibited regularly at the Royal Academy, mainly highly decorative works with subjects derived from classical mythology and literature. This painting was Stott's 1895 entry to the Royal Academy and was subsequently exhibited at the Paris Salon of 1896 and then on to the Berlin, VII Internationale Kunstausstellung 1897. Shakespeare was a favourite source for Victorian painters, and the tragic romance of Ophelia, from Hamlet, was an especially popular subject, featuring regularly in the Royal Academy exhibitions. The most popular and iconic image of Ophelia's death was, and is to this day, John Everett Millais's 1851 painting showing the confused and tragic Ophelia floating downstream on her back in a state of mad ecstasy, arms raised in a gesture of inevitable submission. However, although Stott chose not to pastiche this image, it seems highly likely that he was prompted to take up this subject, which had almost become a 'rite of passage' among Victorian painters, by the fact that in 1894 Millais's Ophelia was presented to the National Gallery of British Art by Sir Henry Tate. It appears that Stott was much influenced by John William Waterhouse...Category
Late 19th Century Victorian Figurative Paintings
MaterialsCanvas, Oil
- 19th Century historical military oil painting of Royal Dragoon Cavalry GuardsLocated in Nr Broadway, WorcestershireRichard Beavis British, (1824-1896) Royal Dragoon Guards on the March Oil on canvas, signed with monogram Image size: 9.5 inches x 13.5 inches Size including frame: 17.25 inches x 2...Category
19th Century Victorian Figurative Paintings
MaterialsCanvas, Oil