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19th century oil painting - The romantic getaway to the waterfall - Love

19th century impressionist painting, capturing a beautiful day in the countryside. A young girl can be seen standing in front of her flock in the lush and beautiful countryside. A s...

Large 17th century Italian old master - Noli me tangere - Christ in the garden with Mary Magdalene The Italian art historian Federico Zeri has conserved a painting in his archives w...

17th century Old Master painting depicting the Infant Christ with Mary and St. Anne attributed to Nicolas de Liemaker The artist of the present work wonderfully captured the loving gaze of Maria, looking in awe at her child. One can sense the tenderness and love in her eyes. The eyes of Christ appears to be filled with wisdom and love and a finely painted aura crowns his and his mother's heads. St. Anne, Mary's mother, gently holds the infant whilst gazing adoringly at him. The painting is not only a beautiful depiction of Christ and his mother and grandmother, but also a sweet image of the tender bond between a mother's and their children. The vibrant and soft colours of the fabric create a soft cocoon around the figures and seem to further emphasis the beauty and importance of the depicted scenery and its protagonists. Nicolaas de Liemaecker (also spelled as Liemaker or Liemackere) was a Flemish painter born in Ghent in 1601. He was also known under the name Nicolaas Roose. His father was Jacobus de Liemaecker, a painter upon glass. Nicolaas is reported to have been trained by his father and Gaspard de Crayer II (1), an apprenticeship with Otto Van Veen has also been suggested. In 1624 he worked at the Court of the Bishop of Paderborn and for Ferdinand of Bavaria. He later returned to his native city, where he focused on religious and historical paintings. He was a very accomplished and celebrated artist who attained a high rank in his profession. He witnessed the baptisms of Pieter and Janne-Marie Van Hulle...

Romantic painting depicting a peaceful get-together in a park by Rudolf Alfred Höger The elegantly dressed people are indulging in a delicious "al fresco" picnic on green hill on a ...

17th century Flemish old Master painting The present painting is truly a little jewel with its vibrant colours and skilful brushwork. It depicts the Baptism of Christ, a depiction of a tale filled with hope and positivity, it is a very fine example of Malo's talent. We would like to thank Anna Orlando for her assistance in cataloguing this painting. A copy of her entry on this painting will be given to the buyer. She writes about the present painting: The painting illustrated here, unpublished, refers to Vincenzo (Vincent) Malò, a Flemish artist active in Italy and in particular in Genoa in the first half of the seventeenth century, by now well known. The critics who started studying him in the sixties of the last century recognized the initial confusion of our painter with Vincenzo Alemanno (1595-1675); many documents subsequently traced both in the Genoese and Roman archives have partially specified his biographical details, but certainly his identity. Son of a certain Nicola, Vincent trained in Antwerp with David Teniers the Elder and then with Rubens, he was intermittently enrolled in the painters' guild, between 1623 and 1634. It is unlikely that he first arrived in Genoa in 1625 , when the city was at war against the Savoys, and it is entirely probable that his stay in Italy fell between 1634 and the year of his death, documented in Rome in 1644. It were about ten fertile years, also thanks to the lessons from Rubens who had taught him to paint speedily...

Lovely 19th century romantic cityscape painting of Venice With vibrant colors and swift brushstrokes, the artist of the present painting wonderfully captured a large boat departing ...

View of the Bergsee is an original modern artwork realized by the Austrian artist and painter Josef Brunner in the middle of the XIX Century. Original Oil painting on Canvas cm. 72 x 3 x 102 (canvas). A beautiful original XIX Century decorated frame is included (total dimensions: 100 x 5 x 130). Both the work and the canvas are in very good conditions. Beautiful and intense oil painting depicting the Austrian mountain lake Bergsee. The painting is characterized by a particular play between lights and shadows: the light indeed is distributed in an extremely suffused but homogeneous way on the view but it is also able to create that sense of magic that characterized the whole landscape. The color of the lake therefore assumes a transparency and an iridescent blue that tends to the green and reflects the color of the surrounding mountains. The sky appears full of rainy clouds but they still allow the rays of the last sun to shine on. The general vision conveys calm and tranquility thanks also to the refined use of color and the play of lights and shadows, the turquoise and the pale opaque blue of the lake is perfectly emphasized by the various green tones of the trees. The white, gray and light brown rocky mountains embrace the lake and the cloudy sky in shades of blue increases the feeling of tranquility. The landscape is desolate; the only signs of life are the three fishermen on the shore: they are three small figures painted in different poses and illuminated by the light too. The surface of the water reflects in a spectacular way the surrounding landscape, it is similar to the surface of a mirror. The style, fantastic and almost dreamy, is into the full Germanic Romanticism. Mindful of Caspar David Friedrich's memoirs (Greifswald, 1774 - Dresda, 1840), the author certainly took his cue from the style of the German and the Austrian Romanticism; tangible signs of Romantic painting are the choice of the subject, an uncontaminated Nordic landscape, and the almost fairytale atmosphere that we find in the composition. This wonderful Romantic painting was created by the Austrian artist Josef Brunner (Wien, 1826 - Wien, 1893). Joseph Brunner was the son of Joseph...

Antique painting, fisherman on the coast, oil on canvas. Frame damaged in places. Dimensions with frame.

The Triumph of Bacchus, a large oil painting by Ferdinand Leeke Oil-on-canvas, German, 1918 Frame: height 175cm, width 227cm, depth 10cm Canvas: height...

A substantial, mid-to-late 19th century American School nocturnal landscape showing a view of three children, accompanied by their terrier, fishing by ...

Oscar Lycke was a Swedish artist from Sundsvall. He is best known for his impressive colourful landscape paintings in a national romantic and realism styl...

"Twilight Landscape with Windmill and Church" is a captivating work by Swedish artist Albert Larsson, painted in 1891 when Larsson was 22 years old. The painting captures a landscape steeped in the quietude of dusk, with a sky ablaze in hues of red and orange, signalling the end of the day. The silhouettes of trees are rendered with astonishing detail against the twilight sky, showcasing Larsson's early mastery of light and shadow. Dominating the pastoral scene is a traditional windmill, its blades stilled against the sky, alongside the spire of a church that pierces the horizon. These structures, together with the meticulously painted trees, are testaments to the human presence within the natural world, suggesting a harmony between the two. A notable feature is the small water-filled furrow in the field, which catches the fading light of the sky, creating a pathway of reflection leading the eye through the composition. This detail highlights Larsson's skill in using light to draw attention to elements within his paintings. Albert Larsson, born on November 4, 1869, in Malmö and passing on August 31, 1952, in Lund, was an artist deeply influenced by his education in Copenhagen at the Art Academy and later at Peder Severin Krøyer...