Edward Antoon Portielje

On the Look Out

1910

Frans Wens (19th Century). A charming family interior scene painted by the Austrian artist Frans Wens. There is little recorded biographical informat...

This is an original unique oil painting by the artist, Edward Antoon Portielje, a late nineteenth-, early twentieth-century Belgian painter from Antwerp, who showed an interest in se...

Sam Uhrdin (Swedish School, 1886-1964) Sam Uhrdin was born in 1886 in the Swedish town of Siljasnas to the north-west of St...

This beautiful oil on canvas painting of two women conversing in the kitchen is circa 1920 and is by the artist Edward Antoon Portielje (1861, Antwerp - 1949) who was a Belgian genre painter. He was born to the painter, Jan Portielje...

Sam Uhrdin (Swedish School, 1886-1964) Sam Uhrdin was born in 1886 in the Swedish town of Siljasnas to the north-west of...

Bernard Pothast (1882-1966) Although born in Belgium in 1882, Bernard Pothast was the...

Lucienne Lemercier was a French painter from the latter part of the 19th century through the early 20th century. She came from a family of creative people and took to painting at a...

Signed and dated 92 lower left. Oil on canvas. Frank Bramley British, 1857-1915 Frank Bramley is considered one of the most important artists of the Newlyn School, the group of artists who settled in Newlyn, Cornwall during the 1880s and 1890s, drawn by the light, lifestyle and the example of Alexander Stanhope Forbes, and were at the forefront of 'British Impressionism'. He was particularly ‘in the news’ when his painting of a woman reading in a garden made the astonishing price of $590,000 at Sotheby's New York in late May 1996. As the seminal catalogue of the famous Newlyn School exhibition states, Bramley's reputation has rested for some time on Hopeless Dawn, his major RA exhibition of 1888, and which in recent years has been hung almost constantly at the Tate Gallery. Bramley was born in Lincolnshire and trained at Lincoln Art School, later at Verlat's Academy in Antwerp, from where he went to Venice in 1882-83, where our painting was executed. He first showed at the Royal Academy in London in 1884 (both paintings were Venetian scenes), and it was in the winter of 1884/5 that Bramley settled in Newlyn. He was a quiet and reserved figure, prone to bouts of melancholy. He worked on his own in a tiny studio in an old thatched cottage - the cottage consisted of two rooms, one at ground level (which was the studio) and one which was below ground which was inhabited by a woman who'd lost her arms and who managed to look after a set of tiny children as well as a small potato and turnip shop. Bramley moved to a purpose-built glass studio in 1889. He is known as the master of the so-called 'square-brush technique' which characterizes much of the best Newlyn School work and he used this until 1893, later than most of his colleagues. Bramley was friendly with the great artist Sargent and with him was elected an associate of the Royal Academy in 1894, being elected a full member in 1911. In 1891 he had married, and 4 years later they moved to the Midlands where his work became less socially orientated and more purely decorative. His last years were spent in a London flat...

Daniel Pasmore the Younger was a London genre and portrait artist who exhibited mostly at the Society of British Artists in Suffolk Street, London. He i...

This grand scene depicts the interior of Knole House, a country house and former archbishops palace. Situated within the 1,000 acre Knole Park the house ranks in the top five of Engl...

Attributed to Randolph Caldecott, a well-known English painter, and illustrator of English Pub interior scenes. The scene is great fun, as we can see di...

The Victorian Interior English School, 19th century oil on board, framed behind glass hence photo reflection glare framed: 7 x 8.5 inches board: 4 x 5 inches inscribed verso provenan...