Arthur Alfred Burrington

Children in School Room Interior - British Victorian Newlyn School oil painting

Circa 1890

A fine Scottish Victorian interior scene by George Hay RSA. A very vibrant stunning Scottish historical interior painting which dates to about 1870. It depicts two women curtsying...

A superb British Old Master oil painting which is attributed to circle of William Hogarth and was painted circa 1760. This fine oil painting is in good clean condition and depicts a ...

This superb Scottish Edwardian Impressionist interior oil painting is by noted Scottish female artist Annie Rose Laing. Painted circa 1910, the composition is the interior of a room...

Painted by "Modern British" artist Augustus Lunn this oil/tempera on board depicts Christ Expelling the Money Changers. He exhibited widely at The Cooling Galleries and The New Engl...

This interesting British Post Impressionist figurative interior oil painting is by noted artist Charles Cundall and entitled A Conversation Piece. Painted circa 1955 the composition ...

This superb Impressionist figurative interior oil painting is by Slade School Jewish Victorian born artist Pyzer Cowen, previously Cohen. It was painted circa 1920 and entitled Fleet...

Signed and dated 92 lower left. Oil on canvas. Frank Bramley British, 1857-1915 Frank Bramley is considered one of the most important artists of the Newlyn School, the group of artists who settled in Newlyn, Cornwall during the 1880s and 1890s, drawn by the light, lifestyle and the example of Alexander Stanhope Forbes, and were at the forefront of 'British Impressionism'. He was particularly ‘in the news’ when his painting of a woman reading in a garden made the astonishing price of $590,000 at Sotheby's New York in late May 1996. As the seminal catalogue of the famous Newlyn School exhibition states, Bramley's reputation has rested for some time on Hopeless Dawn, his major RA exhibition of 1888, and which in recent years has been hung almost constantly at the Tate Gallery. Bramley was born in Lincolnshire and trained at Lincoln Art School, later at Verlat's Academy in Antwerp, from where he went to Venice in 1882-83, where our painting was executed. He first showed at the Royal Academy in London in 1884 (both paintings were Venetian scenes), and it was in the winter of 1884/5 that Bramley settled in Newlyn. He was a quiet and reserved figure, prone to bouts of melancholy. He worked on his own in a tiny studio in an old thatched cottage - the cottage consisted of two rooms, one at ground level (which was the studio) and one which was below ground which was inhabited by a woman who'd lost her arms and who managed to look after a set of tiny children as well as a small potato and turnip shop. Bramley moved to a purpose-built glass studio in 1889. He is known as the master of the so-called 'square-brush technique' which characterizes much of the best Newlyn School work and he used this until 1893, later than most of his colleagues. Bramley was friendly with the great artist Sargent and with him was elected an associate of the Royal Academy in 1894, being elected a full member in 1911. In 1891 he had married, and 4 years later they moved to the Midlands where his work became less socially orientated and more purely decorative. His last years were spent in a London flat...

Daniel Pasmore the Younger was a London genre and portrait artist who exhibited mostly at the Society of British Artists in Suffolk Street, London. He i...

An original oil on canvas painting measuring 17 x 8 inches by F.S. Muschamp, signed lower right. In the nineteenth century, the Neo-Classical movement bloomed, bringing forth a new style and interpretation of the past. F. Sydney Muschamp...

Attributed to Randolph Caldecott, a well-known English painter, and illustrator of English Pub interior scenes. The scene is great fun, as we can see di...

The Victorian Interior English School, 19th century oil on board, framed behind glass hence photo reflection glare framed: 7 x 8.5 inches board: 4 x 5 inches inscribed verso provenan...

Painting of The Merry Wives of Windsor attributed to John Calcott Horsley English, 19th Century Frame: Height 97.5cm, width 74cm, depth 7cm Panel: Height 78cm, width 54cm, depth 0.5c...