Patricia Gren Hayes

Figurative Study In Sausalito by Patricia Gren Hayes Berkeley Figurative School

1960

"Van Gogh Again" Original Oil on Canvas by Beat Poet Lawrence Ferlinghetti Large scale painting titled, (Disasters in the Sun) or "Van Gogh Again" by Bay area beat poet and abstract expressionist artist Lawrence Ferlinghetti (American, 1919-2021). Strong and bold brush work with areas of heavy impasto paint in white, mustard with black birds in a streaked sky. Signed lower left with the artists monogram "F '92", and on verso Ferlinghetti '92 titled "Van Gogh Again" (Disasters in the Sun) Image 40"H x 53.5" Framed, 41.75"H x 54.25"W x 1.75" Lawrence Ferlinghetti was born in New York of an Italian-Portuguese-Sephardic immigrant family in 1919. He graduated in 1941 from the School of Journalism at the University of North Carolina, Chapel Hill (where he worked on the literary magazine founded by Thomas Wolfe). During the Second World War he spent four years on U.S. Navy ships and commanded a U.S. Navy subchaser at the Normandy invasion, saw Nagasaki six weeks after the A-bomb, and after the War earned an M.A. at Columbia University and a doctorate in literature at the University of Paris. He began drawing from the model at the Academie Julien in Paris in 1948 and continued in the open studios of the San Francisco Art Institute in the 1950's, 70's and 80's. In 1953 he rented a large loft at 9 Mission Street, San Francisco, just vacated by Hassel Smith. Originally identifying with the New York painters of his generation, namely Franz Kline and Willem DeKooning, he pursued what he now considers a "farcical attempt" to paint in an Abstract Expressionist style. Having reached an impasse, he stopped painting and did not pick up a brush again until the mid-1970's when he returned to figurative painting, sometimes very close to abstraction, and often combining the lyrical and the political. Since then Ferlinghetti has had many one-man exhibitions in this country and abroad. His most important solo show in Europe was at the Palace of Exhibitions in Rome (1996). In the catalogue for that show, the famous Italian art critic, Achille Bonito Oliva, characterized Ferlinghetti as "godfather of the [Italian] trans-avant garde." Lately he has been associated with European Fluxus art, with shows in Verona and Florence curated by Francesco Conz. Solo exhibitions in the United States include the shows at the Butler Institute of American Art, the Anita Shapolsky Gallery in New York, the Molly Barnes Gallery in Santa Monica, Dominican University in San Rafael, William Turner Gallery in Venice California, Kleinert James Gallery in Woodstock New York, and the George Krevsky Gallery in San Francisco. SOLO EXHIBITIONS (selected) 2003 Ferlinghetti: Art, Marin Theater Company, Marin, CA 2002 lit.paint, George Krevsky Gallery, San Francisco, CA 2002 lit.paint, Kleinert/James Art Center, Woodstock, NY 2001 Foyer degli Artisti, Florence, Italy 2001 William Turner Gallery, Venice, CA 2000 Archivio Francesco Conz Gallery, Verona, Italy 2000 "Love in the Days of Rage", George Krevsky Gallery, San Francisco 1999 "The Painter's Dream", Shorenstein Company, San Francisco 1999 "New Paintings", Molly Barnes Gallery, Santa Monica, CA 1999 "Lawrence Ferlinghetti: The Painter", San Marco Gallery, San Rafael 1998 "Pure Art Vs. Agit -Prop", George Krevsky Gallery, San Francisco 1998 Paterson Museum, Paterson, New Jersey 1997 Anita Shapolsky Gallery, New York 1996 Palazzo delle Esposizioni, Rome, Italy 1996 Museo Italo Americano, San Francisco 1995 University of Maryland Art Gallery, MD 1995 University of Charleston, West Virginia 1994 Civic Center Gallery, Mountain View, CA 1993 The Butler Institute of American Art, Youngstown, Ohio 1992 Instituto Italiano di Cultura, San Francisco 1992 San Jose State University, San Jose, CA 1991 Peter Lembcke Gallery, San Francisco 1991 Kennedy Gallery, San Francisco 1990 Special Collections, University Library, UC Santa Cruz GROUP EXHIBITIONS (selected) 2001 "Play Ball!", George Krevsky Gallery, San Francisco 1999 "Diamonds & Dust: The Art of Baseball", George Krevsky Gallery, San Francisco 1999 "By the Sea", George Krevsky Gallery, San Francisco 1999 "Writerly Art...

"Mutual Admiration" Flower Mid-Century Modern Oil Painting Monterey Artist Mid-Century Modern painting of a little blonde girl in a white apron adoring her flowers by Monterey Artist Rose Marie (Smith) Ansel, (American, 1921-2012) Rose Marie was born and lived in the Monterey area all her life. She volunteered in various city government associations and founded the Parade of Nations in 1970 which celebrated the many ethnic cultures on the Monterey Peninsula...

Night Life in the City - Figurative Cityscape Mid 1960s cityscape by an unknown artist. Oil on artists board. Image, 16"H x 20"W

Stunning New York City urban modernist watercolor titled "Summer Afternoon Stroll" by Society of Six artist Bernard Von Eichman (American, 1899-1990), 1...

Playful abstracted watercolor of a beach scene by Irene Pattinson (American, 1909-1999). Signed and dated "Irene Pattinson 1959" in the lower right corner. Presented in a new French ...

Beautiful study of a shore bird by a lake by Louise Miller Clark (American, 20th Century). Signed "Louise Miller Clark" with pallet and two brushes, lower right. Unframed. Image, 24...

This painting is illustrated in the Catalogue of the 1945 Encyclopedia Britannica Collection of Contemporary American Painting, p.84. Written and edited by Grace Pagano. "Painting ...

Large format oil painting on canvas of City Park in Denver, Colorado by 20th century Denver modernist, Edward Marecak. Semi-abstract park scene with various types of trees, figures, ...

Morris Kantor, American, 1896-1974 Seaside View, 1930 Hand signed M. Kantor and dated 1930 lower right Oil on canvas 22 1/4 x 19 1/4 inches 24 1/2 x 21 (frame) Morris Kantor (Belarusian: Морыс Кантор) (1896-1974) was a Russian Empire-born American painter based in the New York City area. This is a beautiful boat scene with a river or lake probably on Long Island. Born in Minsk on April 15, 1896, Kantor was brought to the United States in 1906 at age 10, in order to join his father who had previously relocated to the states. He made his home in West Nyack, New York for much of his life, and died there in 1974. He produced a prolific and diverse body of work, much of it in the form of paintings, which is distinguished by its stylistic variety over his long career. Perhaps his most widely recognized work is the iconic painting "Baseball At Night", which depicts an early night baseball game played under artificial electric light. Although he is best known for his paintings executed in a realistic manner, over the course of his life he also spent time working in styles such as Cubism and Futurism, (influenced by the Art Deco movement) and produced a number of abstract or non-figural works. A famous cubist, Futurist, painting of his "Orchestra" brought over 500,000$ at Christie's auction house in 2018. Kantor found employment in the Garment District upon his arrival in New York City, and was not able to begin formal art studies until 1916, when he began courses at the now-defunct Independent School of Art. He studied landscape painting with Homer Boss (1882-1956). In 1928, after returning to New York City from a year in Paris, Kantor developed a style in which he combined Realism with Fantasy, often taking the streets of New York as his subject matter. He did some moody Surrealist Nude paintings and fantasy scenes. In the 1940's he turned towards figural studies. Later in his career, Kantor himself was an instructor at the Cooper Union and also at the Art Students League of New York in the 1940s, and taught many pupils who later became famous artists in their own right, such as Knox Martin, Robert Rauschenberg, Sigmund Abeles and Susan Weil...

"Spring" is a 25 x 30 inches, oil on canvas painting by American modernist and surrealist, female artist Peter Miller. The work is signed and titled on verso, and painted in a vibran...

Boys Swimming Industrial Landscape WPA Mid 20th Century Social Realism Modernism Henry Schnakenberg (1982 - 1970) Boys Swimming Industrial Landscape 11 1/2 x 15 1/2 sight Oil on Canvas Signed lower left 14 1/2 x 18 1/2 inches, Framed Bio In many cases, American artists visited the Armory Show in New York in 1913, and returned to their studios to react to or against what they saw. However, for Henry Ernest Schnakenberg it was much more life altering. Prior to visiting this important exhibition of American and European modernist art...

Morris Kantor New York (1896 - 1974) Paris from the Ile St. Louis, 1927 (view of Eiffel Tower) Oil painting on canvas Hand Signed lower left. Provenance: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution ( bears label verso) Size: 20 3/4"H x 28 1/8"W (sight), 28.75 "H x 36"W (framed) Morris Kantor (Belarusian: Морыс Кантор) (1896-1974) was a Russian Empire-born American painter based in the New York City area. Born in Minsk on April 15, 1896, Kantor was brought to the United States in 1906 at age 10, in order to join his father who had previously relocated to the states. He made his home in West Nyack, New York for much of his life, and died there in 1974. He produced a prolific and diverse body of work, much of it in the form of paintings, which is distinguished by its stylistic variety over his long career. Perhaps his most widely recognized work is the iconic painting "Baseball At Night", which depicts an early night baseball game played under artificial electric light. Although he is best known for his paintings executed in a realistic manner, over the course of his life he also spent time working in styles such as Cubism and Futurism, and produced a number of abstract or non-figural works. A famous cubist, Futurist, painting of his "Orchestra" brought over 500,000$ at Christie's auction house in 2018 Kantor found employment in the Garment District upon his arrival in New York City, and was not able to begin formal art studies until 1916, when he began courses at the now-defunct Independent School of Art. He studied landscape painting with Homer Boss (1882-1956). In 1928, after returning to New York City from a year in Paris, Kantor developed a style in which he combined Realism with Fantasy, often taking the streets of New York as his subject matter. He did some moody Surrealist Nude paintings and fantasy scenes. In the 1940's he turned towards figural studies. Later in his career, Kantor himself was an instructor at the Cooper Union and also at the Art Students League of New York in the 1940s, and taught many pupils who later became famous artists in their own right, such as Knox Martin, Robert Rauschenberg, Sigmund Abeles and Susan Weil...