Lindy Chambers

"Take a Goat with You, " Oil on Board - Figurative Painting

2017

Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention. From the outside looking in...

Vibrant, yet also subdued, this work’s use of color and line imbue ordinary subject matter with an uplifting sense of levity and beauty. Bolstered by a strong use of abstract elements and impressionist techniques, this oil on canvas painting is an excellent example of Chambers’ unique stylistic blend. Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention. From the outside looking in, she observes often overlooked aspects of life to discover an otherwise unseen beauty in the ordinary. Her paintings are vibrant compositions of color. She works in two distinct palettes, one bright the other subdued, each containing an incredible diversity of hue and value. Her insistence on variety furthers the idea that everything contains its own unique beauty, if only you stop to notice. Chambers skillfully uses lines and shapes to both break up the vibrancy of the canvas and to imbue her compositions with a narrative power. The line work introduces a tension to the color as the objects of her focus appear to pop and the details of each scene defiantly catch the viewer’s impatient eye. It is in this way that her paintings elevate above mere depiction to offer a lesson in the observation of art. Each painting has strong elements of abstract and impressionist techniques, as well as drawn forms that are cartoon like in character. The blend of the two adds dimension to the flat surface and provides visual anchors in the midst of the cacophony of color. Based in Belleville, Texas, Chambers is a “Texas Big 10 for Art” prize winner at KCAM, a recipient of the “Silver Award” from Art Forward, and the “Alexander Rutsch Painting Award” from the Pelham Art Center. Chambers’ art has been featured in numerous shows in galleries across the United States, including Houston, Lexington, Palm Beach, and New York. Select exhibitions include The Grace Museum in Abilene, the Dairy Arts Center in Boulder, Colorado, the McKinney Avenue Contemporary in Dallas, Texas, the Fort Worth Community Arts Center in Fort Worth, Texas, the Lawndale Art Center in Houston, Texas and the Pelham Art Center in New York. Lindy Chambers "Eyes of the Bayou...

"Love and War," a collaborative series between Bert Long Jr. and Jesse Lott, features loosely human forms painted in a manner that suggests humanity’s proce...

"Intermission" discusses the latent nostalgia and the ephemeral nature of time as it passes us by. The abstraction of the figures, and expressive brushwork emphasize the notion of ob...

This minimalist oil painting on paper is part of a series, which references a mantra of Bhatt’s, “life is a circus.” Floating in space, the characters portrayed in this work play out their roles, while remaining unaware of the full scope of their surroundings. Amita Bhatt...

Richly saturated color is applied heavily and expressively in "Snow Bird Wagon." Abound with complimentary color patterns and impressionist technique; Chamb...

Alkyd-oil on Masonite, signed and dated (middle left), 61cm (diam.), (83cm diam. framed). (This work was kept by the artist for his personal collection. It remained in his collection...

Castle Doorway is an original modern artwork realized in the half of the XX Century by Giuseppe Scognamiglio (Neaples, 1901 - Neaples, 1985). Original oil on cardboard. Hand-sign...

Signature: Signed Lower Right Framed Dimensions: 32.00" x 28.00" Cover of The Saturday Evening Post Magazine, March 16, 1940

Date; 1890 Medium: Oil on Board Dimensions: 14.00" x 20.00" Signature: Signed Lower Right Harper’s Magazine May 1890

Approximate Date: 1954 Medium: Oil on Board Signature: Signed Lower Right Sight Size 21.00" x 21.00", Framed 26.00" x 26.00" Saturday Evening Post cover painting, December 18, 1954 ...

Approximate Date: 1936 Medium: Oil on Board Signature: Signed Lower Right Sight Size 28.00" x 22.00", Framed 34.00" x 28.00"