Stevan Dohanos

Shoo the Moos, Saturday Evening Post Cover

1950

Date: 1953 Medium: Oil on Masonite Dimensions: 42.00" x 32.50" Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, January 31, 1953. The Post d...

Medium: Oil on Masonite Signature: Signed 'Hughes-' Lower Left This work was published as the cover of the June 17, 1950 edition of The Saturday Evening Post. Literature: J. Cohn, ...

Medium: Oil on Masonite Signature: Signed Lower Left The present work was published as the cover illustration of the October 7th, 1961 issue of The Saturday Evening Post. The Post ...

Signed Lower left The present work was published as the cover illustration of the February 3rd, 1962 issue of The Saturday Evening Post. The Post editors wrote of this cover, “The ...

Signature: Signed Lower Left, "Hughes" Medium: Oil on Masonite Framed 24.50" x 26.50" Original cover illustration for The Saturday Evening Post, June 8, 1957. The Post described, “...

Medium: Oil on Masonite Signature: Signed Center Left Santa's 1963 Corvette Convertible, Hertz Advertisement.

This marvelous, colorful and light filled work is a desirable work by the painter. It is in an impressionist style carved and leafed frame. Illustrated in the book by the artist "A...

Oil painting on Masotine realized by the Artist in 1948. Image dimensions: 65x38 cm. Artist paints the Hotel where he used to live in Paris during those years. Note, title, date and ...

Hendrik (Henry) J Glintenkamp Clowns: Aren't We All?, 1942 Signed lower left; signed, titled and dated on the reverse Oil on Masonite 20 x 16 inches The painter and illustrator Henr...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his portraits in village landscapes with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. Art measures 25.5 x 21.25 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century, it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. For the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher, he encouraged individual expression. Baxte stated, “No pupil should ever be forced into the imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient's light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett...

An image of a horned devil with pointy claws and bat-like wings emerges from a Voodoo drum. He has with arms stretched out like a Christ figure. The drum grows out of a yellow plant-...

Highly textured landscape, with thick impasto illustrating a glorious scene of figures swimming in calm waters near large rocks and swaying trees, by Tyler Micoleau (American, 1911-2001). Signed and dated "Tyler Micoleau 1968" in the lower left corner. Presented in a gold colored wood frame. Image size: 12"H x 16"W Tyler Micoleau (American, 1911-2001) was born in Rhode Island but spent most of his life in Nevada County, California. He was a graduate of the Rhode Island School of Design and an instructor at Brown University. Micoleau moved to Nevada City...